It's just a brief moment, but it brings tears to my eyes. Frank reaches out to gently stroke Nora's hair as she sleeps near him. It's so intimate and so tender. It's between two characters, true, but it's also between husband and wife.
There's the additional element of how fragile Bogart looks in this film and the way he's dressed~no jacket or tie and an open collar. There is a vulnerability about him instead of that hard, tough edge we're accustomed to. He's just a guy, a drifter trying to do something decent for a fallen comrade's wife and father.
I notice that fragility again when Frank is determinedly getting that drink for Gaye and has to push past a henchman who could snap him two. Then, he stands up to the slaps from Rocco. That IS such a great moment, when he says, "You're welcome" but in no way acknowledges Rocco's violent act.
I have seen this movie many times since first watching it when Channel 11 St. Louis aired old films in the mid- to late Sixties when I was a teen and a budding buff. It gains strength with additional viewings. My admiration for Humphrey Bogart could not be any higher because it hit the top waaaaaay back when. However, Lauren Bacall has risen a great deal over the years, passing up other, more-praised actresses.
This movie is filled with so many great moments, from Toots' giggling to Curly's sounding surprisingly intelligent and well-spoken for a gangster; from the old lion in the wheelchair, snapping, snarling and ready to fight to Rocco's suggested brutality that we receive hints of and fear seeing full impact of. Great storm! Great music! Great atmosphere!
*** The trouble with reality is there is no background music. ***
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