Hitchcock's work is so unique that it can be called Noir or Horror or Thriller or Comedy or Romance or Tragedy and that can all describe the same film! Notorious has elements that are Noir and is often considered on the edge of Noir rather than straight-out, archetypal Noir. I would say that because its essence is "good" and the two main characters have a happy ending (of a sort) and that fate works for this couple rather than against them, it lies just outside of hard-edged Noir. The "fatal flaws" of these 2 characters do not lead them into real criminality (fighting Nazis seems to excuse just about anything in Hollywood) and by the story's end those flaws are being corrected. In real Noir, the characters have gone so far down the rabbit hole, that there is no redemption. (Compare to the ultimate noirs such as "Doulbe Indemnity" or "Criss Cross" for example.) The beauty of Noir is how flexible and universal it can be.
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