MovieChat Forums > From Here to Eternity (1953) Discussion > Wow, this movie is really bad

Wow, this movie is really bad


It has been a while since I last saw this movie but I do remember it was a bad movie. I wonder why it was so highly rated? Was it because it had a cast full of stars?

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I don't get you. I mean yeah it's outdated, but bad? would you be more specific? It's a 1953 movie based on a very controversial novel of the time filmed in one of the most oppressive decades in terms of "morality" and politics. Considering the obstacles this was a pretty brave movie for it's time.

Victor Pagan

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I can't say I agree with the OP either. I happen to love this movie. The performances, in my opinion, are powerful and yet not over the top.

Ashleigh Bright - My opinions may have changed, but not the fact that I am right.

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[deleted]

this is a great movie and not dated at all, even Frank Sinatra didnt overplay his character THAT MUCH LOL.

and i think a lot of the actors became star because of this movie

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Well...

It was so "bad" that it drew huge paying audiences, great critical acclaim, won the Oscar for Best Picture of 1953, and has always (rightly) been considered a classic film.

While you didn't care for the film, and of course, "to each, his/her own," your negative opinion of this movie is in the vast minority.

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Man, I love this movie...

"I know you're in there, Fagerstrom!"-Conan O'Brien

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This is one of the most highly regarded movies in film history.

It's really sad that the teenagers that come to these sites think real garbage like Michael Bay movies are "good". This movie is rich with characters that you really want to understand. It's over 50 years old, and technology has come a long, long way.

I guess it's hard to understand what the world was like when computers were so gigantic they took up entire rooms, and were only used by the government. Most families had one telephone in their house, period. Most people had one television, and there were only 3 stations. No remote control, you had to get out of your chair to change the channel. You saw a movie once, and had to remember it, because there were no DVD's or TIVO. Actors honed their craft on stage, not in front of a camera. It's so different today.

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Try watching it again, jcredeems (great name, by the way), perhaps you have confused it with the T.V. version, or maybe not. Why is it so highly regarded? The story is compelling to many of us, the relationships seem real and vital, the setting is very edgy, the performances are excellant. We who love it care about the characters as we see them in their particular dilemmas, struggling to improve their lives. Hope this helps, and I hope you are checking back for responses!

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Fyi the OP here is a troll.

This was a great movie. Great. The performances are uniformly great. The story is also wonderful. One of my favorites.

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[deleted]

I read the book when I was a teenager. When I saw the film I was annoyed at some things, like how the young Jewish boxer Bloom and the old Russian Sergeant Galovich were combined into one character. The language was very toned down in the movie but censorship was very strict then.

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I'm days away from turning 32 and I enjoy Michael Bay films for their mindless action. However, FHTE is one of the best films about WWII that I've come across.

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All your base are belong to us.

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I think the movie's overrated. Before you jump to generalizations, no, I don't like Michael Bay movies. I dislike most modern movies and prefer the classics. I'd rather watch anything made pre-1960 because it has a much higher chance of being good...or at least the stars are entertaining to watch, unlike the charmless stars of today who can't act.

FHTE has a great cast. My problem is with the writing. It's often forced, probably due to having to please the censors.

One example that bugged me:

Deborah Kerr's character has to make excuses for cheating on her husband - we, the viewers, must be told that *he* cheated on her first...and that's not all... when she was pregnant with his child! But wait, there's more! The baby died 'cause of him! (Because he was out cheating and getting drunk and didn't get her to the hospital in time or something? Didn't she have a telephone to call 911?! Why did she need him? It's not really explained adequately.)

And then the final kicker...she can never have any more children! *gasp!* Now we totally forgive her for sleeping with a zillion soldiers, right?

It's pretty laughable how the script just piles on the melodrama, to excuse her behavior.

Not to mention the lack of explanation (or discernable implied motive) for Montgomery Clift's character not to identify himself at the end, thus being mistaken for an enemy soldier. I mean, really. Contrived death, or what?

I can't believe FHTE won so many Oscars, despite a melodramatic soapy story, and clumsily written script. I know the Academy eats up war/violence/prostitution/adultery and unhappy endings. But still. There are tons better written movies with those same elements, and superior execution.

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Deborah Kerr's character has to make excuses for cheating on her husband - we, the viewers, must be told that *he* cheated on her first...and that's not all... when she was pregnant with his child! But wait, there's more! The baby died 'cause of him! (Because he was out cheating and getting drunk and didn't get her to the hospital in time or something?
I somewhat agree that the extent of her husband's perfidy may be overkill, but I don't agree that providing some excuse is bad. Showing characters thinking one way about another character, then showing they're wrong provides a twist in the plot development--which is good writing, not bad.

Didn't she have a telephone to call 911?!
In 1941, "911" would have gotten her nowhere. Its use as an emergency number began in 1968. Possibly she didn't have a telephone, or was lying prostate on the floor unable to call, or the call (which would have been to the operator) didn't go through.

Why did she need him?
To take her to the hopsital.

It's not really explained adequately.
The filmmakers didn't need to explain the situation to the 1953 audience. They had no way of knowing that their 2010 viewers, used to different technology, would need explanations.

And then the final kicker...she can never have any more children! *gasp!* Now we totally forgive her for sleeping with a zillion soldiers, right?
Forgive? Now you sound like you were alive in the 50's after all. I think the tale of woe was provided to throw a different light on the character, change our understanding of her. I don't see how "forgiveness" relates to how viewers see a character.

Not to mention the lack of explanation (or discernable implied motive) for Montgomery Clift's character not to identify himself at the end, thus being mistaken for an enemy soldier. I mean, really. Contrived death, or what?
Completely disagree with you here. He didn't identify himself because he didn't want to be thrown in the stockade. He wanted to get back to his unit where he felt his sergeant would allow him to help in the emergency and worry about the stockade afterwards. I don't think it would have necessarily occurred to him that he'd be shot.



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"I've always resisted the notion that knowledge ruined paradise." Prof. Xavier

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Oops I didn't do my research on the introduction of 911... I'm so ashamed. ;) (Then again, it proves I wasn't alive back then!) Anyway she could've called a hospital or a friend or *someone* for help if her husband wasn't available. If she *was* lying helpless on the floor, unable to reach the phone, as you suggest, than I repeat my statement that it wasn't really explained adequately.

I said "forgive" sarcastically, to mimic the scandalized attitude of someone from the 1950s (and mock the writers' intentions in piling on the excuses for her cheating to such a ridiculous extent. It was overkill, as you say.)

It seemed to me the writers/filmmakers thought viewers needed to be made to forgive her, so that's why I used that word. Not because I actually believe Deborah Kerr's character needs *my* forgiveness. :P

By the way, I don't think it was much of a "twist" that Kerr had a sympathetic backstory/reasons for cheating on her husband... I found it predictable actually. She's played other similar characters (the Saintly Adulteress type), and considering when it was made the movie would have to provide a reason for her infidelity (unless they wanted to say she was just plain Evil and kill her off at the end to appease the Hayes Code!) So I was expecting an explanation for her actions...just didn't expect it to be so laughably over-the-top and to go on as long as it did.

As for Montgomery Clift's character...better to be thrown in the stockade than shot! You'd think a guy in his position would know what it meant if a sergeant...on guard... was yelling...in the dark... during an enemy attack... "identify yourself!" If it didn't occur to him the guy would take his silence as confirmation that he was the enemy sneaking around... I guess he was just too stupid to live.

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In general, I would agree with Crispy's comments, although the idea of everyone having a phone in 1942(?) seems a bit wild to me. Back in the sunny UK, our family was the first in our street to get one, in 1970. Maybe we were just po´ boys...

I most certainly agree that Clift deserved to get shot for being stupid, or maybe back in those days Hollywood made sure the obvious gays bought the farm. Then again, Burt was kinda obvious too, but he was left doll-less.

As for the excuses for Kerr becoming the "village bicycle", that made me sick and I hate the implication that men can screw around but women can't.

All in all, some iffy bits, mainly time-related, but a good (8/10) movie.

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Be seeing you

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This movie is a masterpiece.

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I'm with you Crispy. I thought the same about both those scenes, and without reading your comments first.
Look, Kerr could have done whatever her husband would have had to do to get a doctor, but it was understood in 1953 that she couldn't, because she was a helpless woman. (Or the men would have understood that). And that line, "Of course .. the baby died" is one of the biggest stinkers I've ever heard in a movie.
Second, Prewitt being shot at the end is TOTALLY implausible. He was entirely in possession of his faculties throughout the movie so there's no reason he would have run.
The other major flaw is what happened to the Captain. Him being busted totally dissipated the tension the movie worked so hard to establish. Apparently, in the novel he was promoted, and that would have made more sense given the tone and logic of the movie. I'm sure that was changed because it would be impossible to show, in 1954, that degree of perfidy in the US Army, when we all had Audie Murphy on the brain.
These flaws keep this from being a great movie, and I've never seen it on anyone's list either. Probably one of the worst movies ever to win a mitt full of Oscars. It's not a terrible movie, but it is seriously flawed.

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[deleted]

Re: Why didn't she call 911? Well, as previously noted and you acknowledged, the 911 system hadn't been invented yet. Remember, the movie takes place in 1941 and the lost the baby incident takes place 4 or 5 years before that, quite possible that she didn't have a telephone at all.

I do agree though that Prewitt was rather stupid not to obey the sentry, got killed for his stupidity.

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Is 911 the number you call in the States for a free ambulance service?
Curious coincidence, then, with that number. Or maybe there are no free ambulances and that's why she didn't call. Or maybe Bin Laden bombed Hawaii.
I get quite confused after 12 pints.

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Be seeing you

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Is 911 the number you call in the States for a free ambulance service?
Curious coincidence, then, with that number. Or maybe there are no free ambulances and that's why she didn't call. Or maybe Bin Laden bombed Hawaii.
I get quite confused after 12 pints.


911 is the number for emergency communications in the United States; police, fire, medical. It definitely doesn't mean a free ambulance though! Those busturds charge out the yang for an ambulance ride.

Yes 911 and 9/11/01 were "curious coincidences" as you say. Like 12/7 or 11/22, they don't mean anything until you put 1941 and 1963 behind them.

Don't feel bad, life confuses the hell out of me when I'm sober.

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You don't know what a good movie is if you say this film is bad. It has great story with great performances from its cast. Truly a classic film. Whenever I see that its on, I will be watching it.

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It really annoys me whenever someone says that they don't care for a movie that is considered a classic. It's as if because a certain movie was made over 50 years ago it automatically gets a pass. Look, I like a lot of movies made from the 1940's-70's, and I have to say that this movie is not one of them. I like all of the actors individually, but none of them in this movie. I found the plot and characters to be well...stupid.

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While I enjoyed the film as a bit of trashy, hard-boiled melodrama, I think it's highly over-praised and full of unlikable characters, that acted really dumb most of the time. Seriously, if all of the military were like the people in this movie, we should consider it a miracle that they managed to win World War Two!

The much ballyhooed beach makeout scene was like a flash in the pan. I waited for it in order to see what the big deal was about, blinked, and missed it!

Sinatra's Academy Award winning performance was a bust too. Don't get me wrong. I didn't think it was bad. It just didn't quite set the screen on fire. I think it took a lot of severed horse-heads in a lot of beds to win that one for Frankie!

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It bothers me that the public rates it so highly ... ugly movie

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While I enjoyed the film as a bit of trashy, hard-boiled melodrama

Its more than a "trashy, hard - boiled melodrama". It contained the theme of conformity and how it contrast with individual values along with a morality tale concerning Captain Holmes treatment of Prewitt and Co.


"I'd rather be hated for who I am, than loved for who I am not".

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Anyone "arguing" "it's been a while since I last saw [it] but...." doesn't deserve a reply, other than "watch it again, and then we'll talk".

I want to shake every limb in the Garden of Eden
and make every lover the love of my life

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