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Ford tries to duplicate Huston...and fails


Just a couple years after Huston struck gold with The African Queen, Ford delivered his sordid tale of adventure, love and sex on the dark continent.

There's some fantastic location shooting, with the fauna and wildlife coming thrillingly to life (with stock video of an aggressive, charging gorilla particularly impressive.) An aging Gable is the centerpiece here, who's besieged on both sides by two dynamically different women (the insouciant, liberated Gardner and the tawdry, repressed Kelly.) Refusing to go further, however, the film contents itself with being an illicit love triangle as the two women compete for Gable's virile affection.

And that's all the movie amount to, the "manly beast" Gable satisfying his ravenous lust as he effortlessly juggles them both between his safaris. The sultry Gardner and emotionally-imbalanced Kelly earned oscar noms for their portrayals, but the film falls flat on its face. It's an empty, misogynistic bore that can't manage to say anything meaningful about human relationships and has no narrative fluidity to speak of.

Its leads come nowhere close to evoking the spark and effervescent charm of the chemistry between the two in Huston's film, and its sense of adventure is a dying ember next to the fireworks extravaganza that the latter provides.

Set aside time for The African Queen, and watch Mogambo if the deplorable hash that is t.v. programming has nothing else to offer.

"...if that was off, I'd be whoopin' your ass up and down this street." ~ an irate Tarantino

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Actually, this is a remake of 1932's "Red Dust," directed by Victor Fleming. Clark Gable reprises his role in the newer version, and the locale is Africa instead of Malaysia.

And the movie has a lot to say: at the end, Gable's character is deliberately baiting Kelly's in order to make her break it off. Gardner's character realizes this and takes it further, giving Kelly's character an honorable out to a bad situation. There were selfless acts all around.

..Joe

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Ridiculous statement. There's a lot of beautiful and poetic cinematography in this movie that Huston wuold never achieve.

So sezeth I, so sezeth the world.

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[deleted]

Plot wise it has a lot in common with Hawk's Only Angles Have Wings.

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Yes, there are strong parallels between the love "quadrangle" in an exotic, "uncivilized" location. Gardner, Gable, Kelly and Sinden in Africa; and Arthur, Grant, Hayworth and Barthelmess in the Andes. But OAHW is blessed by a much stronger ensemble beyond the four principals - especially with the great Thomas Mitchell. In fact, in some ways the story hinges more on Mitchell's character and the male "triangle" of Barthelmess/Grant/Mitchell than the love "quadrangle". OAWH is just a fuller, more complex and (for my money) more enjoyable film (despite the laughably outdated "special effects").

John 3:16

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Yes, there are strong parallels between the love "quadrangle" in an exotic, "uncivilized" location. Gardner, Gable, Kelly and Sinden in Africa; and Arthur, Grant, Hayworth and Barthelmess in the Andes. But OAHW is blessed by a much stronger ensemble beyond the four principals - especially with the great Thomas Mitchell. In fact, in some ways the story hinges more on Mitchell's character and the male "triangle" of Barthelmess/Grant/Mitchell than the love "quadrangle". OAWH is just a fuller, more complex and (for my money) more enjoyable film (despite the laughably outdated "special effects").

John 3:16

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I would say the cinematography on The African Queen was better, although of course Huston had two of the most fascinating actors to photograph against gorgeous scenery. He also had Jack Cardiff working for him - a man responsible for some stunning cinematography in The African Queen, and many other films.

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there were quite a few movies made around that time set in africa - these are merely two of the most famous - while AFRICAN QUEEN had the stronger story - i give MOGAMBO the award for incredible visuals - including visuals of Ava Gardner & Grace Kelley - afraid the same can't be said of Kate

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including visuals of Ava Gardner & Grace Kelley


They're the only two visuals with which I'd agree with you.

Surely you're not suggesting the stock African footage or the footage of the Hollywood jungle sets constitute incredible visual achievements.

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