Color version?
I saw a clip of this movie in color. Not sure of the source now.
Does anybody know if the color version is available?
I saw a clip of this movie in color. Not sure of the source now.
Does anybody know if the color version is available?
That must be a "colorized" version. THAHN was shot in B&W.
Hopefully I'll never get to see the colorized version of this movie. That would be a dreadful experience.
I just saw the colorized version on TV. It reminds me of those typical fifties postcards. No matter if you like it or not, the question remains : who does this coloring ? And on whose request ? Must be one hell of a job, even if it's done by computer. I also remember seeing old Laurel & Hardy short movies being colored later, and not only was it done in a very clumsy way, they also forgot spots here and there.
If you should run into a colorized version of this movie on TV and find it a dreadful experience, remember you can always switch the set to B&W, but not the other way around.
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When colorization technology became available Ted Turner fell for it in a big way. He pretty much colorized every movie he could lay his hands on. For a while it was getting tough to see one of the classic old movies in the original black and white.
Thankfully the colorizing craze died a much deserved death.
If you should run into a colorized version of this movie on TV and find it a dreadful experience, remember you can always switch the set to B&W, but not the other way around.
I saw this movie in colorized version, and I loved it. I don't think I would like it more if I saw it black and white.
shareI don't know if you're familiar with the film noir genre, but images put on B&W film look completely different than color. The B&W lighting and contrast give a completely different feel and create a much different atmosphere. The use of deep shadows, mist/fog, and cigarette smoke as a visual tool don't convey well on color film.
shareHere is a colour clip - https://www.youtube.com/watch?v=OMfYcwzce2A -
The colour is smooth and looks fantastic. It adds a dimension to the film that B&W is unable too and is why all films are in colour today. A feature of Noir films is the shadow play and abundance of dim lighting in which the characters appear then disappear. The colour doesn't detract from this at all and it remains a film noir, it actually looks far better in my opinion. For example, in the clip from the link above there is the classic scene in all Noirs where a face is partially in shadow and a match strikes to light a cigarette and suddenly the whole face is revealed in a flickering light. In this case it is Bacall's striking young face that appears from the shadow and she looks absolutely gorgeous... breathtakingly so. The colour complements the genre' so lets have more coloured film noirs..
I detest colorization (the one for It's a Wonderful Life is atrocious) but that one actually looks really good! Very natural to the 50's (The African Queen)
shareThere should be a law against colourising B&W films.
share