rocco: "what's worse... a dumb bell or a wise guy?", curly: "a wise guy i guess". i like this flick, but really nothing beats "key largo" in these sort of movies, and edward g. robinson as rocco completely stole the show, that has probably my favorite dialogue ever, and that was just one that came to mind... here's another i just thought of, woman: "the boss, he can go to... (boss walks in)... hello darling.", but i agree, back when i received tcm this was one of my favorite movies to tune into as well, though "dark passage" had my favorite plot, a re occurring buzz about this movie is people not quite grasping the plot, still it's enjoyable because of the dialogue and acting, it's sort of a shocker when bogart says he's 38, he looks around 60 but actually was only about a decade older than 38 i guess. i was really surprised how short the skirt was on the woman at the beginning of the movie, i didn't think that went in movies of this era, funny how the kid sister in this is all over bogart like a naughty tick on a dog and still bogart goes for the tough big sister who won't give him the time of day initially, as she gives the funny line "you're a mess, aren't you", i've got a feeling there is no way some of the dialogue and treatment of the kid sister would pass in a modern movie, like when bogart says to the man: "you ought to... (words i don't even know what they are therefore can't spell it out)... she's old enough", and when he picks her up like a kid and throws her on the bed to sleep it off until she sobers up. i always found it a bit odd, well very odd, how their daddy in the wheelchair has such an important long scene at the beginning of the movie never to appear again.
π΄ π₯ π½ π π¬
spaceship for explore,
but i slept over dawn,
when i came to you were gone,
now im stuck on earth nowhere of going,
since i missed you this morning.
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