Just for the sake of accuracy, Hope and Ball did four films together. The two to which you refer are, I assume, "Critic's Choice" and "The Facts Of Life."
The two earlier - and better - ones were "Sorrowful Jones" (a Damon Runyon story very similar to "The Lemon Drop Kid") in 1949 and "Fancy Pants" (a slapstick-y western spoof very much in the vein of "The Paleface") in 1950.
I never really got the sense that audiences were meant to buy into Hope's romantic scenes. Hope himself seemed to sense that there was something inherently comical in his being romantic at all, and I don't think I can recall such a scene in any of his films that weren't accompanied by his trademark one-liners or some other comic business.
As it happens, probably the most credibly romantic he ever appears is in his "Thanks For the Memory" duet with Shirley Ross in "The Big Broadcast Of 1938."
Poe! You are...avenged!
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