It WAS propaganda, after all...


For those who pay attention, note that few of the inhabitants of the Vanderhof house had gainful employment.
So where did the money come from to pay the bills?

Grandpa didn't work - nor paid taxes.
Was he charging rent?
Only the granddaughter, Alice, had a steady job.

Donald (Rochester) asked if one could get Relief in Connecticut. When reassured, he was happy to relocate.
Can we assume that the other house guests were on the dole?

Yet the hard working, tax paying "capitalists" were depicted as "evil".

Yes sir - socialism is wonderful - as long as someone else is stuck with the bill.

Americans can be proud of their Ministry of Propaganda, the world's greatest - bar none.

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Somebody else want to take this one? This is too ridiculous for me to even know where to start.

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Perhaps a little overstated in the OP, but it is a wonder how that delightful band of eccentrics make ends meet.

I just now watched this film from the beginning. For me, the film is too long. Comedies rarely work past ninety minutes.

Anne Miller kinda annoyed me with her constant dancing. Maybe SHE earns money with dancing gigs.

The father smoking his pipe while working in a basement full of fireworks was creepy. If I lived on that block, I would sell out to the big capitalist in a heart beat! No sense getting blown to kingdom come, no matter how nice those neighbors are. Is that how they pay the bills? Selling fireworks for the 4th and New Years?

And Rochester on the dole (relief, welfare whatever) what's up with that? Maybe the tax man could have used him as an example of something tangible for old man Vanderhof to pay his taxes.

I came away with the feeling Capra or the original playwright were poking fun at both money grubbers and deadbeats.

Hey it's only a movie. To wallow into details on how they live would have made this a THREE hour film.



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Pierre Trudeau once said of Ronald Reagan, he saw a Communist under every chair. I can't take this on, I just got through watching it and it makes my heart sing with joy. Yes, it was made during the depression and yes, many were on "relief", why would anyone to tear down what this movie was trying to say? If I knew of such a house today, I would move there tomorrow.

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Me too, lolarites, and I would take my mother and my brother and my sisters and my nieces and nephews too. If ever there was a family movie that I would wish to be a part of in real life, it is the Vanderhof/Sycamore family, they know how to really live!

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For Your Consideration - - -

http://www.ssa.gov/history/imf.html
Ida May Fuller was the first beneficiary of recurring monthly Social Security payments.
Miss Fuller's claim was the first one on the first Certification List and so the first Social Security check, check number 00-000-001, was issued to Ida May Fuller in the amount of $22.54 and dated January 31, 1940.
She received monthly Social Security checks until her death in 1975 at age 100. By the time of her death, Fuller had collected $22,888.92 from Social Security monthly benefits, compared to her contributions of $24.75 to the system.
.....
Contributed $24.75... Received $22,888.92

I wonder if Ms Fuller ever thought about the morality of accepting the benefit?

I wonder if Ms Fuller was grateful to the taxpayers, who believed they were compelled to labor for her benefit?

Or did she believe she was "entitled" to it all, and just thanked the government?

.....


"Arthropodocracy - voting for the lesser of two weevils."

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She was legally entitled to it.Society as a whole should take care of the poor who should be grateful in their turn.

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---I wrote for my Blog:

You Can't Take It With You (1938) Jean Arthur, James Stewart, Lionel Barrymore, Spring Byington, Ann Miller, Edward Arnold. Capra Corn, but for this old gal, I love the memories it jogs - of dinner tables with lots of relatives; men out of work doing crazy hobbies in the basement; and the mean, greedy people who never go away. When I was a very small child, my Dad had been ill and was put on disabled status at the post office (no pay check). Before he was reinstated in 1939, we had lived with his sister in a big ole 3 story house, because Uncle Frank was one of the only members of the clan - inlaws or ourlaws - who had a paying job in 1935. I was 3 and remember those grownups who didn't go to work or kids to school, in the morning, cleaned up the breakfast things and had a bridge game going that people sat in on when they were home. I guess it went on for weeks. I also remember the grownups turning on the radio and dancing; or listening to FDR. It was a group of people who were putting their faith in FDR, and never lost it even during war. This film with the speech by Lionel about not paying taxes because the government wasn't worth anything, would not have been liked by most of our family back in those days. I can remember my Dad's youngest sister finally got a good job as a teacher at a business school, and how proud she was of the SS # and deduction on her first check. That is the story told anyway! So, for anyone wanting a fun view of a house, that I'm sure was modeled on those the filmmakers and writers knew first hand, this is a good one and is only somewhat exaggerated. 7/10 http://www.imdb.com/title/tt0030993/

In that big ole Victorian house that I finally re-found about 15 years ago, all those people were doing the best they could - there WERE NO JOBS! We had 2 classes - the very, very rich (ala Stewart's family in the film) and the very poor - the ones you call 'socialists' - the Vanderhofs.

You have waited too late to talk to people who lived through those years. And lots of us don't like to tell people we were scared and didn't know if we would make it through another winter. You see, we had to buy coal and lots of people, my family among them, would have to go to a loan-shark to get through the winter. And I do remember that very well. I was 7 and getting the load of coal was a highlight of our fall season.

Don't talk about what you never experienced. It DID happen that we had to hang together, or fail and starve and freeze. I kid you not!

Jane
My Movie Blog, The Ancient Pelican here:http://purpleladyj.blogspot.com/

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Ishallwearpurple,

As somone who loves this movie -- and the play it was based on -- and who is interested in history, I enjoyed reading your post and I agree with you that the play and film recreates a time when Americans had to hang together or else they would hang separately. It also reminded me of a family story. My grandparents lived in Pittsburgh during the 1930s. My grandfather was fortunate to have a job as a streetcar conductor. A neighbor wasn't so lucky. He lost his job and was forced to go on Relief. A government woman came to evaluate the family and decided since they had a carpet and a piano in the living room, they were not entitled to Relief money. My grandfather, who happened to stop over at the neighbor's house during this visit, told the neighbor's son to go get the salt and pepper shakers. When the boy brought them, my grandfather took them and handed them to the Relief agent and told her eat the carpet and piano. He made his point and she reccommended that the family's relief continue.

Jet,

In your post you addressed people who paid attention to the film. After I read the post, I wondered if you paid attention to it. Consider these points:

1. While Alice is the only family member to have a 9-5 job, it is untrue to say that no one in the family works. Ed and Essie sell homemade candy door-to-door. Paul and Mr. DePinna make and sell fireworks. Granted, these are not big money-making jobs, but they do bring money into the house. According to the play, Grandpa owns property and collects a yearly income from that property. According to both the play and the movie, the only person who collected relief money was Donald. This family owns its own house. They buy their own groceries and pay their own bills. And they employ the services of a cook, Donald's girlfriend, Rheba. How many welfare families do you know who hire servants?
2. Grandpa doesn't pay income taxes because he doesn't believe in them. Well, Tea Partiers have made it clear they don't believe in income tax either. Does that make them evil socialists? In the play Mr. Kirby wants to learn how Grandpa avoids income tax. Does this make the "evil capitalist" a socialist, too?
3. You never mentioned the people of the neighborhood. What about them? They work for a living, pay their rents and taxes, and are in danger of losing their homes and businesses so that Mr. Kirby can expand his business. Are you saying that they are not important? That it doesn't matter if they work and pay and create homes and raise families; if a wealthy businessman wants to buy their leases and forclose on their mortgages and throw them out of their homes and businesses against their wills, so be it. You are inferring that the lower and middle classes don't count. If a rich man wants to get richer, he is in the right to kick them and their dreams out of the way. Most Americans did not believe that was right in the 1930s, and they still don't believe it is right today.
4. Did you notice that Grandpa, his family, and their friends gather around the dinner table twice during the film to pray. Yes, they pray. And what do they pray for? Nothing but their health. After thanking God for His assistance, Grandpa asks for everyone's health, and then says, " . . . as far as anything else is concerned, we leave it to You." He even talks Mr. Poppins into quitting his job and moving in with the family by quoting the Gospel of Matthew: "Consider the lilies of the field, how they grow; they toil not, neither do they spin. And yet I say unto you that even Solomon in all his glory was not arrayed like one of these.” Is Grandpa not following the teaching of Christ? To seek first the Kingdom of God and all else will be given? They are not rich. They do not have material possessions. But they do have the love of family and friends. Are you saying that the teachings of the Christ are socialist and, therefore, evil?
5. Did you listen to Grandpa's speech to Mr. Kirby? Grandpa was a businessman, a rather successful one. Thirty years before, however, he realized that he was not having fun in life. Along with the money came stress and ulcers. He realized that at the end of his life, he can't take his wealth with him. Again, a Christian message. A rich man's wealth will not help him when he crosses over to judgment. It's there in the Gospels. Grandpa quit his job and spent the next years doing what he wanted to do and teaching his family to do the same. Grandpa is not against work. He believes there will always be people to invent things and work on Wall Street and so on, but they do it because they, in Grandpa's words, LIKE IT. Tony even tells his father that he is not going into the family business because he doesn't like doing it. He says he might be a bricklayer, but he would at least be doing something he WANTS to do. Grandpa believes that Mr. Kirby's indigestion and ulcers are do to the fact that he really hates his work, he's unhappy with it. Is that such an evil message? Are you saying that money is everything? That one should work at a job one hates just for the money? That indigestion and ulcers, stress, tension, migraines, insomnia, high blood pressure, strokes, heart attacks, and unhappiness are nothing because you're making big bucks? Get real. This was the film's moral.
6. This also was part of the film's message: Did you notice when Tony said he brought his parents to the Sycamores on the wrong night on purpose? Tony says, "I wanted you to see a family that loved and understood each other. You never understood me. You never had the time." In spite of their wealth, the Kirbys were a disfunctional family. In spite of their weirdness, the Sycamores loved and supported each other; they took the time to know and understand each other.

I apologize for such a long post, but, as I said before, this is one of my favorite plays and movies. I've acted in it three times, directed it twice, watched several movies and live productions, and read and re-read it over and over. I have no problem if someone does not like this play/movie, but I have a problem with people who do not get it.

Spin

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---very much and thanks for the kind words on mine.

In the mid 1930's many families were huddled together in one home. Before Social Security checks started going out, oldsters usually moved in with one of their children. Mine on Mom's side did, living with my Aunt's family in their little farming town. It was only because their 2 youngest sons were drafted into the service, and being unmarried, sent their allotments to grandma, that she was able to have a little house of her own again. After years of back breaking work farming, because of the depression, they ended up losing their farm, and grandpa died after just a few years of moving into town in his son-in-laws house. I think it broke his heart and spirit. Millions of people could tell the same story.

I always get misty eyed watching the warm hearted family in YCTIWY. We had lots of relatives come for meals; come for a visit that lasted a few months; etc. And there were 37 relatives living in this city by the time WWII started. Gradually as the jobs in war plants opened up they started migrating, most to California.

Memories because of this wonderful film.

Jane
My Movie Blog, The Ancient Pelican here:http://purpleladyj.blogspot.com/

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And with the way the economy's going we're probably going to see a lot of that again, older people who can't afford rest homes are going to have to move in with their grown children and everybody's going to have to look out for one another again. Hang together or hang separate, as somebody else said, this has been going on for years, when I was 12 I had an 8 year old friend whose aunt was moving in with them because she couldn't afford her own place anymore. And we're finding out now that a lot of college kids are having to move back home because they simply can't make the ends meet for their own independent residents, which is turning into a slap in the face of the people who always asked when my brother and I were going to move out and get our own places since we were over 18. I don't understand why our modern society places such value on living alone, where's the fun in that?

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novastar 6, I've also pondered why our modern society needs to asunder the family. What I've discerned is that the system needs people to live alone, then all the family members can be attacked finacially on a individual basis - ie council tax, utility bills, mortagage etc. Lamentable.

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Indeeeeed, I can't see any benefit the people get out of it. Especially consider the last line of children in a family, when the older ones move out, okay, there are more still there, but when the babies of the family move out, the parents who have spent over 20 years having fun with them are suddenly alone, and the kids don't have anybody to help them even though despite being adults we still need advice and help from older people, including our parents because at 18, 20 years old you DON'T know everything and for people to assume it's time you did is asinine and ridiculous. And besides, as we well know, grown children and their parents still do have good times together and have a lot of fun in being together, it's not the same once everybody's gone their separate ways. Which is what we saw in this family, the Vanderhofs/Sycamores and their friends have fun, and it's heightened because they're all together, they love each other, they can share their lives and their accomplishments with one another, if they were each alone it would be vastly different.

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"I've discerned is that the system needs people to live alone,"

What is this system you speak of?

Please elaborate. Be specific. You've discerned it, so you say - now back up your statement.

It's very easy and very sloppy, to blame everything on some "system". Conspiracies always appeal to the weak-minded. So go ahead, back it up.

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Well it makes sense to me. For a long time there's been all these ideas that you MUST move out when you are 18 and get your own place and raise your families alone, don't live together, don't be an extended family because that is a sign of weakness, that you are a failure, that you're not a productive member of society if you have to live at home with your parents. The whole idea seems to be to have kids solely for the purpose of getting rid of them, schools already claim them for the largest part of the day so their parents hardly even see them, what kind of a way is that to raise a family? But anything that somebody can come up with so the parents and the kids spend even less time together, and everybody's for that, and then push them out the minute they're an adult because they're not supposed to need you anymore.

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Ishallwearpuple, thank you from me too!






"Joey, have you ever been in a Turkish prison?"

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The "Free Wheeling" folks, whether on the dole or not, apparently did not pay taxes, while the "evil banksters and industrialists" were paying taxes.

As to the neighborhood: Would the new construction bring jobs? Would the new building have employees? Would there be more prosperity than before? Not raised in the movie.

No one disputes the pain and suffering of the economic crisis.

As to the cause of the economic crisis, some may roll back blame to the "emergency" in 1933, when the U.S. declared bankruptcy (House Joint Resolution 192, June 1933), or the Federal Reserve Act of 1913 (to relieve the pain from the "gold standard" and scarce money), which was necessitated by the Coinage Act of 1873 (demonetization of silver), protested in the famous "Cross of Gold" speech by William Jennings Bryant. But the depression was certainly used to foist some questionable solutions on the people... such as FICA / Social Security - a tontine tax scam, that pauperized the nation. (FDR abolished the Pauper's Oath because it was superfluous after FICA)
{If you are curious look up the pre-1933 laws regarding paupers and status criminals. Accepting charity from the public treasury makes the recipient a pauper at law. That you now need a license and pay a tax to do practically everything, is thanks to FICA.}

The touching scenes of prayer don't jibe with Christ's teachings. He didn't teach: Blessed are those who can scam the system, and live off the taxes of others. Voluntary charity is a blessing. Compulsory charity is a curse.

The wealthy Kirby family members are portrayed as dysfunctional, which is for dramatic effect. The audience can sneer at them, with glee. Who would want to watch a poor dysfunctional family? That was what most folks were dealing with.

Yes, the movie IS propaganda when you examine its themes and spin doctoring.

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Which is why so many rich people who have it all kill themselves? Because in real life they ARE so happy? I don't think so.

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I happened to be visiting my mother when this played on TCM last week. We had a good time watching but at the end, she was crying. As a Depression child (b. 1926) I guess it cut too close to home. Like millions of others, her family had it quite tough until World War Two. But even I remember a time when our household had both relatives and non-relatives moving in and out, depending on whether times were good or bad.
"May I bone your kipper, Mademoiselle?"

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Very well stated Spin. Thanks. I loved the movie.

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Taken at face value, You Can't Take It With You is a play about the meeting of classes, and coexistence. In this movie, the meeting of two different social classes at the end confirms the intent of the play/movie.

A much different type of movie which does nearly the same thing and illustrates this topic is Metropolis (1927, Fritz Lang). Although more of a vintage Sci-Fi than a Comedy/Drama, Metropolis is also largely misunderstood due to its immense complexity and wide range of elements presented. In the end though there is also a meeting of two different classes.

In having this meeting of the classes, neither Capitalism nor Socialism is promoted. Instead we see a working class and a ruling class with conflicting ideologies learn to co-exist. The important thing to note is that there is no redistribution of wealth in either movie.

In the case of Metropolis, the stigma between social classes is resolved through a person who agrees to be an "Intercessor" between the head of the working class and the head of the elite at the very end of the movie. This is symbolized by the three of them shaking hands. It is a very brief moment though, so if you blink you miss it!

In You Can't Take It With You, this is resolved through Grandpa Vanderhoff. Both Tony Kirby (James Stewart) and Anthony Kirby (Edward Arnold) go to Grandpa for each of their final resolutions. In fact, if you pay attention, Grandpa foreshadows exactly what Anthony Kirby will do by spoon-feeding him with his own experiences along the way: Giving him a harmonica, telling him about himself going down in the elevator at his company earlier in the movie, & playing harmonica in prison, then insisting they both play the harmonica at the end.

In the end, Anthony Kirby is a winner. He gets his son Tony back, he inquires and gains an interest about how to live life from Grandpa, etc. Grandpa is also a winner: he gets to keep his house and of course he makes a new friend! Both classes are enriched and gain something from each other. As noted before, there is no indication of any redistribution of wealth occurring between the two families (monetary socialization).

Finally I submit for you a short poem to illustrate what this movie is NOT. This is what it might have become had the Edward Arnold character taken a tragic turn:



Edwin Arlington Robinson
"Richard Cory" (1897)

Whenever Richard Cory went downtown,
We people on the pavement looked at him;
He was a gentleman from sole to crown,
Clean favored, and imperially slim.

And he was always quietly arrayed,
And he was always human when he talked;
But still he fluttered pulses when he said,
“Good-morning,” and he glittered when he walked.

And he was rich—yes, richer than a king—
And admirably schooled in every grace;
In fine, we thought that he was everything
To make us wish that we were in his place.

So on we worked, and waited for the light,
And went without the meat, and cursed the bread;
And Richard Cory, one calm summer night,
Went home and put a bullet through his head.

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P.S. I just wanted to add to my last post. Those were some of my ideas, here is something else from an informed source:

Grandpa Vanderhoff's house is most similar in ideology to that of Henry David Thoreau's Walden: a place where people can explore their dreams. Compare that to Grandpa's house filled with happy eccentrics. Thoreau's ideals also bear some resemblance to Anarchism, among other things, but not socialism. Grandpa's stance against paying taxes is a case in point. Grandpa was the opposite of a socialist.

Thoreau's thoughts and ideals are embraced by key figures from a wide sociological and political spectrum. You can read more about that here:

http://en.wikipedia.org/wiki/Henry_David_Thoreau

I started reading more about the play itself and, for those who might be interested, this is where I learned about the similarities to Thoreau:

http://www.stephaniezimbalist.net/youcanttakeyou.pdf

I hope that helps.

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For those who pay attention, note that few of the inhabitants of the Vanderhof house had gainful employment.
So where did the money come from to pay the bills?


All of the men earned money.
Grandpa appraised stamps. His son and crew sell their inventions (fireworks, masks and the like). His son in law sells chocolates (I am not sure if he made 85$ or had 1,500 2013 dollars left after expenses).

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And Alice had a job too.

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In a different thread, ljspin wrote:

Grandpa used to be a businessman, a rather successful one, until he decided that the ulcers, the stress, and so on was too much. He walked away from it all and never regretted it. In the scene with Henderson, the I.R.S. agent, it is mentioned that Grandpa owns property and receives a yearly income from that property. The line is quick, in both the play and the movie, so it is easily missed. Grandpa receives income from this property (rent, interest, other -- again it is not explained) and it is this income that the I.R.S. is taxing.
You can find the rest of the post here: http://www.imdb.com/title/tt0030993/board/inline/203042458?d=203921858 &p=1#203921858For easy markup in Firefox & Opera, see http://userscripts.org/scripts/show/42255

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