Are all critics phonies?
The top critics on the External Reviews list get the story wrong. These aren't trivial details but major plot points.
Ebert says, "She trusts the discretion of Remy the jeweler. She should not," suggesting that the jeweler betrays Madame to the General, when in fact he is forced to go to the General, because the newspapers report them as stolen, thus making Remy out as a fence. Actually, in going back to the General instead of to the papers, which he had every right to do, Remy is the soul of discretion. Ebert says that Louisa writes day after day and doesn't get her letters answered, when it's the Baron who writes day after day and doesn't get his letters answered.
Hoberman says the General presents the earrings to Madame, then learns she doesn't love him. The General presents the earrings to Madame AFTER he "discovers" she doesn't love him. The presentation is a sadistic joke: he immediately takes them back and, knowing what they mean to her, forces Madame to present them to his niece. This recalls Boyer in Gaslight, in which he uses "lost" jewels to torment his wife, something both critics apparently missed.
These guys are paid to write their reviews, and it seems like they're faking it, because they know the editors are clueless and anyway are only selling clever words, not accuracy. This isn't the only time I've seen this. It's sickening to witness big shot critics reveal how little they care for their subject, how little they care about the reader, how little integrity they really have...and then, get away with it.