So I finally bought the 1957 3 LP release. I originally had this in another thread but I though it would be beneficial to give it its own.
My theory is that these records would be better quality than the newer releases (1991 vhs, etc) because it was the first cut from the master tracks. Here is what I'm finding as I listen:
--The audio level is mixed very low, which is done to accommodate the varied dynamic of the TOGAD. It can get a bit irritating as the TT rumble can be louder than the music at points.
--There is MUCH more echo on the LPs, you can really feel the concert hall atmosphere that was lost somehow in the movie versions where there pretty much is 0% echo.
--Some of the hard panning audio moments (3 french horns in Toccata and Fugue) dont seem to be there fully. it could be my setup or it could be they were exaggerated in later releases.
I'll update in the future if I discover anything else.
Holy macaroni! I congratulate you starbond! Actually, I remember you talking about the soundtrack on a different thread. Was it expensive? They might have had to "mix" or adjust certain instruments that happened to fall into the background of the full orchestra. The whole technique to record in those magnetic-mic-taking-a-whole-orchestra-in-at-the-same-time age is fascinating. It was an art to place the instrumentalists right so that everything went in right to the recording. Was it a box w three LPs, and maybe a booklet? Lucky you, man!
Thanks! i was about to get it around 20 bucks with shipping. Its a gatefold with about 10 pages in the middle, all wonderful illustrations of scenes from the movie with some new background information about each segment. 2 LPs are in one side of the gatefold and 1 LP is in the other.
Overall I'm pretty pleased with it. I'm looking for a way to reduce the crackle because, as said earlier, the audio is so low the crackles overpower it. I just need a brush or something ha. Its interesting to note theres a slight "disclaimer" in the front page which says something along the lines of 'Audiophiles will note this record is not to the high standards of other stereographic records but we hope you enjoy it anyways' At least they were honest.
Yes it was recorded in 1940, so in 1957 it was probably too early for technique to polish the tracks. Well, lucky you! 20 bucks is rather not much. I would have guessed you payed at least the double...
Most were double! The tradeoff here is that the sleeve is separating at bit at the top and bottom. No worries. The vinyl itself seems pretty pristine! Get yourself a copy!
OK! Well, the problems are (Or as I heard) that in contrary to the 1990´s, when I used to buy/swap/order records and especially films on VHS from small companies in USA it was easy, cheap a s o. I dont use to do that anymore, but a new American friend told me that it has become very expensive. You see, you are talking to a Swede! But I am going to send him some of my own music on LP and cd to him in Illinois, so I will soon know how they charge...Maybe its no big deal....Thanks!
Ah I see, yeah getting records in todays time is a lot more expensive because of the regrown popularity of them. I hope you can find a way to make it work. The next best thing I can offer is sending you MP3 versions of the LPs recorded right to my computer
thank you very much for the offer. very friendly of you. i never messed with mp3 before. how does it work? can i just recieve a mp3 and put it into my laptop?
Just like that. Here's a link for Toccata and Fugue, recorded straight from the LP. Sorry about the scratchs, I haven't cleaned it yet. But compare this recording to the movie version and you can really hear the difference
Sorry starbond8! I tried to listen to your link w Toccata & Fuge d minor, but it didnt work. Not even here on the high tech computer at work. Said it needs a more modern browser. I will try at home too, but i doubt my laptop can do anything that work computer can not. I really wantto listen to it!
YES YES YES! You didnt give up on me. Im a sucker when it comes to computers but now I am here at work to work till 8 pm so I managed to install something so it worked! I love it love love it so MUCH! Wow! I have been at the edge of the Universe with Bach!
Wonderful sound! Has A bit more acoustic reverb, which is fine! You see I am actually a singer/songwriter making albums with my psychedelic sounds and songs. Bach though, is the one "classical" composer I hold very near my heart and soul. And among all films Ive seen through my 50 years on Earth, Fantasia is the one that comes closest to a spiritual experience or something. I feel both extremely thankful to you for giving this to me, but also I now feel very badly that I NEED the vinyl version, because I am such a vinyl freak and I have, just like you, a serious old time stereo equipment with huge amps and such! As you mentioned before I wouldnt have to pay like $200 or so if I ever get my hands on one copy. There is a serious problem with it though. I hate to ask you for anything more after this wonderful experience in my office: As many sellers dont ship anything across the Atlantic to Sweden NOWADAYS, I can not really hope for this thing to happen. What happened to the ever increasing contact system across the globe?
Can you give me an advice? Exactly Where did you find it?
It truly is a great record and it's sad you cannot seem to get a copy of your own, as I'm sure it would sound great with your equipment. All I did to get mine was to go Ebay and search for the fantasia LP, you may get lucky and find someone willing to ship internationally!
In the meantime I will work on getting all the tracks converted to digital for you so I can send them along and you can have a listen
You might have the 50's release. The only other LP version I know is the one that looks like yours but theres a heavy red border around the picture of Mickey.
Who knows you could have a cool rare version.. If it's in good shape I'd recommend recording the audio on the computer.
I just downloaded your copy from Mediafire. Thanks a lot! I happen to have the 1990 CD restoration. Obviously, this has been subjected to Dolby noise reduction and de-crackling, probably CEDAR (no process or audio source is listed), but it sounds remarkably similar in its boosted dynamics and panning effects, unlike the later DVD releases. What makes your LP version special is there's a lot more reverb to it, making it sound warmer and more like a concert hall. I liked it better than the 'dry' version I'm used to!
I wonder why this reverb has been reduced in this way? Was it perhaps a byproduct of "channel smear" during the analog cutting process, or was it reduced by the 1990 Dolby process, or a deliberate choice by audio restorer Terry Potter?
Dicky
P.S. This article says the source was the 1955 four-track stereo magnetic film transfer, so the same source as the 1957 LP version.
Yes, it would be great to have more tracks - all in due time, of course!
I couldn't get the Dropbox to work, though, probably expired?
The waveforms of your first track and mine look remarkably similar, yours has a slightly higher volume, which may have been amplified by you? No problem, as the dynamics are fully intact.
I tried to upload the Toccata and Fugue in the 1990 version I have, but it was recognized as commercial content and blocked, and I couldn't get around it, not even with nondescript filenames.
Instead, I added a really interesting video on private attempts to restore the original Fantasound soundtrack, from sources like your LP, by Tony Lopez (account TonyWDA) - later set to private on YouTube.
The nutcracker suite still sounds odd to my ears. it's the bit 56 seconds in the recording the 1990 CD soundtrack and 1 minute 8 seconds in the 1957 LP soundtrack. (i'm not criticizing the recordings!)
This is the Cologne New Philharmonic Orchestra doing the Nutcracker suite around the same moment musically
As I was saying on my earlier thread on it, the 1990 PAL VHS I have in Australia is the one that sounds like the Cologne New Philharmonic Orchestra. The tape could be a bad reconstruction of Fantasound and it is supposed to sound like the 1957 recording.
I listened to my 1990 VHS just now, playing in sync first my 1957 version, then played again with the 1990 restored version. All three are exactly the same, with more emphasis on the Celeste and not the Oboe.
Perhaps you do have some rare version. If possible I would try to record the audio, by either running the VCR audio outs to the line in on your PC or even putting a microphone up the TV speaker so I could hear it.
One last note: the zip file now has Dance of the Hours in it. (Link fixed in original post). And for some reason, my 1957 tracks are out of tune with the 1990 VHS. I dont' know who's in error here. Either the tape is sped up for timing, or my record player is running a hew Hz slow.
Same with me, I don't hear the difference either, except that the 1957 version has less excessive panning and more reverb (both of which I like!) than the 1990 restoration. But both may be due to lack of channel separation in the analog version, not to any deliberate mixing choice.
And I always assumed, naturally, that the 1990 VHS release and the sound restoration were done in synch, because they had the same objective.
Anyway, I heard an interview with a classically trained violinist who said that the initial impact of the celesta made on the listener is less noticeable in this recording than it could have been, but then again, we can't be exposed to the sensation of hearing this instrument for the first time ever, as it was when Tchaikovsky used it!
No, I won't resort to necromancy - oh, Leopold, where art thou, let us sense thy presence - ha, I liked that bit ;-).
Thanks again for both parts of the soundtrack. I have spent many hours comparing it to my Lp version, haha.
One thing that I noticed, and it may just be my ears, but the climax to Ave Maria, starting at the final sung verse, has been severely flattened, dynamically. Furthermore, listen to the first words sung by the woman, it sounds like a different person! (The rest is the same of course)
What first drew my attention was that I had the 1990 track playing in the background while doing other things, and I was waiting for the dynamic ending, but suddenly the track was already over. I though to myself, was I that distracted?. I listened to it again, and sure enough the entire ending seems normalized, flat, and even, to the point of no dynamic change (which is why I missed it).
I put them both into an audio editor to look at the waveforms, and it definitely seems that way.
and audio comparison file: http://www.mediafire.com/?704h5fxbrdpbjtj first you will here the 1990 version starting right where the female verses start, to the end. then you will here the 1957 LP version.
You're absolutely right! This is fascinating stuff indeed. Hadn't noticed it. The voice on your recording is so much more resonant and warm, and more dynamic, it gives me a 'Deanna Durbin' period feeling of involvement and emotion, if you know what I mean, in a way my restored version doesn't. So great to have this!
What happened? It seems like Dolbyfication made it sound dull, and the flattening? I guess the editor missed a cue here, or perhaps thought that a higher volume for the choir would lead to edgy distortion. No way, as your recording proves.
Another thing too is the the flattening of the string backing at that spot. In the 1957 version as soon as she starts, the strings are very fluid and full, along with the harps. In the 1990, you can barely hear anything but the voice.
I'm kinda sad that Ave Maria is located at the (physical) end of the record. It becomes victim to "inner grove distortion" in which the last few minutes of the track gets scratchy for no other reason but for its location on the LP. So where the choirs sound get rough, its just the stylus not reading the record correctly.
This is a bit unrelated, but still kinda neat: You know the " jazz improv" movement where the orchestra gets jazzy? Well in the 1990 VHS version, you actually see different angles and scenes than in the "restored" DVD version. Granted the scene is shortend in the VHS version, but its still cool to go back see a few seconds of scenes you havent seen in the later versions.
I hear some notable differences with the stereo recording.
Also, John Canemaker will publish an annotated, printed edition of the famous rediscovered Schultheis Notebooks in 2014 - the ones already shown on the Blu-ray disk. It will show, for instance, how live action effects like tracking shots, rotating cogwheels, bubbling mud, ink dissolving in water etc. were integrated into the Fantasia animation, rippled and frosted glass and bent metal sheets were used to distort images, among lots of other things.
Nice find! The quality is pretty nice for its age. and sounds similar to the way the 1957 LP is. (a.k.a. accurate to its time period)
That book is incredible! I feel like people should really give more credit to Fantasia, if at least for the pioneering graphical effects that went into making it. I look forward to checking it out.