Martian in the house


Why was that Martian in the house, unarmed, when he knew oeople were there? Why would he initiate contact as well?

"At the end of life, we will be judged by love" ST John of the Cross

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I really don't think that the martian knew that the humans were in the house. First the probe went in the house and looked around. After the probe left, then the martian came out.

I think that the martian wanted to leave the ship and look inside the house and see what was in there. The martian could have just been curious and wanted to look around himself.

"Like I know where to find people in this bum *beep* town" Jessica Hamby

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but the martian put his hand on the woman's shoulder?

"At the end of life, we will be judged by love" ST John of the Cross

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Yes, that didn't make much sense. He was clearly not trying to hurt her, or he wouldn't just lay his hand onto her, as if to get her attention.

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Remember, when they were hiding, Gene Barry says "They may be as curious about us as we are about them," and Ann Robinson replies, "Maybe they want to take us alive." In the manner of movies, such statements are to be taken by the audience as the Martians' intentions, which is why the Martian puts his hand on her shoulder. They want to take them prisoner, probably for experiments before annihilation.

Also, the Martian came in only after they had been discovered by the Martian probe and Barry had chopped the lens off. So the Martians knew by then at the latest that there were two humans in the house. But why that Martian strolled in unarmed is kind of odd.

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True, but why would it just lay its hand onto her? No stun gun? Or perhaps more accurate for the time, no rope or a net? Just place a hand on the creature's shoulder? What was it planning? Was it gonna have a good conversation and a few laughs with her, then convince her to follow it willingly?

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Yeah, I agree, which is why I said it was odd the Martian had (apparently) come in unarmed. Obviously they didn't want to kill the humans outright -- otherwise why not just zap the joint right away -- but it would seem to have made more sense to have dispatched several Martians, with weapons, to take them prisoner.

I suspect the reason the scene was filmed this way was extremely basic: budgetary. They didn't have the money to build more than one Martian (or their personal weapons), and the Martians would have had to have been constructed to be able to hold ray guns convincingly, which would not have been easy to do.

But it's also a lot scarier to have a single alien touching the girl on the shoulder, than a whole bunch of armed aliens suddenly showing up. Analyzed logically, it may not be realistic behavior, but from a cinematic or mood point of view it was very effective.

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You're probably right. The one Martian they did have was falling apart, and that was apparently the best they could muster.

And I agree, it was probably for the best. But my brain wants to analyze it!

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I suppose that the Martian culture as depicted here wouldn't make sense to us Earthlings.

I always thought it didn't make any sense that British soldiers during the American Revolution, as depicted in many movies, wore brightly colored uniforms and walked in straight lines directly into enemy fire. In other cultures sending a young boy on his own out into the wilderness to kill a ferocious beast with only his wits and grit to demonstrate that he is worhty to pass the threshold into manhood doesn't sound like something we here in the old US of A would do.

Was the lone invader venturing into the farmhouse as a rite of passage? I don't know.

After the probe checked the joint out out, did he feel pretty safe doing a little souvenir hunting on his own while the other two guys in the ship rustled up some chow? I don't know.

Maybe he was trying to do something to impress his girl back home! I don't know.

Or maybe it was a triple-dog dare.

"Come on, Whickzork! Ya' Yella belly! Whickzork is yella!"

"I AM NOT!"

These guys came to Earth out of desperation. Maybe they weren't really fierce, green-blood thristy barbarians! They merely had the ability to throw together some really boss weapons of mass distruction.

And maybe, just maybe it was like the scenario in The Mouse That Roared (1959):

Krypshott Bascombe: "Remember, men. There is nothing wrong with surrendering to overwhelming powers, as long as it is done in a military manner."

General Zorpedo: Remember, men, no matter what they do, don't talk.
Musketeer Whickzork: What if they torture us?
General Zorpedo: Just don't talk!
Musketeer Whickzork: Can we scream a little?

So many questions....




"Please use elevator, stairs stuck between floors."

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Hi esc --- I think you were up way too late last night!

But you certainly make a unique point -- maybe they sent in a lone Martian for the same reason armies used to send in rows of enlisted saps to take all the bullets. Amazingly stupid and arrogant tactics, carried into our Civil War before someone got half a brain.

That said, this Martian was really small and spindly, and with only three fingers with suction cups (how did they catch criminals on Mars without fingerprints?). The humans looked too big for him to handle to start with. So there seems even less logic to sending in a lone unarmed Martian.

Those Martian fingers raise another issue: I've long wondered how they maneuvered their craft, in fact how they even reached their advanced technological state, without opposable thumbs. Aren't these necessary for stuff like that?

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There's always been speculation about the full appearance of the Martian from this version. Most depictions have them with frog-like feet with the standard issue three toes ("The Martians do everything in threees!"). Fair enough.

But how about them feet? Maybe they had "thumbs" on their feet (Remember that guy, Tony Melendez, from a few years ago that played the guitar with his feet? He had no arms and really wanted to play and he was very good).

And -- who knows? -- maybe the lone Martian wanted to be friends after hearing that nice greeting from the first three (!) guys encountered ("Welcome to California!"), maybe he wanted to surrender. ("Excuse me , I don't want no trouble... I got drafted before I could cross the Solar System to Pluto and...HEY! -- WHAT'S WITH THAT LIGHT?! My eyes! YAAAAH!)

Robby the Robot also had only three digits per hand and he was able to distill and pour whiskey into bottles. Quite a talent.

But we need to consider the venerable form of karate, which is to say "empty hand". He may have tried to sucker punch Sylvia when she turned around but didn't count on the Eveready. Or maybe somewhere in this vast Universe, there is such a thing as "The Spock Pinch".

I don't know. But as you intimated in another entry, HOB, it makes for great drama and that is one of the best scenes in the picture.

(I haven't seen it in a long time, but Joe Dante's Explorers - 1985 - featured aliens with similar mitts. Maybe that title would lend a clue as to how the WotW Men from Mars could build things and fly spacescraft)


"Please use elevator, stairs stuck between floors."

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Of course, it's long been rumored/alleged that ET was patterned after the Martian in TWOTW. Everyone connected with the 1982 film has always denied that, thereby confirming its veracity. Spielberg and Co. have also denied any connection between Indiana Jones and the Harry Steele character played by Charlton Heston in Secret of the Incas, though it turns out the costume designers did dress Indy to resemble Harry, and the source material for both films was the same book.

But we never do see much of the rather spindly Mars guy's lower limbs, or how he walks. When he ran out of the place screaming after getting the ax from Dr. Clayton Forrester, he looked like he was rolling on gimbols...an idea later employed with compelling realism in the eerily authentic Danish dino flick, Reptilicus, with its creature rolling around the Lego countryside on unseen, but remarkably smooth, foot-wheels. Ikea subsequently swiped the technology to enable its customers to move their sofas.

Anyway...notice also the Martian appears to be naked. No uniform or clothing of any kind that we see. Presumably no shoes. Probably the reason he's filmed only from the waist up. Did ET have something on? I can't remember.

Maybe he touched Sylvia because he was in his cups. Or perhaps because Mars, after all, needs women.

But here's something: the Martians die because they have no immunity to Earth's bacteria. So what about Clay and Syl? They were right next to a Martian. He put his stinking cups on her shoulder, the damn dirty alien. They were in direct contact with the Martian blood that spattered onto Clayton's handkerchief after he attacked the poor defenseless (except for two types of disintegrating beams and an atomic cake-jar shield) creature. So how come they didn't catch some Martian germs and die? Huh? Huh?

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The French discovered at the beginning of World War l that blue tunics and red trousers made perfect targets.

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Hence your IMDb monkier?! Let's face it -- we come here to analyze this stuff!! That's all the fun.

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Well, your entry brings up another subject for another thread. But here we are so I'll continue here.

It was always my contention that Indiana Jones was the illegitimate son of TWotW's Clayton Forrester. He and the Junior Jones even look alike.

And one (this one) can't get past the tip o' the fedora to Forrester in Raiders of the Lost Ark prologue when Jones comes across the skewered remains of his old budy old pal, whom Jones identifies as "...A competitor... he was good. He was very good..." none other than one "Forrestal"!

Personally, I would place TWotW in the Jones canon over the clumsy 2008 release Indiana Jones and the Kingdom of the Crystal Skull but that's me.

(And I'm sure you know that Dr. Jones' officially named proto-type character was Fred C. Dobbs)

What? "Germs", you ask? Germs from the alien gore?

Well, I don't know for sure -- but! -- the evidence shows that Forrester and Van Buren fell in love! Maybe the Martian infection was a Love Bug! Shoot, a fella' could have a pretty good weekend in Vegas with all that stuff.






"Please use elevator, stairs stuck between floors."

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A "Love Bug"? Please -- keep Disney out of this!!

Walt Disney 1901-1966

Walt Disney 1966-

Great pal of George (Pal).

At least Sylvia's screams gave Clayton a heads-up of what to expect on the wedding night. .....

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Poor Sylvia. It'll never work out. Men are from Mars...

(Is that what they mean when they sell tickets to see "Disney On Ice"? Oh, My!)

"Please use elevator, stairs stuck between floors."

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Some choice for Sylvia! If men are from Mars, it's either get touched by a Martian or get groped by a doc with leering glasses. Yeesh!



On the other hand, if women hail from Venus, maybe she should contact Ms. Garland, whose proto-Mars hubby was in cahoots with the giant cucumber from Venus in It Conquered the World. That would disabuse her of any notions of romance or sexual congress (they must do something in Washington) with a Venusian male...although the pickle is shaped in a highly suggestive, albeit appropriate, manner for such escapades.

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I first saw this movie in the early 60's so I was maybe a nosepickin' 11 year old or a pimply 12 year old or somewhere there abouts. And while the likes of Christine Mcintyre, Eve Arden and Hillary Brooke had left me with a bleating heart for blondes, I broke rank with that convention to make room for Sylvia Van Buren. I saw her as a resourceful trooper, faithful, chaste, smart and could drive stick.

And, so, when she cried at the thought of the loss of her beloved Uncle she completely won me over, dark roots or no dark roots.

Besides, she could cook!

"Please use elevator, stairs stuck between floors."

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I like Sylvia too, but for two things.

No, not those two things.

One, those screams -- way too many, and way too loud.

Two, her apparent religious fundamentalism. And she wants to marry a scientist?

Too many potential hazards and guilt-trips if and when it finally got around to sex.

Still, if you're stuck in a trench with Martian war machines and no one else is available....

Oh, doctor!!

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What?! Take away from Miss Van Buren those character traits and we wind up with Vicki Harris (xref. Target Earth -- 1954). And while some may want a person of such questionable attributes, I personally would perfer a person with hope, passion and moxie in my corner. Meeting those specifications we have Sylvia Van Buren!

And should we look down on a person for crying as much as she did after having gone through an emotionally taxing day? Even the cold blooded Forrestal understood her reasons!

And should we take in her outbursts with dead, lifeless eyes, then I for one must say that these Martian invaders came too late (pardon my timeline)! Yes, "too late" because another inter-planetary conquest certainly must have already taken place! In evidence I submit one Becky Driscoll! (Invasion of the Body Snatchers - 1956)

That is our conviction for ourselves--that is our only commitment to others. No friend, no neutral and no adversary should think otherwise. We are not against any man--or any nation--or any system--except as it is hostile to freedom. Nor am I here to present a new military doctrine, bearing any one name or aimed at any one area. I am here to promote the freedom doctrine.





"Please use elevator, stairs stuck between floors."

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Hey, I didn't say the only alternative to moxie was zombie !

Now Anne Francis...there was the happy medium, like the girl on The Dead Files. True, she wasn't confronting aliens, exactly, except that Id monster, and maybe Jack Kelly, but even so, she seemed to have the guts, intelligence and all-around sexiness required for a main squeeze in such a crisis. And Anne never quit, and even had the sense to realize the truth about her old man before it got too late. My choice.

As long as we've descended into sexism, I always wondered whether that shot of Dr. Forrester pointing his geiger counter toward the meteor at the beginning was deliberate. If you recall he was waving it around in all directions, once it had picked up the first faint signal, but it was when he turned it toward the "meteor" that the thing went off the dial. However, the way it was photographed, he appeared to be pointing it directly at Sylvia, or more precisely, Sylvia's breasts, when the g.c. "went crazy", in the words of the scientifically-minded sheriff. It looks a suspiciously sly shot on the part of good old Byron Haskin.

Oh, it is Doctor Forrester, not Forrestal. That was Truman's Secretary of Defense, who killed himself. Probably when he realized the Martian invasion would succeed in six days, despite all the muskets and bayonets he'd so carefully supplied the Army to fight with.

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(thanks for the correction, hob. I keep referring to that character mentioned in Raiders of the Lost Ark)

Yes, Anne Francis. Another in the tow-headed gang that unmercifully stole my heart away in my burgeoning yoot.

This discussion is quickly transmorphing into a regular "Ginger or Maryann" debate.

You might got something there about the Gieger Counter and Forrester's seemingly innocent aim.

On the other hand sometimes a Geiger–Müller tube is just a Geiger–Müller tube.


"Please use elevator, stairs stuck between floors."

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Mary Ann.

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"Please use elevator, stairs stuck between floors."

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Heh, I suppose you could say that. I enjoy that interpretation of my moniker. And yeah, that's indeed all the fun -- or most of it, coming here to look far, far too deeply into things, and to share with the world idle speculation. Good times; it's like having a million pen pals, bound to get someone's attention and interest on any and all matters.

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Sad story. You got a smoke?

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And at least your "brain gremlins" lead you to post learned, funny and interesting comments. Always a pleasure.

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I've analyzed this movie up and down since I was 6 years old (and back then from the imagined safety of behind my parents' couch) and I can tell you that:

*The Alien was not sure anyone was in the house. He left the spaceship before the camera caught the two trying to break out so had no idea the humans were in the house. He was most likely investigating the noise from Dr. Forrester hatcheting off the camera lens and put his hand on Sylvia's shoulder without looking, assuming she was just part of the scenery. When she turned around and looked at it, it was just as surprised to see them as they were to see it. Awkward situation resolved by stealthy axe-throw.

I wonder what would have happened had it been Uncle Matthew in the house with the alien. Do you think he would have had better luck "communicating"?

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I think this scene gave the Martians a sense of humanity about them, I actually felt a tad sorry for the Martian they killed in this scene mainly because it made a completely non violent attempt to approach them.

And when it dies it cries out in pain

It's almost a hard scene to watch.

I've often wondered if that's the point, that the alien wasn't hostile. If it was then it would have killed them on first sight.

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"The alien wasn't hostile"? The alien and his compatriots are in the process of invading and attacking the entire planet, burning down cities, annihilating people, blowing up everything they can, and unhesitatingly evaporating humans attempting peaceful contact (the three bozos at the beginning, the minister).

You don't think he was hostile?

He wanted to take the two prisoner, which ultimately surely meant death. The manner in which he came in (alone and unarmed) may be questionable but the invaders were indeed hostile, down to the very last Martian.

Though you do sort of feel a bit sorry for the Martian after Dr. Forrester throws an ax at him.

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"The alien wasn't hostile"? The alien and his compatriots are in the process of invading and attacking the entire planet, burning down cities, annihilating people, blowing up everything they can, and unhesitatingly evaporating humans attempting peaceful contact (the three bozos at the beginning, the minister).


That wasn't the same exact alien that killed the missionary. You could say the same thing about humanity. We all must be violent because of every war, murder, and cruel act committed by most people of our species. If we were to actually sit down and make a list of every atrocity in history, we would assume by your rationalization that humans are inherently hostile and deserve to be axed to death by Gene Barry.

I would argue that most people who ever lived on earth have been physically violent toward someone, especially young children. So we all deserve to die I guess. If the history of earth were one giant movie, I guarantee it would be a Hollywood blockbuster with explosions and gory death scenes every second.


You don't think he was hostile?


No. Was it violent? Did it kill? We don't see it do anything violent at all, which means we have no reason to justify its death. If the alien had attacked them, then the scene's purpose would have been to show us a justified death. We would not feel any empathy for it whatsoever. However, we don't see that at all because the director chose not to portray the scene that way. What we see is a non violent attempt by the alien to make contact with the strangers it has encountered. (perhaps to emphasize a sense of irony.)

He wanted to take the two prisoner, which ultimately surely meant death. The manner in which he came in (alone and unarmed) may be questionable but the invaders were indeed hostile, down to the very last Martian.


If he wanted to take them prisoner, then why didn't he have a weapon? What kind of a soldier tries to take prisoners without a weapon. If these aliens are so intelligent that their weapons can survive a nuclear bomb, surely they are not stupid enough to walk around unarmed trying to take prisoners. Your interpretation doesn't really make sense here.

Also if they had wanted to take prisoners, why would they attempt to kill every form of life on the planet first? Perhaps they saw us the same we we see bears, rodents, or squirrels. A surface nuisances and inferior organism, which doesn't seem to utilization its habitat to its fullest potential. (therefore deserves to be either eradicated or pushed out of the way for our own benefit).

Though you do sort of feel a bit sorry for the Martian after Dr. Forrester throws an ax at him.


How could you not? It makes a completely non violent attempt to approach them. Of course Forrester, who has nothing but the utmost respect for science, reacts in the typical fearful, human manner by killing first and asking questions later. His fears are definitely justified considering his experience, but it's an emotionally gripping scene with an uncharacteristic barbarism and sadness to it. It's a low point for his character because we know he's capable of better than that and yet still maintains a tragic human trait that we will probably never shake off.

Also, it's not like he kills him suddenly with a gun, he axes him to death. A fairly slow, painful and violent death, in which the victim is fully aware of the cruelty and savagery occurring.

Like I said, it's a surprisingly hard scene to watch for a cheesy 50s sci fi film. If you actually sit and think about the scene, it's an bold interpretation. Perhaps anticipating the 60s awakening.

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Well, I congratulate you on at least an original take on the Martian's attitudes, collectively or individually. Not to mention musing that this scene somehow anticipated the "60s awakening", whatever that refers to, and which is a pretty specious notion anyway.

No, this wasn't the same exact alien as the one who killed the minister. (At least, probably not -- do you know this for a fact?) But the fact that he didn't do anything violent in this one scene doesn't mean he wasn't hostile. You're conflating hostility with violence, as in your statement in reply to my question when I asked if you didn't think the alien hostile:

No. Was it violent? Did it kill? We don't see it do anything violent at all, which means we have no reason to justify its death.


The fact that he didn't immediately act violently certainly doesn't mean he wasn't hostile. At the very least, as a member of an invading army wantonly killing and destroying, he was by definition "hostile". Add to this that you have no idea whether it had acted violently or had killed previously. You cannot therefore attest to the alien's character.

Nor is there any reason to infer that simply because he wasn't violent in this situation that his intentions were somehow benevolent. Rather, he seemed intent on taking the two prisoner, and with no sign that anything good would come of that. (We know this because the two speculate that the Martians may be as curious about us as we are about them, and that "maybe they want to take us alive." In movie-ese, this means that the audience is to assume this to be the case.) Put it this way: would you have simply gone along peacefully with an alien who was part of an invasion force at that very moment wreaking violent havoc and destruction across the entire planet, slaying millions? Somehow I doubt it.

Then you make this baffling statement:

Also if they had wanted to take prisoners, why would they attempt to kill every form of life on the planet first? Perhaps they saw us the same we we see bears, rodents, or squirrels. A surface nuisances and inferior organism, which doesn't seem to utilization its habitat to its fullest potential. (therefore deserves to be either eradicated or pushed out of the way for our own benefit).


Your intent is to somehow give the idea that this was in fact an attempt at peaceful contact. But your very speculation concedes that the Martians are trying to kill all forms of life on Earth -- which is of course true. So why would anyone infer that this Martian was in some way benign? You even concede that they probably saw us as some minor organism. If so, why -- or even how -- would they try to communicate with us? They wouldn't, or at any rate that wouldn't be their purpose. At best, in such a case you study such an organism, perform experiments on it, and finally kill it off when you're finished. This is a sign of friendship? Your own statement contradicts the point you're trying to make.

At least you agree that Forrester's fears are justified under the circumstances. However you may choose to characterize it, he acted out of self-preservation. Nor do we know whether he killed the alien; this is never made clear. You draw a graphic account of the alien's alleged death, saying Forrester

axes him to death. A fairly slow, painful and violent death, in which the victim is fully aware of the cruelty and savagery occurring.


Except, Forrester doesn't "ax him to death." He throws an ax at him and does hit him, but it's one blow -- not a series of blows, striking him repeatedly with the ax. It isn't "cruelty and savagery occurring", as in a continuous act, but a single, one-off blow. A violent act to be sure, but you don't know whether the alien dies, or even how badly it's hit -- you forget to mention that it runs out of the house screaming, which if nothing else indicates it's still alive and quite mobile. For all you know he may have only been injured, cut (the couple does find some blood) but not seriously hurt. In fact, there is no sign that he dies at all.

A few final points. You state (bracketed portion added):

However, we don't see that [an attack by the alien] at all because the director chose not to portray the scene that way. What we see is a non violent attempt by the alien to make contact with the strangers it has encountered. (perhaps to emphasize a sense of irony.)


The director didn't "choose" to film the scene this way. That was in the script. That aside, you insist this is a non-violent attempt to make contact. What evidence is there that this is an attempt at "contact" or is peaceful in its intent? The fact that the Martian doesn't commit an overt act of violence means nothing. Again, you stated that the Martians may regard us as just another lower order of animal. Therefore, "contact" is not an issue. This is nothing more than your personal belief based on no evidence. Hostility doesn't require violence, or rather, violence is not a prerequisite for harboring hostility.

You're correct that the apparent absence of a weapon in the Martian's hands is a problem in the context of his taking the pair prisoner. I touched on this same flaw in my previous post. But you take this as proof of the Martian's peaceful intentions. It may also simply be that the special effects people at Paramount didn't have the ability to have the spindly Martian puppet actually hold a weapon. You've asked whether it makes sense that he'd go unarmed to take prisoners. Well, is it logical he'd go unarmed even if he sought only peaceful contact? After all, his "people" are invading and decimating the planet and its inhabitants. Would he really think the two humans might not react with violence? Wouldn't he go prepared for an attack? As you said, the Martians aren't stupid. In your own words,

Your interpretation doesn't really make sense here.


Lastly, this film is anything but "cheesy", an overused and unimaginative term. It's one of the best science fiction films of the 50s and its special effects were state of the art. I find it irritating when people diss older films because they don't have the supposedly superior technical qualities of films made 60 years later. They should be accepted and appreciated within their contexts.

One last thought. The Nazis invaded a dozen countries, massacred millions, bombed and destroyed cities, villages, the countryside. I'm sure that in among the ten million German troops there were some decent people who might have wanted to "communicate" with their enemies -- their victims. This doesn't mean they weren't either hostile or violent. Whatever their individual natures, as soldiers they were both violent and hostile, indeed had to be. Would people in the occupied countries have been expected to be civil and "non-violent" to an invading force of murderers? Would you have been? And even if a German established a civil relationship with one of the conquered, so what? What would this change? If anything it would only confer some sort of acceptance, even justification, upon the invaders. Change Nazis for Martians, and you have the identical moral situation here.

The idea that this Martian was benevolent is speculative, without proof; not committing an overt act of violence in one scene isn't evidence of any trait or character. Discoursing on the frailties of human nature may be academically interesting but is beside the point. As Colonel Saito said in The Bridge on the River Kwai, "This is war! This is not a game of cricket!"

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Well, I congratulate you on at least an original take on the Martian's attitudes, collectively or individually. Not to mention musing that this scene somehow anticipated the "60s awakening", whatever that refers to, and which is a pretty specious notion anyway.


I mean the themes of non violence which were so prevalent in 60s cinema.

No, this wasn't the same exact alien as the one who killed the minister. (At least, probably not -- do you know this for a fact?)


How on earth could you possible know this? Do you have some type of secret knowledge or trivia of the film that I don't have? As far as I'm concerned the aliens in the ship attacking the house are completely different aliens than the ones at the original sight. I have no reason to believe these are the same exact aliens. Anyway, there's really no way of confirming this either way, so I'm not sure why you're so adamant about this

But the fact that he didn't do anything violent in this one scene doesn't mean he wasn't hostile. You're conflating hostility with violence, as in your statement in reply to my question when I asked if you didn't think the alien hostile:


Most people are hostile by nature, it's just how any organism is. It's a survival instinct. Whether or not we physically manifest this hostility is usually the bigger concern. In the scene, the alien approaches them in a non hostile manner. Why? We'll never know. How come the other aliens killed first but this one didn't?

Nor is there any reason to infer that simply because he wasn't violent in this situation that his intentions were somehow benevolent.


I never said this at all. What I said was, he makes a non violent approach. And he does. There's no other interpretation one can make here, the alien was non violent.


Rather, he seemed intent on taking the two prisoner, and with no sign that anything good would come of that. (We know this because the two speculate that the Martians may be as curious about us as we are about them, and that "maybe they want to take us alive." In movie-ese, this means that the audience is to assume this to be the case.) Put it this way: would you have simply gone along peacefully with an alien who was part of an invasion force at that very moment wreaking violent havoc and destruction across the entire planet, slaying millions? Somehow I doubt it.


This is totally your interpretation based on very little proof. He has no weapons (or back up), he says nothing to them at all, meaning he is not asking for them to surrender. Also...if they initially wanted prisoners, why would they burn the entire house in hopes of killing anything that was inside?

Your interpretation makes no rational sense whatsoever. If they wanted prisoners they would have taken them early on. No where in the movie do the aliens take any prisoners.

Then you make this baffling statement:


What's baffling about it? I'm basing it on literal evidence. You're not.

Your intent is to somehow give the idea that this was in fact an attempt at peaceful contact.


No it isn't, you're totally misinterpreting my point. I never said the alien wanted peaceful contact, just that his approach was non violent. What the alien's intents were, we'll never know. But they very well could have been an attempt at a peaceful understanding. Maybe the alien had gone rogue and wanted to find a peaceful way of approach the humans. Maybe the aliens were starting to get sick already and he was trying to find some way of reaching out for help. Maybe he wanted to take them prisoner or kill them. (although if this were the case, why wasn't he armed? Why didn't he just kill them first when they had their backs turned to them?)

There are too many ways to interpret the alien's motives, which makes it pointless. So I'm not sure why you're so intent on it.



But your very speculation concedes that the Martians are trying to kill all forms of life on Earth -- which is of course true. So why would anyone infer that this Martian was in some way benign?


Why not?

Humans take the same approach to warfare. Our intent is to kill all forms of life in battle. However, there have been many rare examples of benevolence in the past. So why would we assume that this can't exist with Martians?

You even concede that they probably saw us as some minor organism. If so, why -- or even how -- would they try to communicate with us? They wouldn't, or at any rate that wouldn't be their purpose. At best, in such a case you study such an organism, perform experiments on it, and finally kill it off when you're finished. This is a sign of friendship? Your own statement contradicts the point you're trying to make.


First of all, how could the aliens understand how smart humans were upon their initial meeting? They would have no way of understanding our intellect, nor would they care. The Martians were looking for some place to colonize, which is much easier with the natives out of the way. I do believe that the aliens probably see us the same way we saw natives during the era of colonization. Sure we were capable of communicating with them, but we saw them as fairly inferior and savage anyway. Worth getting rid of so we could utilize the location's ultimate potential.

Also, if this is your argument then we do we try to communicate with dolphins, dogs, or other types of organisms on this planet? I never said they were trying to make friendship..lol-really?? You're putting words in my mouth. What I said was the alien makes a non violent approach toward the characters. Nothing more nothing less. Stop trying to add something that's not there in my original comment.


At least you agree that Forrester's fears are justified under the circumstances. However you may choose to characterize it, he acted out of self-preservation. Nor do we know whether he killed the alien; this is never made clear. You draw a graphic account of the alien's alleged death, saying Forrester


Even if he isn't dead the interpretation still remains the same. The alien made a non violent approach and Gene Barry made a violent response.

Of course I do, I said this three times already. Gene Barry's fears are justified, but it's still a sad scene to watch because he respects science so much.

Except, Forrester doesn't "ax him to death." He throws an ax at him and does hit him, but it's one blow -- not a series of blows, striking him repeatedly with the ax.


So this makes it less savage and less violent? NO...violence is violence!

It isn't "cruelty and savagery occurring", as in a continuous act, but a single, one-off blow. A violent act to be sure, but you don't know whether the alien dies, or even how badly it's hit -- you forget to mention that it runs out of the house screaming, which if nothing else indicates it's still alive and quite mobile. For all you know he may have only been injured, cut (the couple does find some blood) but not seriously hurt. In fact, there is no sign that he dies at all.


Again...violence is violence...just because you maim instead of kill doesn't mean it's totally ok.

The director didn't "choose" to film the scene this way. That was in the script.



WHOA. Ok here we have a fundamentally different understanding of cinema. The director chooses how to shoot a scene, rather than what to shoot. And this is the biggest difference. It's the way the director shoots the scene, that portrays a sense of irony and empathy, the only that exists in the entire film. The script can be interpreted in many ways. The director could have chosen to portray this scene as a very hostile one, building up tension to try and frighten the audience. In fact I was surprised that he didn't, seeing as how this is 50s sci fi and most people going to see it would rather see this. (kind of like the horror of its day, most people wanted to jump out of their seats). But the scene isn't just about portraying fear or tension, it's a little more than this.



That aside, you insist this is a non-violent attempt to make contact. What evidence is there that this is an attempt at "contact" or is peaceful in its intent? The fact that the Martian doesn't commit an overt act of violence means nothing. Again, you stated that the Martians may regard us as just another lower order of animal. Therefore, "contact" is not an issue. This is nothing more than your personal belief based on no evidence. Hostility doesn't require violence, or rather, violence is not a prerequisite for harboring hostility.


He doesn't shoot them or have a weapon=non violent! I'm not sure what other interpretation you can make here...

You're correct that the apparent absence of a weapon in the Martian's hands is a problem in the context of his taking the pair prisoner. I touched on this same flaw in my previous post. But you take this as proof of the Martian's peaceful intentions.



No I don't, again you just don't seem to understand what I'm saying here. I'm not taking sides....lol I'm not saying the aliens were all peaceful hippies singing kumbaya....

What I said was that this alien made a non violent approach because this literally happens....the alien is not violent and does not have a weapon...duh.

It may also simply be that the special effects people at Paramount didn't have the ability to have the spindly Martian puppet actually hold a weapon. You've asked whether it makes sense that he'd go unarmed to take prisoners. Well, is it logical he'd go unarmed even if he sought only peaceful contact? After all, his "people" are invading and decimating the planet and its inhabitants. Would he really think the two humans might not react with violence? Wouldn't he go prepared for an attack? As you said, the Martians aren't stupid. In your own words,


GIVE ME A BREAK. Excuses excuses...

You really want to believe your own theory on this prisoner thing. I personally don't remember this being in the book at all, but you're allowed to see a movie any way you want to. I don't care. I'm just not sure why you feel some arbitrary need to criticize my own interpretation constantly and incessantly, as if there were something wrong with me.

The book was a satire on our approach to colonization and society during the turn of the century. We saw ourselves as superior based on social Darwinism but what happens what a superior species comes along and conquers us the same way we conquer others?

Lastly, this film is anything but "cheesy", an overused and unimaginative term. It's one of the best science fiction films of the 50s and its special effects were state of the art. I find it irritating when people diss older films because they don't have the supposedly superior technical qualities of films made 60 years later. They should be accepted and appreciated within their contexts.


Give me a break lol…this is my own personal taste you're criticizing. I'm allowed to find whatever I want to, cheesy. The religious undertones are a bit corny, some of the dialogue is a bit disjointed, some of the plot points and scenes are a bit over the top, such as the scene where the minister decides to sacrifice himself…for literally no reason whatsoever.-What a sanctimonious idiot, and we're supposed to feel sorry for him? The minute he got vaporized I cheered, one less annoying, overbearing, religious idiot on the planet, yay.

For the record, I also think the film is great. It's one of my favorites and I prefer it to the 00s remake. However, that doesn't mean it doesn't have flaws. One thing I particularly admired about it was some of the screenwriting, which doesn't dissolve into sci fi/horror cliches. It's a film with a message. Also nice special effects for early 50s sci fi, you can tell someone cared about making a good movie, rather than just blockbuster bucks.

One last thought. The Nazis invaded a dozen countries, massacred millions, bombed and destroyed cities, villages, the countryside. I'm sure that in among the ten million German troops there were some decent people who might have wanted to "communicate" with their enemies -- their victims. This doesn't mean they weren't either hostile or violent. Whatever their individual natures, as soldiers they were both violent and hostile, indeed had to be. Would people in the occupied countries have been expected to be civil and "non-violent" to an invading force of murderers? Would you have been? And even if a German established a civil relationship with one of the conquered, so what? What would this change? If anything it would only confer some sort of acceptance, even justification, upon the invaders. Change Nazis for Martians, and you have the identical moral situation here.


Yes well you forget that there were even some SS soldiers who actually helped save some Jews, who had mercy over some people, and who were forced to do some of them things they did out of sheer fear of disobeying orders. Nazis were not just one giant evil monster, they were made up of a collection of individuals led by tyrannical and evil people. In fact, I find it bizarre that anyone would criticize the foot soldiers at all, they literally had no choice whatsoever whether or not they fought. They also didn't commit the massive atrocities that the SS did, many of them were probably completely unaware of what they were doing.

I certainly agree that a great deal of 50s sci fi was inspired by WW2, but I think your interpretation of the "nazis" needs a bit of research. (outside of the history channel).

The idea that this Martian was benevolent is speculative, without proof; not committing an overt act of violence in one scene isn't evidence of any trait or character. Discoursing on the frailties of human nature may be academically interesting but is beside the point. As Colonel Saito said in The Bridge on the River Kwai, "This is war! This is not a game of cricket!"


Yes you're right, but you're the one basing your interpretation with no proof. All I said was that the alien makes a non violent approach and he does. The scene is pretty literal.

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Well, first let me demonstrate a couple of things for the record. In your most recent post (August 22) you wrote, in response to one of my earlier statements (shown here in italics):

No, this wasn't the same exact alien as the one who killed the minister. (At least, probably not -- do you know this for a fact?)

How on earth could you possible know this? Do you have some type of secret knowledge or trivia of the film that I don't have? As far as I'm concerned the aliens in the ship attacking the house are completely different aliens than the ones at the original sight. I have no reason to believe these are the same exact aliens. Anyway, there's really no way of confirming this either way, so I'm not sure why you're so adamant about this


I haven't a clue what your complaint is because what you say is inaccurate. I never stated the alien was or was not the same one who attacked the minister. I did not say I "know' anything about this and can certainly not be "adamant" about something the answer to which I state at the outset I don't know. I merely allowed for the fact that it's possible the two aliens were the same, though I agree that they were almost certainly different beings. However, this was all in response to your statement in your post of August 12, to wit:

That wasn't the same exact alien that killed the missionary.


As far as being adamant goes, it was you who made the unequivocal statement that it wasn't the same alien. As someone said, "Do you have some type of secret knowledge or trivia of the film that I don't have?"

All I did was make a technical quibble that it might have been the same one. You don't believe it's the same Martian, and neither do I. However, you're right -- there's no way of confirming this either way. But it's you who first raised this topic, and you who stated flatly (on August 12) that the alien in the house "wasn't the same exact alien that killed the missionary [sic]". You've since retreated from the flat statement you previously made to the point where we agree on what is at best a side issue.

There is then another, more central, point on which you've contradicted yourself. Again, I quote your most recent post (August 22), which in turn begins with a quote (here in italics) from my previous post:

Your intent is to somehow give the idea that this was in fact an attempt at peaceful contact.

No it isn't, you're totally misinterpreting my point. I never said the alien wanted peaceful contact, just that his approach was non violent.


However, I cite this statement from your post of August 12:

What we see is a non violent attempt by the alien to make contact with the strangers it has encountered. (perhaps to emphasize a sense of irony.)


So, yes -- you did say the alien wanted contact. Your insistence now that you said no such thing is, to be charitable, inaccurate.

As to the rest of that paragraph from August 22:

What the alien's intents were, we'll never know. But they very well could have been an attempt at a peaceful understanding. Maybe the alien had gone rogue and wanted to find a peaceful way of approach the humans. Maybe the aliens were starting to get sick already and he was trying to find some way of reaching out for help. Maybe he wanted to take them prisoner or kill them. (although if this were the case, why wasn't he armed? Why didn't he just kill them first when they had their backs turned to them?)

There are too many ways to interpret the alien's motives, which makes it pointless. So I'm not sure why you're so intent on it.


Yes, you're right. We can never know what the alien's intentions were. They could have been any of the things you posit, or something else. But to ask why I'm so "intent" on it is ridiculous. First, it was initially your point -- not mine. Whatever the so-called intent or intention, they are yours, not mine. Second, since you're now apparently backing away from your earlier flat assertion that the alien wanted to make contact, and are allowing for other possibilities, the question becomes how to describe the nature of his approach.

Without getting into a point-by-point discourse on each of your statements, the central point you've been making in all this seems to be encapsuled in a couple of sentences you wrote on August 22:

What I said was, he makes a non violent approach. And he does. There's no other interpretation one can make here, the alien was non violent.


This gets back to the difference between his approach in this instance vs. the question of whether he was hostile. Previously you have conflated his alleged, technical non-violence (which basically seems to consist of the fact that he wasn't actually pointing a weapon at them) with his being non-violent by nature, or at least with his not acting in a hostile manner. In the narrowest possible sense, this may be a legitimate interpretation, but in the context of the story, of an all-out invasion of the planet, the notion that he wasn't fundamentally hostile is unsupported. Now, you've proposed the possibility that this was an alien who had "gone rogue" who wanted to make friendly contact with humans, and this is of course possible. Neither one of us seems to believe that's the case, but that's the only interpretation where the alien could be deemed non-hostile. But while he may not have been overtly aggressive in his approach -- what you term "non-violent" (except you omit the required hyphen) -- unless he was trying either to make friendly contact or surrender, at some level his attitude as an invader was by definition hostile -- meaning in turn that he could and would turn actively violent if necessary.

Bottom line is I think you imbue his so-called non-violent approach with too much significance. Even you say living creatures are by nature violent. In this case, I wouldn't push the notion of the Martian's so-called non-violence too far. It may be disappointing on one level that a scientist like Forrester should react so aggressively without overt provocation, instead of trying to be "non-violent" himself, at least to start with. It might also have made for a more interesting scene had he not thrown the ax and instead tried to communicate. But as discussed previously, I don't blame Forrester for reacting as he did. And there's no reason to believe the alien's "non-violence" was anything more than tactical and temporary. At least there's no evidence to presume on his pacific approach. But re Forrester's throwing the ax:

So this makes it less savage and less violent? NO...violence is violence!


Right. Which is why shortly after that I wrote that it was

A violent act to be sure
.

Your response to my statement that it was likely the Martian wanted to take the two prisoner:

This is totally your interpretation based on very little proof. He has no weapons (or back up), he says nothing to them at all, meaning he is not asking for them to surrender. Also...if they initially wanted prisoners, why would they burn the entire house in hopes of killing anything that was inside?

Your interpretation makes no rational sense whatsoever. If they wanted prisoners they would have taken them early on. No where in the movie do the aliens take any prisoners.


First, they only burned the house down after the encounter between the Martian and the humans, a hostile act in response to a hostile act. Second, we have no idea what form of communication the Martians use, or whether this alien had time to say anything, and in any case it was highly unlikely that the Martians spoke English, so the fact that he "said" nothing isn't indicative of anything one way or another. Third, the "proof" such as it is is as I said before, in the dialogue where Sylvia says that maybe they want to take them alive. Again, in the context of the art of film, this is meant to indicate to the audience that this is indeed the Martians' intent. In any case, it's the closest thing to any sort of "proof" of the Martian's intentions we have. My statement is perfectly rational and sensible. And how do you know when or how the aliens would have taken prisoners?

An interesting point:

First of all, how could the aliens understand how smart humans were upon their initial meeting? They would have no way of understanding our intellect, nor would they care. The Martians were looking for some place to colonize, which is much easier with the natives out of the way. I do believe that the aliens probably see us the same way we saw natives during the era of colonization. Sure we were capable of communicating with them, but we saw them as fairly inferior and savage anyway. Worth getting rid of so we could utilize the location's ultimate potential.


Well, it's stated at the outset that the human race "was being scrutinized and studied" by the Martians. Doubtless they considered us inferior intellectually (and correctly so), but from their observations they knew us to be an intelligent race that had built a civilization on Earth. They may have held us and it in contempt but on the other hand they knew they were not dealing with protozoa. From their observations they had to know we were smart enough to understand the basics of what was going on. You subsequent analogy -- to the way in which natives were viewed by colonizers -- is much more accurate.

Again, a quote you cite from me, in italics, followed by your response above:

It may also simply be that the special effects people at Paramount didn't have the ability to have the spindly Martian puppet actually hold a weapon. You've asked whether it makes sense that he'd go unarmed to take prisoners. Well, is it logical he'd go unarmed even if he sought only peaceful contact? After all, his "people" are invading and decimating the planet and its inhabitants. Would he really think the two humans might not react with violence? Wouldn't he go prepared for an attack? As you said, the Martians aren't stupid. In your own words,

GIVE ME A BREAK. Excuses excuses...

You really want to believe your own theory on this prisoner thing. I personally don't remember this being in the book at all, but you're allowed to see a movie any way you want to. I don't care. I'm just not sure why you feel some arbitrary need to criticize my own interpretation constantly and incessantly, as if there were something wrong with me.


"Give me a break. Excuses, excuses" isn't an answer to anything, just vacuous nonsense. Why would the Martian go unarmed even if his approach was non-violent? It seems a sensible precaution. Why wouldn't he at least allow for the possibility of a violent reaction? The Martians are supposed to be intelligent, after all.

My reasons for believing "this prisoner thing" are based on what's said in the movie. Based on more than anything you demonstrate. But as you say, "you're allowed to see a movie any way you want to." Indeed -- and that goes for you too, as you've been doing throughout these posts. As for what the book says, so what? The book also doesn't take place in 1950s California, or have atomic bombs, tanks, jet aircraft, or Martian war machines suspended by "invisible legs" of energy kept in balance, or any of the characters in the movie. The fact that it doesn't have anyone taken prisoner is completely and utterly irrelevant to the film version we're discussing.

Re the "cheesy" effects:

Give me a break lol…this is my own personal taste you're criticizing. I'm allowed to find whatever I want to, cheesy. The religious undertones are a bit corny, some of the dialogue is a bit disjointed, some of the plot points and scenes are a bit over the top, such as the scene where the minister decides to sacrifice himself…for literally no reason whatsoever.-What a sanctimonious idiot, and we're supposed to feel sorry for him? The minute he got vaporized I cheered, one less annoying, overbearing, religious idiot on the planet, yay.

For the record, I also think the film is great. It's one of my favorites and I prefer it to the 00s remake. However, that doesn't mean it doesn't have flaws. One thing I particularly admired about it was some of the screenwriting, which doesn't dissolve into sci fi/horror cliches. It's a film with a message. Also nice special effects for early 50s sci fi, you can tell someone cared about making a good movie, rather than just blockbuster bucks.


Here, we agree on almost everything. I was criticizing only your use of the unimaginative, overworked and insipidly non-descriptive term "cheesy", along with the inherent disparagement of effects using the technology available over 60 years ago that the use of that term connotes. Since you subsequently say you admire the effects for their time, it seems you've somewhat contradicted your use of the purely disparaging term "cheesy".

Otherwise, I essentially agree with your comments here. I quite agree it has flaws as well -- few films don't. It isn't a "perfect" film -- as the very argument we're having over this Martian's intentions proves. It doesn't have to be flawless to be excellent or admirable.

As to the WWII comparison:

Yes well you forget that there were even some SS soldiers who actually helped save some Jews, who had mercy over some people, and who were forced to do some of them things they did out of sheer fear of disobeying orders. Nazis were not just one giant evil monster, they were made up of a collection of individuals led by tyrannical and evil people. In fact, I find it bizarre that anyone would criticize the foot soldiers at all, they literally had no choice whatsoever whether or not they fought. They also didn't commit the massive atrocities that the SS did, many of them were probably completely unaware of what they were doing.


Yes, well, actually, I didn't forget anything about that and in fact made a generalized reference to such individuals and actions. You considerably overstate any benevolent actions on the part of the German armed forces or SS. Bizarre that anyone would criticize the foot soldiers? Why not? Oh -- because they were only following orders. The Nuremberg defense. Sure, they were soldiers who had to obey orders. Do you think most of them questioned their country's policies? That they weren't ecstatic about their conquests? That they weren't bitter about defeat? The German public too. They had no problem with Hitler or the war until it began going against them. They were foot soldiers in a brutal total war of conquest with which few had any problem. And don't start in on that cowardly pack of lies that the soldiers "were completely unaware of what they [the SS] were doing." That bit of postwar denial and excuse-making has been debunked since 1945. Give me a break.

I certainly agree that a great deal of 50s sci fi was inspired by WW2, but I think your interpretation of the "nazis" needs a bit of research. (outside of the history channel).


Yeah, I'd better stop relying on that university degree in history I spent four years obtaining. Actually, my interpretation needs no further research, but you certainly need some remedial reading. (Or TV, if you prefer.) Especially since part of your would-be refutation of what I wrote was in fact little more than a restatement of it. But I'm afraid some of your interpretations of the Germans' actions and beliefs are pretty problematic.

However, though I raised the subject, this isn't the place to start debating World War II. But the core question remains: would you have been open to an invading Martian overrunning your planet any more than to an invading Nazi overrunning your nation?

Yes you're right, but you're the one basing your interpretation with no proof. All I said was that the alien makes a non violent approach and he does. The scene is pretty literal.


Well, my "interpretation" isn't so much that, as it is simply inferring the Martian's intentions based on that exchange of dialogue between Forrester and Sylvia (about their wanting to take them alive), as I've now twice stated. "You're allowed", as you said, "to see a movie any way you want to." You admit you have no idea why the Martian approaches the pair, and apart from using the piece of dialogue I mentioned, neither do I -- for certain. All we can do is use what little proof we can gather from what's said in the movie.

The core of what you've said is that "the alien makes a non-violent approach". But this scene is nowhere near being as "pretty literal" as you interpret it. True, the alien doesn't use a weapon or do anything overtly aggressive (unless one counts his putting his hand on Sylvia's shoulder an act of at least mild aggression). In that strict sense, you're right, he's being non-violent. But we are never sure, not only of what he wants, but of what his demeanor or character or overall intention is. This is why I said before that though he may be in this brief, narrow scene technically non-violent this does not speak to his character or ultimate intentions. He may want them for a violent purpose but needs to obtain them in a non-violent (i.e., non-destructive) way, to serve as prisoners, guinea pigs, whatever. We can only speculate, though from the evidence it does appear likely he wants to take them alive.

So I disagree that the scene is "pretty literal". In a shallow or narrow viewing, perhaps. But there's much more going on here than a simple "non-violent" approach by the Martian. The scene is actually pretty complex. And concepts of non-violence, hostility, fear, anger, and the rest all enter into it. To simply say the Martian was "non-violent" in his approach may be technically accurate as far as it goes, but it doesn't go far enough.

Two last quick points which don't require direct quotes....

I did not say the director didn't put his own interpretation on how to film a scene. Of course he'll spin it the way he sees fit. I said only that the way the scene was devised or conceived was primarily a product of the screenwriter. Yes, the director has a lot of say but it isn't his interpretation alone.

And as far as the Martian being unarmed, I repeat that we can't be certain of this. Obviously we never see a weapon. Very possibly he doesn't have one with him, though again, this seems illogical to me, as a precaution if for no other reason. In fact, I suspect he doesn't have a weapon because he doesn't brandish one in retaliation after he's hit by the ax. Still, this entire aspect is a confusing and flawed one as far as the film goes. To take it as a further indication of the alien's non-violent approach may be legitimate up to a point. But just as we can speculate on his intentions in confronting the humans, so we can speculate on the reasons why he appears not to have a weapon, and what this means...as well as to the possibility he does have a weapon that we simply don't see. I still think one reason for the absence of an obvious weapon is purely a special effects one: the difficulty of getting the Martian prop to hold one. But whatever the reason it is a gap in the story line and further muddies the scene's intent.

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hobnob53, just stop arguing with me already. Learn to agree to disagree, didn't your parents ever teach you this?? Furthermore, I don't care about your opinions anymore. All I wanted to do was make an interesting observation on a message board about a film I enjoyed. You've totally killed that for. People like you give imdb a bad name! Thanks for making this such a hideously annoying experience.

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I was more interested in the back story of the Martian. IOW, who was he and how did he get chosen to go into the house? Most seem to think he was some kind of scientist but I tend to think he was some sort of slow-witted, lower enlisted type, maybe a Martian screw-up they thought was expendable and drew the short straw. I mean, the cylinder did crash into a farmhouse and maybe he was the guy responsible.

Something along the lines of "Nice driving, Shemp. Why don't you keep yourself busy by going out and seeing what's up with the humans?".

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Although fairly early in the invasion, I think the Martians were getting pretty sick already. this guy may have been raging with infection ( what would be a simple cold to us) and delirious, with most of the crew at least ill, if not half dead from fever and lungs filling with fluid, and intestines running with you know what...
"Must grab wo m a n...Must...Ow, hey dude...lemme outta here."

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I see it happening more like this:

Producer:
"$847!? For a 3-fingered hand? That we're using once at the end of the movie?? Are you nuts!?
Look, we need a bigger scare in that basement. Somebody toss this thing onto Ann's shoulder when she's not looking. She screams, It'll make everybody jump. Boom!

Plus, when the damned thing falls out of the space ship, people will know what the hell it is! 3 Fingers my ass.
I ain't paying 847 bucks for a hand with only 3 fingers on it and just using it once, I'm not made of money!



If we hit that bull's-eye then the rest of the dominoes will fall like a house of cards...Checkmate.

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