MovieChat Forums > Wings (1929) Discussion > Does This One Have A Gay Angle????

Does This One Have A Gay Angle????


I've heard that there is a gay angle about the two male characters, is that at all true????

Thanks.

~~JS~~Lap Up All Of My Sugary Badness.

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Nope. Not at all true. First of all, the two main characters are both in love with women. Second of all, this "gay angle" is probably based on the kiss that the two men share when one of them is dying. But it is in no way homosexuality. It is just a kiss goodbye between best friends.

Hope this answers your question well!

"A sex symbol is a heavy load to carry when one is hurt, tired and bewildered."

Clara Bow

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Thanks!

~~JS~~Lap Up All Of My Sugary Badness.

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God!!

I can't believe how people fixated on this ompletely irrelevant aspect of WINGS!
if they were gay. . .who cares? I think they were profoundly close friends. Can you PLEASE underastand the goodbye kiss bwtween friends who knew they'd never see each other again in this life. I don't think its too much of a stretch.

Dale

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if they were gay. . .who cares? I think they were profoundly close friends.
The problem is they weren't - at least there's nothing that points to this except our confused 2008 mentality. People with agendas love to shoehorn their POV into films.

"You've shown your quality sir. The very highest."

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I'd like to be able to say "this movie has an outrageously gay angle!" and then describe how it starts gay, stays gay, and is especially gay in the end. But then viewers will dismiss the exceptional cinematography, outstanding (non-gay) story, amazing direction, and all the other factors that made this one of the most deserving Oscar winners of any decade.
So no man, there's nothing gay in it. Not to worry.

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Not at all. Every movie that has two men portrayed as friends is given the 'gay angle'.

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..what rwsmith29456 said....

I'm getting ready to say, based on Jack's changing attitude toward a third, minor character, that it may have been expressly included...but by whom, and why, given the cast, the plot and director--I haven't a clue! Which is why I'm reluctant to discuss it.

So why don't I just shut up and go watch "Sunday, Bloody Sunday"?

"Thus began our longest journey together." To Kill a Mockingbird

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In those days, society allowed men to have emotions, and to express love and affection for each other. The very same way women are allowed today. Men who were close friends could embrace each other the way women do with their close friends. Nobody thought anything about it.

David's death scene was played that way. A man lay dying in his best friends arms. Nothing gay about it.

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"In William A Wellman's "Wings," (1927), Richard Arlen and Charles "Buddy" Rogers have a more meaningful relationship than either of them have with Jobyna Ralston ot Clara Bow, both token love interests whom male adolescents all over America correctly identified as 'the boring parts' of the movie. In fact, Arlen and Rogers have the only real love scene in "Wings," and Rogers learns the true meaning of love through his buddy..."

Vito Russo, The Celluloid Closet (1981)

I don't think the actors or the director or the writer meant to make a gay scene. I doubt that it played that way for most of the audience, but I wasn't there, and I assume you weren't, nor Russo (though he may have "sourses"--seems to be claiming he did---), and I imagine gays in the audience were turned on by it, as I was.


"Thus began our longest journey together." To Kill a Mockingbird

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To me, this movie definitely has a gay angle. But that's just because I'm a dirty girl and that kind of thing turns me on. Haha.

I get the feeling you're violating somebody's basic human rights here...

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"...and I imagine gays in the audience were turned on by it, as I was".


You can bet on it!

I saw this movie yesterday for the very first time in my life, and that death scene was by far one of the most passionate I've ever seen. OMG, the way Jack was holding and caressing David was truly sensuous, and I must confess I was really hoping that he would kiss his lips before he died.

Animal crackers in my soup
Monkeys and rabbits loop the loop

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Only if you bring an agenda with you when you watch the movie. Other than a very brief shot of two female extras who are obviously "together" (and one of them dressed as a man) there is no gay angle to this movie.


"My name is Paikea Apirana, and I come from a long line of chiefs stretching all the way back to the Whale Rider."

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Does Butch Cassidy and the Sundance Kid have a gay angle? You have these two guys hanging out with each other... a lot... and one's named Butch... and the other is named Sundance...

Do the Rush Hour movies have a gay angle? Lee and Carter sure do spend a lot of time together.

What about Brokeback Mountain? Just because these two guys...
forgetimentionedthatone



_____
http://www.avert.org/aofconsent.htm
The subject comes up often enough.

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"Other than a very brief shot of two female extras who are obviously "together" (and one of them dressed as a man) there is no gay angle to this movie."

I'm glad someone else noticed this in the cabaret/nightclub scene. I loved that scene for how the camera moved over the series of little bistro tables and gave the briefest of glimpses of those couples.

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Uh, no. They're 2 "best bud" guys, nothing more.

America's so sexually repressed that its surprising folks aren't re-evaluating all buddy pictures, trying to find gay subtexts in the plot! What next, that friggen Lethal Weapon's Mel Gibson & Danny Glover's characters were knockin' boots in between scenes!?

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Not only does he hold his dying friend in his arms like he's cradling a lover, but he strokes his hair, kisses him on the cheek, and holds his mother inches away from his friend's throughout much of the talking. Even after mentioning the women they both love, one of them states that their friendship with one another was more important.

To be honest, I was surprised when nothing was mentioned about it in the trivia section. I expected to read that the director himself was a homosexual and had inserted that scene. In any event, it was a very touching scene. Straight, gay, bi, male or female, it was a great parting scene for two individuals very close to one another. I thought it had a lot riding on it.

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I don't think so. There's a reflection of this scene in the ending of another William Wellman's films, "The Story of G.I. Joe," where a soldier's parting caress of a fallen comrade's face is almost shockingly intimate, but I don't think Wellman intends us to read any suppressed homosexuality in it. I think he's onto something much more here: that men who have been through the hell of war together have formed bonds stronger than anything they'll encounter back in civilian life. (In the latter scene, there's something almost maternal about the way the soldier buttons and straightens his dead comrade's collar. Same thing.)

Of course, we're free to read any homosexual subtext we like into stories of male bonding, intentional or otherwise.

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Yeah, today, two people of the same sex standing in close proximity to one another is a sure sign that they're implied lovers.

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No--there's no gay angle here BUT I can see why people think there is. The way those guys are going on in the end seems laughable and downright homoerotic nowadays. However (back then) it was perfectly OK for guys to cry, kiss and hold each other without people thinking they were lovers. Still people think it's a gay love story. Hell they show the clip at the end where he's dying in the excellent docu "The Celluloid Closet" which was about gays in movies!

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The Celluloid Closet is one which I've been meaning to see. I'm not at all surprised that scene was covered in it.

Rest in Peace, Ray Harryhausen
(June 29, 1920 – May 7, 2013)

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It's a wonderful documentary. Well worth catching especially if you're gay. The section where Gore Vidal discusses the gay stuff in "Ben-Hur" is great...and very very funny:)

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I have mixed feelings on the homosexual/bisexual subplot of Ben Hur. On one hand, I'm fine with Ben Hur being bisexual and Messala being homosexual. I even think that it gives a little more depth to Messala's character and makes him a little more interesting. However, I don't like Gore Vidal making those kinds of amendments to someone else's characters and I feel that the ex-lover subplot completely undermines the intended point that it was Rome which corrupted Messala. The subplot simply turns him into a jilted ex-lover rather than a representative of a corrupt and oppressive regime.

It's an interesting idea, but I prefer to think of it as non-canon. It's a great film either way though. I was privileged enough to be able to see a theater showing of it earlier this year.

Rest in Peace, Ray Harryhausen
(June 29, 1920 – May 7, 2013)

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According to Vidal there was no real reason for Messala and Ben-Hur to hate each other so that's why he made them ex-lovers. I think that it was pretty clear that Rome corrupted Messala...but not enough to make him suddenly hate his best friend.

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I disagree with him. When Judah Ben-Hur refused to give up the names of the conspirators, that severed things between them. Judah was loyal to his people, his nation, and Messala was obsessed with meeting the needs of Rome. To him, that was treason and everyone who remained silent was in on it. I find that more believable than Messala developing an intense hatred for Ben-Hur and his entire family over being rejected.

Honestly, I think that Vidal just wanted to insert a romantic history between the two of them into the story. There weren't any gay or bisexual characters in Hollywood, so he wanted to include a couple of characters. You had characters like Eddie Mars from The Big Sleep, Joel Cairo from The Maltese Falcon, or Dr. Pretorius from Bride of Frankenstein, but seldom if ever anything like this.

Rest in Peace, Ray Harryhausen
(June 29, 1920 – May 7, 2013)

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Either way it DID work. A lot of people didn't pick up on the gay relationship anyways. Only Vidal, director William Wyler and Stephen Boyd knew about it. Boyd was fascinated about that angle and played it up. Heston was totally oblivious and I think it's hilarious to see those two guys playing it for completely different reasons:) I think you're right though--Vidal probably wanted to sneak it in. He knew gay guys would get it and probably love it:)

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I think the two spears and the way that they interlocked arms while drinking was very telling. When I read the trivia after seeing the film for the first time, I was not at all surprised. There's also that kinda awkward moment where Boyd is smiling dreamily and Heston looks to be a bit uncomfortable. He has no idea what's going on and it makes his character seem as if he trying to ignore or downplay their history.

Rest in Peace, Ray Harryhausen
(June 29, 1920 – May 7, 2013)

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Oh Boyd was acting it to pieces and it worked! I saw it back in the 1990s at a revival cinema. I didn't know about the gay subtext but it was SO obvious:) Some people in the audience were laughing out loud (in a nice way) and others were sort of looking around puzzled why people were laughing:) Heston to his dying day said there was NO gay subtext at all. But...there is.

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Heston said that Vidal was fired for trying to add homosexual subtext. Apparently, it's disputed who knew about it and who was okay with it.

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I'd be more willing to believe Vidal over Heston. Let's face it--Heston was homophobic. He probably hated Vidal just cause he was gay. We'll never know for sure though. However if Vidal was fired for trying to add it why was Boyd obviously playing it as if he were in love with Heston? The looks he's giving him are pretty obvious.

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From what I heard Heston was FURIOUS when he heard that but the studio told him to shut up and play nice:) He got all riled up again when "The Celluloid Closet" came out calling Vidal a liar and every name in the book. U know the censors MIGHT have caught the gay subtext--but Messala died so that made it OK:) I remember wheb "The Children's Hour" came out a few years later. It's made VERY clear that Shirley MacLaine's character is a lesbian...but she commits suicide so that makes it OK:)

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That's true. If it was punished, "cured,"or a character attribute of someone we're not supposed to like, it was seemingly okay with Hollywood's censors at the time. Messala probably represented the dangers of homosexuality. It's laughable now, but it is kinda sad.

In regards to The Children's Hour, the teachers won their case in real life and neither took her own life. If the film were remade today, it would probably make Audrey Hepburn's character bisexual and the two would live happily ever after together.

Honestly, I had no idea that I knew so much about Hollywood's depiction of homosexuality in the early to mid-20th century. I have seen a few films out of curiosity - such as Victim or The Children's Hour - but it's not like it's something I've actively focused on. I just watch a lot of old movies.

I do still need to watch and/or read The Celluloid Closet though. I bet that's a very interesting one.

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I didn't know "The Children's Hour" was based on a real life incident. I do know when they first filmed it (under the title "These Three") it was a more conventional love triangle...but that was in the 1930s. No way would they do lesbian stuff back then--it wasn't allowed!

I know a lot about it because I'm gay and I love atching movies. This may sound silly but when you're gay or lesbian you "see" stuff other str8 people might not get. I remermber when I was 8 and watching "Dracula's Daughter". There's a STRONG lesbian subtext in one scene. I got it right away but my buddies (all str8 guys) didn't catch it at all. BTW "Victim" is a great film. However when it played on TV ALL the references to homosexuality were cut out making the film incomprehensible! Sad. Also it's interesting that Dirk Bogarde took the role. He was gay but kept it a secret.

BTW SEE "The Celluloid Closet". The book is very dry and academic and there's more than a few incorrect takes on different movies.

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If I'm not mistaken, and I could be, The Children's Hour was loosely based off of a case in Ireland which took place in the early 1900s. The two teachers who were accused sued for libel and won, but the damage to their reputations had already been done. I've seen These Three, and if memory serves I thought it was the better directed of the two films, but I found The Children's Hour to be far more memorable.

As for Dracula's Daughter, the original screenplay was more open about her sexuality. It definitely had traces of sadomasochistic fantasies to it as well. If I remember correctly, she was supposed to torture both male and female victims - and hypnotize them into liking it. There was also going to be a wall adorned with chains and whips alluding to things not shown in the film. (The censors rejected it.)

Thanks for the heads up on which version of The Celluloid Closet to go with. This has been a very pleasant discussion so far.

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I agree that "These Three" was the better directed version but "Children's" impact was stronger. Also I know "Children's" was HEAVILY edited before it came out. The entire scene when they went on trial was cut out entirely! Shirley MacLaine mentions it in her autobiography. There's also a pic of the trial scene in "The Celluloid Closet" book.

I didn't know that about the original screenplay of "Dracula's Daughter". THAT would have been interesting if it were allowed:) As it is I'm surprised they got by with that one scene. Maybe because it was made clear that she was in love with a guy later on. AND she is killed at the end so...

I heard in the original script of Hammer's vampire film "Brides of Dracula" the main vampire (Baron Meinster NOT Dracula despite the title) was going to be bisexual...but the censors rejected it. I think it was because the actor playing the role was openly gay.

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That's all new to me. I've seen Brides of Dracula, but I didn't know that the actor who played the lead vampire was gay or that a courtroom scene had been filmed for The Children's Hour. Mercifully, its omission didn't hurt the film's narrative structure, but I'm sure it would have added to the drama to see how everyone reacted in court.

Also, I didn't mention it in the last post, but you're right about Victim. It was a good movie and Dirk Bogarde was a good casting choice. I think the scene where he confesses to his wife "I WANTED HIM" had probably the biggest emotional impact out of any in the film. Second place would go to the elderly barber talking about having been arrested for something he had no control over.

That was a film which escaped the ax when it came to censorship. Several lines were originally to have been cut, but then all but one of them were restored. I think the only part which didn't make it into the movie was a reference to an adolescent boy who "made the wrong decision." I guess the acknowledgement of teen homosexuality was too much for them at the time, but that still leaves the film's overall message intact.

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I agree that "The Children's Hour" works beautifuly without the trial sequence but it was confusing the first time I saw it. When the aunt returns to the school and they yell at her for not showinfg up at trial I was like "WHAT trial"? I think that sequence was cut out because the two women were found guilty of "having sinful sexual knowledge of each other". That might have been too strong for 1962. Remember--the word lesbian was never said during the entire film.

I agree about "Victim" too. "The Cellulouid Closet" film actually does show that sequence when he confesses to his wife. The best thing about the film was the gay men are not made fun of and don't act fem and aren't lisping words. For its time that was revolutionary. The only American film that I can think of from that era that REALLY pushed the boundaries of showing gay men was "Suddenly Last Summer". There's a lot of pointless dialogue that leads to nothing but it's made clear a man is gay and is "using" boys that him mom and sis "procure" for him! It's a terrible movie and author Tennessee Williams was purportedly livid when he saw it but it was a huge hit and paved the way for better films.

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If I'm not mistaken, Tennessee Williams disliked all of the film adaptations of his plays. Of course, they kept modifying the endings to minimize or omit the tragedies or to see to it that the guilty parties were punished in some manner. I could see how that would upset him.

As for The Children's Hour, I didn't even notice that the word lesbian was never spoken.

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That's right! I remember he hated "Cat on a Hot Tin Roof" because they made the ending all happy and the two guys who had gay sex in the play NEVER had it in the movie!

As for not ever hearing the word 'lesbian' it took me 4 or 5 viewings before I realized it was never uttered:)

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The way I see it, if you think it's there, then it's there. That scene reminded me a lot of the death scene in a much later Paramount film: Star Trek: The Wrath of Khan (stay with me here! I promise not to Trek out too much.) I don't really follow slash fanfiction, but I do know much has been written regarding Kirk and Spock's relationship exploring the possibility that it may be more than platonic. Is it just an intense bromance or is there more there? I think the same could be said of Jack and David. Yes, they like girls, too, but it's expected that they would.

Speaking of homoeroticism, did anyone notice the lesbian couple in the Paris nightclub scene? Look where the camera sort of does a flyover over several tables with couples seated at them until they get to where Jack and the others are sitting.

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I think Wellman very much intended the homo-eroticism... it is not an uncommon theme in war film... the guys are not homosexual (not in the film or in real life) but they have a deep deep bond from experiences of war.

The medal scene just before intermission is rather odd... am still trying to decide what Wellman was getting at there?

And yes the two ladies sharing a table in the nightclub were pretty astounding.. but you know Paris .sure would not have happened in Pleasantville Tx. in 1926



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No, sorry too much focus on babes. Just buddies. If you want a gay angle try Ben-Hur. The director and the actors and (of course) the gay co-star Stephen Boyd, picked up the the subtext of the movies but they all said DON'T tell Charleton Heston - he'll freak out!

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Not at all. Their caressing at the end was rather on the intimate side, but I think its just the way men were back then considering the kiss the men got when receiving their medals.

Poorly Lived and Poorly Died, Poorly Buried and No One Cried

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This comes up with every movie, especially if there are two guys who are close friends. No, there is no "gay angle". Believe it or not, most people are actually not gay! The two dudes in this movie definitely are not.

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