Surprising
"Madame Bovary" became (and remained) one of my favourite books very early in life. And I basically agree with the question in the other thread: why even make it into a film?
But of course, that's what Hollywood does, so it was only a matter of time.
What surprised me about this film is how GOOD it was.
The "message" of the book - for there IS a message in the apparent "rien" of which Flaubert made a novel, let's not delude ourselves - is conveyed by different, more direct means (of course), but very much to the point.
Very importantly, nobody is really portrayed as a "villain" (which would have been in direct opposition to the novel's intentions). They are simply weak - humanly, ordinarily weak. Which is not a sin; but it CAN be a tragedy.
It has some truly memorable scenes (in an understated sort of way), and absolutely no pretentiousness. I think it came as close to Flaubert as any film (especially from that era) could; in fact, I consider it better - certainly more memorable - than the 1991 French version with Isabelle Huppert.