Depending on how broadly one defines film noir, I'd include films such as "Double Indemnity," "The Big Sleep," "The Maltese Falcon," "Kiss Me Deadly," "Murder, My Sweet," "The Postman Always Rings Twice" (The Garfield-Turner version) and "The Narrow Margin" --and perhaps "Vertigo" and "Rear Window"--as among the best. But for my money, "Out of the Past" will always be the best one. As TCM's Robert Osborne and guest Alec Baldwin pointed out the other day when airing "Out of the Past," every actor's performance in that film is absolutely perfect--a true rarity. (The weird thing is that Humphrey Bogart, John Garfield and Dick Powell, respectively, were all considered for the male lead before it was offered to Mitchum, but they were all unavailable. Today I think most people would agree that Mitchum, in retrospect, was the quintessential one to play the role.)
Film noir tends to have several key elements: a male lead who is somewhat world weary and then finds himself in a tough spot or series of tough spots; a femme fatale; and bleak, shadowy, nighttime urban settings creating an almost constant sense of foreboding. Some of the best noir was created on relatively limited budgets, which is why the cinematographers had to rely on light and shadow, and interesting abstract images, to get the effects. To save money, a lot of the scenes were typically shot on location, which helped create great, realistic atmosphere.
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