No, I am not a troll. I saw this listing, I saw it had four stars, I had heard of it, and I plopped my a$$ down to watch. The Monument Valley vistas were gorgeous, but outside of that, I didn't get this movie at all. Col. Thursday was an unmitigated a$$hole the entire picture, and it kind of didn't lead anywhere. When he finally died, my reaction was "thank god!"
Why do people say this movie is so "good?" Really, I'm not looking to start an argument here, I will be very civilized, but I just want to know why you think this movie ranks up there.
I asked the doctor to take your picture so I can look at you from inside as well.
Col. Thursday was an unmitigated a$$hole the entire picture, and it kind of didn't lead anywhere. When he finally died, my reaction was "thank god!"
This is only PART of the film, but a rather important part.
You say it didn't lead anywhere, but by your own description…it actually did. He was a prick, he didn't listen to anyone's (numerous) warnings about Cochise, and it got him and several of his men (needlessly) killed.
Were you able to watch it uninterrupted? Seriously, I’m not being combative either, but try to see it from the perspective of the person who DOES agree with it receiving such high marks, and we can’t see why you “don’t get it.”
A person’s taste is just that…their own personal thing. I appreciate you coming here and asking about it, and taking a risk of being "flamed!"
Or it could simply be (I’m not trying to make presumptions, just illustrating a point) that you don‘t like westerns, or cavalry pictures, or b/w movies…or any number of things.
The reasons I like the Fort Apache are numerous, but I’ll try to keep it kind of brief:
John Wayne - A friend of the Indians, while trying to be a good soldier The 3 Sergeants - A good representation of military life, and good comic relief Ward Bond - He was great in every role he played, but especially this one Victor McLaglen - One of the best character actors ever. Always fun to watch. Pedro Armendáriz - Wayne’s sidekick on his search for Cochise, and one of the 3 Sergeants. Shirley Temple - A good role for her, and she played it well Henry Fonda - Peter Fonda said this was the way his dad was in real life. OUCH! Jack Pennick - one of the 3 Sergeants that take care of the fort (and Mickey). Like McLaglen, Pennick was a long time member of the Fork Stock Company member. Dick Foran - The third Sergeant. He did a great job on “Sweet Genevieve.” George O’Brien - Collingwood. What a great role. Anna Lee - Collingwood’s wife. John Agar - Young Mickey O’Rourke. He was really good, and played well against John Wayne.
Finally, John Ford’s direction, and ability to capture the beauty of Monument Valley stand out magnificently in this film.
Well, there it is. I know it might not make you change your mind, but I appreciate you reading my post.
The Soundtrack - Nobody does military marches ("She Wore a Yellow Ribbon", "The Girl I Left Behind Me", etc.) like Ford did. I don't think anyone ever will. It's a time gone by. Iconic Imagery - It seems like at least half the shots in the film are portraits.
I couldn't help noticing that jgroub seems to be asking why this movie is supposed to be an "important film"; i.e., why it's well thought of by film experts, film critics, historians, etc. There were only two "serious" replies, of which bari2525's was the most thorough. Both replies relied heavily on the thought that "it's a matter of personal taste" without talking about why the people who study film think it's a good example of a good film. Neither reply dealt with the picture from the point of view of a movie expert - okay, neither person WAS a movie expert, so that's to be expected.
My two cents: first, although I did take some film classes in college, I'm by no means an expert. I AM a fan of John Wayne, Henry Fonda, and John Ford. And I'll watch anything with Ward Bond in it. I love westerns, and I like humor in my serious movies. I live on TCM, so I see my favorite old movies without commercial interruption. And, yes, Monument Valley is beautiful.
All that said, I have to agree with jgroub. However, I'd love to hear from someone with more information explain this film to me. I think maybe I'd enjoy it more, if I understood what Ford was trying to do.
Look at the end of the film again, when the reporters are talking to Col. York (Wayne) about the painting of "Thursday's Charge" I think they call it. York says it's accurate in every detail, knowing full well it wasn't true. Thursday & the men were killed because Thursday was an arrogant jackass.
This is an earlier version of the now famous line "when the fact becomes legend, print the legend" from Ford's "The Man Who Shot Liberty Valance".
Fort Apache is possibly my favorite Wayne movie. Ask me in an hour and I'll likely say something else. But I find it very entertaining with humor, honor among the outpost troops, respect (of the Indians) by York, arrogance ala George Custer with Thursday. And it looks great.
bari, thanks for the response, and the lack of flame. Yes, the movie looked great, yes, it had nice music. I'll disagree about Shirley Temple, but that's more a matter of personal taste than anything. Sure, Ward Bond was f'g awesome, but he always is. And yeah, I really liked the comic relief. I like John Wayne playing second fiddle and getting slapped down. Didn't know that about Peter on John, but yikes! thanks for that.
But these things, and the things you mentioned, don't add up to being a great film. I need some character growth, I need some resolution. I dunno, I just didn't get that here. The bastard got what he deserved, and I was rooting for that ending all picture. And then he gets lionized to boot. No, not satisfying to me.
I asked the doctor to take your picture so I can look at you from inside as well.
One of the above posters mentioned Custer. This film is a sort of retelling of Ford's view of the Custer story, with the names and locale changed. Wayne's character knows that Col. Thursday was an unmitigated @$$, but allows the legend to overshadow the reality "For the Good of the Service".
"It ain't dying I'm talking about, it's living!!!" Augustus McCrae
It amazes me how you fellas totally miss the point of movies. Fort Apache is a masterpiece. It tells the story of what happened in the West after the civil war in the eyes of the Indian. One of the Indians, I think it was Rock Hudson, tells John Wayne how the white men killed the Indian women and children and old men. It's called genocide. Hitler was impressed by the way the settlers took care of the Indian problem.
Ford was brave to make this movie. He also had to disguise it like the Coens did in No Country for Old People. Ford made Henry Fonda seemed like an ass but the point is that he was in no way unique. There were thousands of commanding officers like him who slaughtered the Indians.
What should tip you off is Fonda's character's name is Col. Thursday. In other words he's very common just another day of the week.
Thursday saw the proof of what the Indian agent was doing, how he was mistreating the Indians leading to Cochise taking a band of them to Mexico. The Indians only wanted to have Thursday get rid of the Indian Agent and replace him with someone honest. It is a known fact that these Indian Agents throughout the West at the time were totally corrupt and caused great suffering to the Indians on their reservations.
What the movie is saying is that Col. Thursday was no fool, he saw how badly the Indians were mistreated but he just didn't care I guess because he considered them subhuman.
The best part is at the end when Wayne takes command. Thursday predicts it and he is right. Wayne becomes just as bad as Thursday was, out to kill the indians.
The indians are 'nomads' on horseback; when they ran short of resources in one area they'd move or expand into another area---IF there were other indians in this new area, IF they could kill them, enslave them & drive them off they did so....if they couldn't or the same was done to them, they kept migrating...like I say, The Lakota came out of Canada & drove the Crow to Commanche territory; The Crow drove The Commanches to Apache Territories who, in turn drove the Apaches to the 'classic' Apache territories that is now Mexico, New Mexico & Arizona.
A lot of indian tribes were not nomadic. A lot of indian tribes were farmers. A lot of Idnian tribes thought they had lived where they lived "forever". But tribal areas often expanded or contracted and tribes sometimes migrated great distances.
For example, the Apaches in Rio Grande were, in the incident the movie is based on, actually Kickapoos, whose ancestors had lived in Illinois as recently as after the war of 1812, but who now lived in Mexico and raided in Texas for revenge and profit. There were some Mescalero and Lipan Apaches in the group.
But they were all called Apaches in the movie because everyone has heard of the fierce Apache. Nobody made movies with titles like "Fury of the Kickapoos", "Kickapoo Warpath", "Kickapoo War Smoke", "Kickapoo Drums", "Kickapoo Ambush" etc., because it would have sounded silly to most people. I'm not certain whether the Kickapoos should be glad or sad that their ancestors were not as notorious as the Apache.
Thee was a movie whose title I forget about the formation of a group of Seminole Indian Scouts in the West, based on a real unit. The Seminoles came from Florida, of course, and were formed by members of various southeastern tribes who migrated into the almost empty land of Florida.
Not on the Great Plains or in most of the Southwest. These areas were very poorly suited for the farming techniques available to the Indians of the era. The Apaches could be said to be semi-nomadic, not because they farmed, but because they lived by plunder, warring against other, less warlike farming tribes. Even in places like Northern California, where tribes tended to stay in one general locale, they would move as the seasons changed, to take advantage of foodstuff availability. A tribe might be in the Sierra Nevada foothills in spring, to gather the edible acorns, then in summer move to the Central Valley wetlands to gather freshwater mussels, then on to the coast in autumn for serious fishing and hunting of marine mammals. Then back to the foothills to hunt deer and elk, and wait for the acorns to ripen. Repeat the cycle the following year. It's not really possible to generalize about the lifestyles of the Indians- so many differences.
"It ain't dying I'm talking about, it's living!!!" Augustus McCrae
mangolding, I digress but in all probability the weaker & more sedentary indians like the kickapoo, yaqui & pimas were probably frequently victimized by their more warlike brethren like the apaches...as for how to deal with it they could either move, die, make more powerful friends or hunker down & deal with it.
You have a highly exaggerate impression of genocide in the old west. Thursday was not like thousands of other commanding officers who slaughtered the Indians during that period.
In the army reorganization of 1866 there were fifty infantry regiments with about 36 officers each, or a total of about 1800, and ten cavalry regiments with about 41 officers each, or about 492 total, and 17 general officers, for a grand total of about 2311 officers at a time, leaving out the artillery officers and the staff officers. And the number was soon cut to half and remained at that level until the end of the Indians wars period.
So if each one of those officers commanded at least one slaughter, he would have had to command a slaughter without any subordinate officers under him, and thus would have commanded a very small group of enlisted men in that slaughter, who could have killed just a few Indians, hardly worth calling a slaughter.
Have you ever read any lists of engagements in the Indian wars and the descriptions of them? You will see page after page of minor skirmishes, with some regular sized skirmishes, and a few big skirmishes, before you come to any engagement big enough to be called a battle, or in which the casualties are large enough to talk about a possible "slaughter" of one side or the other.
And at teh end of For tApach York was not ridig out to kill g Geronimo's hostiles, but to defeat them. Defeating them involved kiling some, wounding, some, capturing some, chasing away some, and inflicting enough harm that the survivors would agree to surrender. Defeating is not exactly the same thing as slaughtering.
Col. Thursday was an unmitigated a$$hole the entire picture... When he finally died, my reaction was "thank god!"
That sums it up for me, as well. Good discussion here, though. I'm learning something. It is interesting that Peter Fonda described Henry as being like this character he portrayed. That may have something to do with why I don't usually care for his roles.
You know one of the things I picked up with Ford's great film is really if you have a war commander running around with a chip on his shoulder it spells trouble for everybody: the natives, the recruits, the army, the people and the country. War does bring out the best and worst of everybody. With commanders like Thursday, all the poisons of war just get exacerbated. Ford's film really shows how Thursday's behavior impacts a viewer's relationship to concepts of duty and cause. On the surface, Ford Apache looks like a whooping adventure but underneath it all makes one think how we process our wars through those who run things. In Fort Apache, it sure looks like Thursday was flawed and consequently a potential menace. I think any viewer who sees the film has to come out of it questioning some things.
You know one of the things I picked up with Ford's great film is really if you have a war commander running around with a chip on his shoulder it spells trouble for everybody...
Excellent observation. This probably applies to leadership positions in many walks of life.
And let's see the pix was made just a few years after the war, a war that surely was still fresh in many US families and GI's. I can only imagine how some felt watching Thursday and his men being mowed down one by one to die a desperate death. I'm sure some knew of that kind of experience and I'm sure some knew of commanders like Thursday. Good men died under Thursday. They probably disliked or hated him but they went to their deaths willingly for out and out duty. Thursday unfortunately took advantage of that devotion to duty for his own selfish ends. Ford's "Fort Apache" notes a dismal tragedy. And it makes sense why it had to have some "comedic" events. The tragedy itself would be just so hard to take. In life there has to be some sort of balance. A balance old Thursday never had.
I just want to know why you think this movie ranks up there.
Besides the director, actors, and location -- which are all spectacular, of course -- this movie is important because it was one of the first to challenge the popular myth that the Indians were no more than bloodthirsty savages. Compare it to earlier Westerns (or even later ones, like those of Anthony Mann) and their simplistic portrayal of the Indians, who generally pop up, brandish their tomahawks, and get shot. Ford's Cavalry Trilogy, and later "Cheyenne Autumn", would all present a slightly more nuanced and complicated look at the Indians than the crude stereotypes that Westerns had limited them to.
So whether it's a "good" movie is subjective, but it's certainly a historically important one.
"Humour is just common sense moving at high speed." - Derek Robinson
John Ford's Fort Apache is the first of a three-film cycle chronicling the exploits of the U.S. Cavalry and like the OP I gather, I'd never seen it before nor the rest of the Trilogy.
Unlike the OP I found it much more than a "John Wayne cavalry film". The Duke for once becomes very much a secondary player as the focus is centred on a leader so blinded by his own ambition and ego that his actions nearly wipes out his command. The story's timelessness is never better illustrated by the fact that whilst protecting its own, the subsequent cover-up by the army results in Thursday becoming a national hero, giving him, posthumously, the attention he'd craved.
The story is a powerful one and I was extremely surprised at the very sympathetic and objective treatment of the Indians by Ford (in 1948) which only enhances its contemporary feel. Contrasting this was the almost leisurely, sometimes humorous and detailed Fordian observations of general life in a cavalry outpost in the first half of the movie.
I can't remember another film that so warmly examines the crucial role of women and the importance of rituals (music and dancing) in maintaining morale and civility on the frontier where isolation and loss of communication is the norm. I have no idea how historically accurate it was, but I loved that Grand March scene and the way in which the formalities and manners of the occasion forced the gentleman Thursday, to have to continually interrelate with those he thought were inferior in class to himself. Look for the manner in which Fonda portrays discomfort with the arrangements whilst actually saying very little.
Fort Apache is as timely today as when it was first released and I'm looking forward to seeing the other films in the series sometime in the near future.