Distorted class distinctions
Though I generally like 1953's Titanic -- the first Titanic film I ever saw, as a kid -- over time I've grown more and more bothered by its phoniness and even insulting view of the class differences aboard the ship.
In the film, the upper class's largely negative view of the lower -- so accurately shown in A Night to Remember, and even (up to a point) in the '97 Titanic -- is barely seen. Only the obnoxious, social-climbing Mr. Meeker (Allen Joslyn) is depicted as at all class-conscious. All the wealthy people are good, kind, generous sorts, the steerage simple, honest folk, all happily sailing along together. Few of the attitudes about class distinctions, and certainly none of the discrimination that in fact existed, are shown or even hinted at.
On the contrary, Mrs. Uskadum gets right up to the first class dining room (or outside it anyway) to have Sturges (Clifton Webb) go over those mysterious papers with her -- which would not likely have been permitted. And how do a bunch of college kids from Purdue afford to travel first class in 1912? At least the priest (Richard Basehart) appears to be traveling second class, but even that would seem to have been financially out of reach for a poor parish priest from Boston.
Most insulting of all is the depiction of the steerage passengers when the ship hits the iceberg. They're all shown huddled together belowdecks, too fearful and ignorant of the danger to leave even as the crew tries to make them go to the boat deck -- to the point where it's up to the noblesse oblige instincts of Sturges, Sandy et al to go down and force them to go to the lifeboats.
Of course, in reality the third class passengers tried everything to get up to the boat deck and were blocked at every turn by crew who wouldn't let them pass. This film shows them as ignorant immigrants too stupid and terrified even to save their own lives were it not for the heroic efforts of their betters to get them to move. (The movie also implies that all the women and children got off, with a few dramatic exceptions, which was certainly not the case.) A Night to Remember depicts the terrible truth all too well, and even the dopey, over-the-top 1997 Titanic is fairly accurate on this score.
The more I view this movie -- which basically I do enjoy -- the more put off I am by this whitewashing of a dark, even evil, aspect of the tragedy, and the insulting portrayal of the rich as unambiguously good and helpful and the poor as decent but fundamentally dumb cattle who even require a social superior to tell them to abandon a sinking ship!