I think Stanwyck is great in this part. A typical Stanwyck movie has at least one scene where she erupts into crying, screaming (think the bell-ringing scene from Executive Suite), insane rage. I don't think that you're quite right about Stanwyck being the least vulnerable of forties actresses. She *was* the queen of tough dames, but in all of her films, she played women with their back to the wall with nothing to fall back on but an adamant sense of self. She could be angry without being nasty, unlike Crawford. When Stanwyck women got angry, we always feel like it is costing her something, her pride or dignity. In that way, she is always extremely vulnerable in a sense that the other "tough dames" weren't. I think the script in this film really allowed for her to use her ability to play those manic scenes for which she is so famous. If Loretta Young or Joan Fontaine had played Leona, the character would not have been believable. Both Young (Young of the post-Code era) and Fontaine have a sincere innocence and vulnerability that would make the psychotic illness implausible. They are not snotty brats--where as Stanwyck can play a demanding woman who would knowingly steal her friend's man, &c. Young's pre-Code persona would have fitted the mold for Leona--but her image had changed by this time. And Fontaine always has that doe-like quality to her.
LEND AN EAR, I implore you, this comes from my heart: I'll always adore you, til death do us part.
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