Well, there is nothing subversive about it, but it's certainly political. As well detailed elsewhere (including this board), it was clearly intended at least in part as an allegory about blacklisting and the contemporary McCarthyist witch hunts by writer Carl Foreman, who had been an uncooperative witness before HUAC and was later blacklisted. It's pretty subtle and I think it's almost impossible to realize this unless you know about it. But Hollywood knew about it and conservatives like Hawks and Wayne were upset by it. They also felt that the craven actions by the townspeople were both unlikely and un-American; Rio Bravo was a direct response to High Noon. Although my political opinions are firmly with Foreman and High Noon, I love both films and think their politics pretty irrelevant to my enjoyment of them except as fascinating history and trivia.
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