I like it. Not a favorite, but a classic. Specialty Of The House has many fans. I've know a few real life ones, going back decades. For a long while I avoided it in reruns because I knew the ending, which was no big surprise the first time. It's rather telegraphed, but no matter.
What makes it watchable for me is the acting, writing and direction. It moves along briskly, keeps its Big Secret discreetly and, wisely, on the part of the production staff, it wasn't made for a Big Payoff ending. There is one (I suppose you could call it that), but like a piece of music, Specialty has qualities of its own that hold one's attention, and I now watch it every time it's rebroadcast.
Another one like that was on last night (Don't Interrupt), set on a train and centering on an obnoxious child, which I find riveting even as precious little actually happens. Chill Wills sold it for me. His odd, enigmatic presence was creepy from his first appearance.
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