Fantastic movie, here's why...
we watched this film in my sixth-year french class with subtitles; while the rest of my class seemed to be yawning, i really enjoyed this film. beauty and the beast has always been one of my favorite tales and this was a wonderful cinematic presentation of it.
when one views this film, it is necessary for one to take many things into consideration. this film is much more adherent to the original story of "la belle et la bete" (beaty and the beast) than the disney - or any other version - has been. disney took the story and, well, disney-fied it: there's nothing wrong with this, i love the disney movie. it just helps immensely to think of the cocteau and disney versions at entirely seperate stories as they are essentially incomparible.
this movie came out right after the ending of WWII, as such cocteau had to rely upon a very tight budget in order to produce this film. vischey france was essentially still in power and would only be demolished a short time later. thus, cocteau had to make sparse usage of obvious locales, fearing to be found out.
the special effects and costumes to this film are magnificant - in my mind, this movie is not intended to be "realistic" or "believeable": it is a fairy tale and is presented as such.
the castle in which the beast lives harbors many enchanted things - arms reach from the walls to hold candles; this is hardly the benevolent "lumiere" of disney's version. the eerie ambiance of the film is almost hallucinatory - sparse lighting during some parts and overly-extravagent visual imagery makes this film a necessary film to watch.
not only does jean cocteau present a fairy-tale, but he seeks to yank the viewer into the dream-like world of love and fear. while the essence of the emotions may be lost upon the audience - who can honestly connect with a courting prince and jealous sisters who want to take throne? ...asides metaphorically - that is entirely the point.
even the beginning of the film begins with a disclaimer of sorts, with cocteau asking the viewing audience to release their pre-disposition towards skepticism and to abandon themselves to a fairy-tale.
most assuredly one of the finest classical films, and one of the best french films, ever.
etoiles*
i will not die for what you have to say, sir, but i will die for your right to say it - voltaire