M, Thanks for taking the time to parse out the full context of 1940s social conventions in America. Men in America in the 1940s did not do “housework”. Whether they were married or single, keeping a house, was a woman’s job. Neff further makes this clear when he describes his eating arrangements; in that of course, he doesn’t grocery shop or cook for himself. He “boils or fries an egg” for breakfast; and he goes to a local Drug Store Lunch Counter, for his lunch or dinner meals. In fact, he uses the “gone out to get dinner” cover story, to explain his whereabouts when he leaves his apartment to join Phyllis in the killing of her husband.
Men dining out (alone typically) at local (walking distance), restaurants when there is no woman to cook/clean for them is typical of film depictions men in domestic situations, until the late 1960s. Tom Ewell in “Seven-Year Itch”, dines after work in such a place, located either on the ground floor, or next door to his apartment building, because his wife has left for vacation with their son.
The best later day (before the sea-change of the 1960s) example of this can be found in the character of Alma (Patricia Neal – Best Supporting Actress) in 1962’s “Hud”, with Paul Newman, Brandon de Wilde, and Melvin Douglas. Her character is a full time live-in housekeeper; who in the course of the film, is the full time paid housekeeper, laundress, maid, cook, scullery wench; and is nearly raped by Paul Newman.
What is not recognized in this film is that when the ranch is shut down, and all of the hired ranch-hands are laid off; no adjustment in the status or pay of Alma is made. But at least two of the three grown men in the Bannon household (Newman and de Wilde) could have, and should have taken over the “housekeeping” duties, since there was no foreseeable need for their labor, on a ranch that was closed. But such was the mindset of the early 1960s about men and their roles, that even though there was no ranch work to keep these men from house work; and, there was no income from ranching to pay staff (any staff), Alma the female housekeeper/cook/laundress/maid/scullery wench, was kept on.
Within fifteen years this idea was long gone. James Garners’ 1970s Jim (“Rockford Files”) Rockford, lived in a beach trailer and had a retired father, who lived alone in a single family home. Both the characters should have had wise-cracking, worldly-wise housekeepers; either the same person for the households, or two different characters for each. But by 1970s the highly domestic Rockford’s (father and son), cooked and cleaned for themselves; and, in the opening credits of the show, Jim Rockford in a still photo, is seen shopping in a supermarket, with a look of lamentation on his face, at the high prices.
Commercial entertainment is an excellent window on the life and times from which it is made.
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