Silly, Disappointing Movie
Maybe I saw a different movie than the other reviewers. How many of them were surprised when Bendix was pushed out the window? So predictable.
shareMaybe I saw a different movie than the other reviewers. How many of them were surprised when Bendix was pushed out the window? So predictable.
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easypz ~ Also the humour in many scenes (like when Cathcart [Webb] is telling Stauffer [Bendix] what to say to Galt on the phone: he tells him to say he needs two hundred dollars to leave town, and Stauffer says "I need two large to take a powder." Cut to Cathcart's priceless reaction)."
Uh, easypz, you severely misquote. He says "I need two yards powder money" to be precise.
Two large is two thousand.
The "shove Stauffer out the window bit" was a little clumsy and very unlikely as was the desperate search of all the city's cleaners for the white suit. But, other parts are done very well. I particularly liked Stauffer's hit on Jardine and then giving Brad the ether, all with a violent struggle, all completely without dialogue, quietly in the dark, with Ellington's version of his own Mood Indigo playing softly and dreamily in the background on the radio, the curtains in the window by the fire escape swaying gently in the night breeze. I thought that was rather chilling and most effective.
A lot of the dialogue was very good! I thought they really pulled out all the stops in the hard boiled banter department. Definitely grandstanding and playing the hard boiled caricature over the top but in a very entertaining way, I'd say. Not very realistic but nicely stylized.
It's not a great script, but I find the overall effect to be hugely enjoyable. This is a favorite movie of mine. I take the campiness in stride and enjoy the good parts I happen to like about it.
I always think of Film Noir as having a heavy dose of camp. How else can you take some of those stilted speeches, severe makeup and hair or ultra dramatic scenes. In fact, sometimes when I see drag queens doing their act, it reminds me of Film Noir.
No two persons ever watch the same movie.share
It didn't kill the movie for me, but added to Galt's (and audience's) frustration. I admit the scene did seem contrived because Foss stood between Cathcart and the window when he was going to get his payoff. The scene was supposed to surprise and horrify, but there was a lot of built up suspense up to that point, and it needed comic relief as Foss was seen falling and screaming. It could have been the look on Foss' face.
Despite all the detective work Galt and Stewart did, it still painted him into a dark corner once Foss was killed. I liked that Cathcart was at his dentist and so he had an alibi, but Galt did not. It made him look even more guilty.
Silly? First off, remember that film noir had arguably only existed (at least stateside) since 1944's Double Indemnity. It's got an excellent cast (interesting casting of uber gay Clifton Webb as an obsessively jealous husband) and the scene you complain about features a state of the art (for 1946) matte job; quite explicit for the period. And you'll have to agree, Lucy never looked better, especially when given the chance to stretch her acting chops. This is one of my favorite movies of all time.
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The main plot hole that nobody's mentioned is that the baddies are relying on Jardine's body being found in Galt's apartment in order to frame him but he's allowed ample opportunity to remove it (rather than hide it under the bed...). Why didn't Stauffer put a call into the cops after he left the apartment to report that he'd heard a big fight going on?
shareBesides the cinematography and dialog, I admired Lucy's character. Female characters in Noirs are usually vamps or victims. Gault brightened up whenever Cathy appeared and eventually came out of his pity party.
They say that ex-cons have a hard time getting back into real life. When you are told what to do and where to be for two years, you forget to use your own head. He found that action helped him to find the answers.
"Two more swords and I'll be Queen of the Monkey People." Roseanne