A 'gem'


I first saw this movie when I was 6 or 7 when it was run a lot on TV in NYC. I always loved it, and remember clearly thinking this was a '30s movie. I couldn't put my finger on it then but I realize now it's the night settings, the fog, the ancient castle, the old car, even the anachronistic music, that gave it the feel of the best old Universal horrors of the early '30s. Robert Clarke in his amusing autobiography called it a bridge between the old gothic horror films and the new science fiction genre and he was right. Helped by a solid story line and low-key, believable action, but most of all by Edgar Ulmer's resourceful and ingenious direction, this is truly a low-budget but high-quality film. Ulmer really did know how to make the most out of so little, the mark of a gifted filmmaker (it doesn't take much talent to churn out a movie when you've got $150 million to waste on CGI in place of plot or character). I think this may be the best of all his films. Its atmosphere and intimacy, the sense of being isolated and in danger, and especially the unusual and complex character of the alien (neither a monster like The Thing nor a peaceful intellect like Klaatu, from the other two major alien movies of 1951, but a middle-ground, very "human" being) make it eerie and suspenseful. If only more people could watch it seriously and appreciate it! Thanks also to Bill Schallert, Margaret Field, the late Roy Engel, Raymond Bond and Pat Goldin, and of course Bob Clarke (1920-2005).

An interesting coda: After Sony bought out MGM and it looked as if their MGM/UA DVD line would be discontinued (which apparently is not happening), Dave Kehr, the DVD critic of the NY Times, lamented the prospective demise of the label, remarking on how many little-known "gems" they had released. He cited two films. His prime example? "The Man From Planet X".

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Watched this again today after having not seen it for several years. Played it for my wife after giving her a short course in Ulmer. I remember seeing this on tv when I was about 7 and being fascinated by it then. Unlike most posters here this worthy little flick didn't scare me at all. I just sat transfixed in front of it. I read many years later that the stuff they used for the fog smelled quite bad and it saturated everybody's clothes. Some of the peeps on set even had choking fits because of it. Even so, with the too soon change in the story's tone I count it a flawed diamond. I am glad more peeps are learning about Ulmer. He was an extraordinary talent and there are only too few like him today.

Nothing is more beautiful than nothing.

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Great! Looking forward to hearing your reactions. The Monster That Challenged the World isn't as low-budget as TMFPX, which cost all of $41,000 to make in 1951 -- ultra-cheap even then. Both films benefit from good stories and solid acting and directing. Something that also helps TMTCTW is that most of it was shot on real locations, around California's Salton Sea and All-American Canal in the southwestern desert, and along the Pacific coast (substituting for the Salton Sea in a number of sequences). Like TMFPX, it's quite a good movie. Let me know....

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Hi w/b,

Don't worry about the "late" reply, I was away for a couple of days and out of touch anyway. Also no worries about the spelling!! (Though as a writer it pains me to say that!!!)

I'm really glad you liked The Man From Planet X. I agree entirely with your opinions. I think I said everything I think about this movie in my OP, so won't repeat, but this film has gone up to maybe my fourth or fifth favorite film of all -- not just among sf films. Your take on the alien is right...a far more interesting alien than almost any other one in any other movie.

Sorry you didn't like The Monster That Challenged the World more. I think it was better acted than you seem to feel. I actually think the sailor's scream was more realistic than if he had really let loose with some huge, blood-curdling yell. I always liked Tim Holt, although here he was certainly rather chubby and older than he had been in such films as The Treasure of the Sierra Madre, The Magnificent Ambersons, My Darling Clementine and other major films he appeared in, aside from his many B westerns. But he was a nice guy and good actor. I thought the best performer was Hans Conried as the scientist on the case. And the scene where the monster grabs the gate keeper on the canal was really scary. (My mother once caught this film years ago and she jumped about three feet at that scene, and this isn't her kind of movie!) But we do agree on the effects -- they were pretty good -- and if you notice, you never see more than one monster at a time. The film was shot to give the impression of multiple monsters in some scenes, but they only had one, used very convincingly in each scene.

I was out near the Salton Sea four years ago and drove around it one afternoon (about a two-hour trip). The place was promoted as a resort area in the 50s but after the water got too dirty and smelly tourism evaporated faster than the sea itself, and today it's a pretty depressed area, with a couple of nearly abandoned small towns on its east coast and one or two seedy-looking residential areas on the west side. Most of the scenes that are supposed to take place on the Sea were in fact shot off the Pacific coast, 100 miles away...although the early shot of the guy parachuting out of his plane, with a body of water below, really is over the Salton Sea.

Bit of history: The movie inaccurately states that "Nature" has placed this odd body of water in the middle of the desert. Actually, it formed only in 1905 when a primitive viaduct carrying water from the Colorado River to far-away farms broke and flooded a below-sea-level portion of the desert then known as the Salton Sink. By the time it stopped the area had filled with water, fed by runoff. It was eventually stocked with fish, but most life in it is long dead. It's a pretty yucky place now. Even the old Naval base off the southern tip of the sea, which really did exist, was closed long ago. But the All-American Canal is real enough. The remnants of the Naval base (mostly just the concrete runways) are used by itinerants, people with no fixed address, who roam across the country throughout the year and congregate on "the slabs" (as they call the remains of the runways) during the winter months. They eke out a living selling stuff to one another, but most disperse as summer approaches, when the desert's temperatures soar to 120 degrees F or more. Many permanently rent a post office box in the town of Neilan on the east coast of the Sea, a town which is otherwise nearly deserted. But the government keeps the P.O. open, and for most of these people, it's their only means of receiving essential mail.

Hope you didn't mind the commentary!

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TMFPX is on Region 1 DVD. It keeps switching from available for regular retail sale and out of print. Just now it's supposedly out of print, but you can get one for very little money (as little as $3 or $4 US) through Amazon Marketplace, where a lot of sellers have it very cheap. The DVD has no real extras but it's an excellent print. Check it out.

I haven't had a chance to go to your website yet -- it's been kind of a busy month and I'm around only sporadically. I recently got engaged! My fiancee is English, so until she moves over here permanently we see each other in spurts, which makes my free time a bit rarer these days. But thanks again for the link, and I will take a look at it.

Oh, there actually was a history of the Salton Sea on TV here about a year or so ago. Really kind of interesting. Very weird place. No krakens that I saw, though. Disappointing, really. But you're right, the eating of the bunnies was definitely uncalled for.

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The Man from Planet Happy starring hobnob53 and co-star to be named later. Congratulations, hobnob53.

Gems take time.

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Gee, didn't I tell you that tidbit? I've been so lost of late I can't remember who I've told what. Will discuss on another venue at some point.

Gems do take time...quality can't be rushed!

Ah, but then, The Man From Planet X took all of six days.

I guess Edgar Ulmer rested on the seventh.

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Talent makes up for little time and zero budgets.

"Tidbit" he says! Well, the cat's out of the bagatelle anyway.

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Thank you, wendybrad. I think we'll do all right!

As to birds, I have little experience with them -- but a lot with cats! (I just adopted a new kitty last month.) But they're delicate and very tricky to handle. My best recommendation is to take it to a veterinarian or humane society and have them tend to it. They'd know exactly what to do and when to let him go safely. But do it as soon as possible -- the longer you wait the more likely the poor thing will die. A very young bird is extremely fragile -- don't just let him go, and please get him to a professional right away!

I guess the folks who made The Man From Planet X never realized that one day an internet venue dedicated to their little movie would help save a baby bird. And one not even in Scotland! Anyway, please seek professional avian assistance, at once.

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Wow, some one with a thing for birds. I love birds and have had them all they years of my life. Today I am the papa for an african grey though I must say my wife is the bird's mama. Even so, I love her as no other other; she is my baby and that's the truth. Another thing is, I too love "Ace in the Hole" and there's hardly a noir better, though my fave of all time is "Sunset Blvd". Such majesty!

What is the sound an imploding pimp makes?

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Another yes vote from me. No problem with boredom in this movie, unlike some low budget genre movies. Edgar Ulmer's daughter looked great in Beyond The Time Barrier, which was also very good, IMHO.

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