Some cool camera work
I know hitch was a master with the camera in all his movies, but i really liked some of the shots in this movie. The shot through the milk glass was cool, as was one of the last shots when the camera is looking down the barrel of the revolver. The red muzzle-flash when he kills himself at the end was a really cool touch as well, since it was the only color in the movie. I also liked the whole dream sequence that was designed by Salvador D. Very cool stuff. The shadow of the wings chasing Gregory Peck was almost Pink Floydish. Any-who, super good movie. Didn't leave much room for discussion, but, does anyone else have any thoughts?
Sometimes, nothing is a real cool hand. -Luke (1967)