Was the film's ending a disappointment to 1000s of war widows in 1947?
Having lost her husband and then set out and succeeded in making a life for herself, I can see why it was so popular, though probably emotional, to so many grieving after WW2. The poignancy is increased by Anna Muir marrying a naval officer as well, though we are reassured when we learn that both lived to have a child of their own. How many were struggling with the same turmoils, community attitudes and their own hopes and fears.
Perhaps it was brave for the author not to pretend that it will all be alright in the end, though he does hold out enough hope to encourage those who sought a new life - while still suggesting caution. We need to remember how popular spiritualism was after both world wars before we look down upon the plot device of a ghost.
This is one of many excellent postwar films that spoke to audiences seeking their own answers to the question - what now?