why the letter?


Why does the most dramatic moment in the story, Trina's death, occur offscreen and encapsulated in a letter? Were scenes written and filmed, then deleted, or written and not filmed?

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The director or the screenwriter probably thought that they can't pull that scene off well enough so they decided to use the letter instead. What bugged me about it was that the letter was written in such a horrible handwriting that I had to put a hell of a lot of concentration and time into reading it.

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My guess is that to do more with the child's death than they did would derail their story, which was not 'about' the death of a child but about the reaction to that death in a context of career failure.

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There are several possible reasons for having the death scene off screen:

1. It would have been too downbeat.

2. As someone else said this was about the marriage.

3. Cary Grant had it written out because he wasn't ready or willing to do a break-down emotional blubber scene. After all he was a masculine hero, and such a scene would have ruined his image, only James Stewart could have done it in 1941.

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I think it was an excellent choice to advance the story with the letter. Miss Oliver is a part of Julie and Roger finding their way back to one another.





"Fortunately, I keep my feathers numbered for just such an emergency."

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Whatever the reason I thought it was a horrible way to advance the story. First they are all happy and healthy and then suddenly a child dies and we find this out in a dumb letter?

In a matter of 10 minutes of story time in the film they lose their child and get a chance at a substitute. How crass.

I never saw any chemistry between them anyway. The story moves too fast and has little depth. The child is almost looked at like a pet or a possession because there is so little time for us to see her as a person, to see her personality.

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Childhood death in early 20th century America, like mother death in childbirth, wasn't uncommon. Most families would have had an incidence of it in their tree.

Many of those who lost their mothers in that manner ended up in an 'orphanage' or were raised by aunts/uncles.

The 1941 audience didn't need more story than what Stevens gave them, imo.

As well, what Stevens chose to do is no different than, say, having a telegram from the War Dept announce a death in a movie about the coping of the soldier's survivors.

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Death is 'expected' as part of wartime, though. Nobody expects their child to die, regardless of how common it was.

You can make a general point about death during war. When it's something as individual as one particular family losing their child, then it needs to be specific so the audience are allowed to see its unique effect and what the child meant to them, imo. A letter does the opposite and makes it an impersonal and distant event. That may be how generals see death during war, but it should not be how a parent views the loss of their child.






"Your mother puts license plates in your underwear? How do you sit?!"

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