I do not agree. On the surface, Delaney is a very similar character to what he usually plays. Plus, he may not have given it all to the character given that he was very involved in the production. And yet, I find the quietness and presence with which he imbues Delaney much more compelling than his shenanigans in the Revenant. He is definitely not phoning in.
I found Taboo to be a series trying desperately hard - and failing - to be a brilliant dark portrayal of early 19th century skulduggery
I do not think that it was the series intent. Taboo is intentionally low brow, occasionally daft and voluntarily silly and over the top. But it refuses to take itself seriously (James threat about cutting men testicles and prostitutes eating them 20 minutes on during Episode 1 is a testament to that). It is full of historical and literary easter eggs which makes the series both very conscious and very related to its 19th century roots.
And among the insanity, there is the uncharacteristically quiet and self-contained performance of Hardy which anchors the series into a sense of continuity. There will be no ''Taboo'' without his presence not only in terms of plot but also because he the thread which connects all the characters. And Hardy is able to do that through his presence and acting. And frankly, I do not see any actor of his generation which would be able to retain and enact such sense of active and simmering mystery.
, Tom Hardy obviously thinks that loping around like a truculent bear,
Do not see the ''bear'' and the ''truculent'' part at all. Plus if he is ''truculent'' why does the reviewer complain about his ''quiet'' growl?
ends up being a caricature of the ultra-macho alpha male with zero emotional range.
So the ''ultra macho'' alpha male is supposed to be completely out of sorts and have regular hallucinations regarding his relatives? I do not think that Hardy's acting during these visions has anything to do with being an ''alpha male'' or having ''zero emotional range''. I do not think that James first interaction with Godfrey displays ''zero emotional range'' either (and this is just an example among many).
I appreciate the fact that Hardy shows emotional range in a restrained and natural way (which was not always the case, even in his most compelling roles e.g ''The Take'', ''Cape Wrath''). Sometimes, displaying emotions is more than crying one's heart out.
something like 90% of the time he is on-screen he portrays exactly the same growling, brooding expression and voice
No.
and yet somehow fails to convince us that he is a real person.
This is because he is dead already, as you suggested previously.
More seriously, what the is the deal with the royal ''us''? If he is not convinced that he is a ''real'' person this does not mean that others are supposed to do the same.
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