Dan Aykroyd's Lucky 1980s --- And Comfortable Decline Thereafter
I recall how, at the end of the 80s, the two movie stars with the largest total grosses for the decade were:
Harrison Ford
Dan Aykroyd
Ford's win made sense: two Star Wars films and three Indy Jones in that decade did it, plus Blade Runner and Witness (anything else? Didn't NEED anything else.)
But Dan Aykroyd's run seemed to be a matter of sheer, crazy luck.
He did The Blues Brothers with Belushi in 1980, at the "brief peak" of Belushi's stardom.
Belushi was dead by 1982, but in 1983, Aykroyd hooked up with a NEW SNL star -- Eddie Murphy, in Trading Places.
Came 1984, Aykroyd ended up co-starring with yet ANOTHER "top" -- and peaking -- SNL star, Bill Murray, in Ghostbusters. Aykroyd had co-written the script and it was meant for Belushi but -- Murray in the lead supercharged the movie with Murray's trademark, loveable improv smarminess. Plus kid-friendly ghosts and effects. BIG hit.
Aykroyd had been very funny on SNL -- with his over-technical, over-articulate, high-speed talking comedy mechanism -- but he couldn't really transfer that funniness to movies. Belushi, Murphy and especially Murray were "naturals" -- funny guys you enjoyed hanging with. Akroyd, not so much.
And yet his luck continued.
Aykroyd could NOT carry the terrible "Doctor Detroit" of 1983 on his own (he was terrible) But he ended up meeting -- and marrying -- his va-va-voom wife, Donna Dixon, on that movie, so even it was a winner for him. (And they remain married today, long after his stardom faded; she must love the guy. Of course, she got old...but she's still va-va-voom.)
The Belushi-Murphy-Murray-Dixon run of the first half of the 80's was where Ayrkoyd shone, but the second half had its lucky breaks, too:
A 1985 Hope-Crosby like pariing with Chevy Chase(Spies Like Us) was a small hit, and helped both guys "get their funny back" -- while slightly rehabilitating director John Landis, he of Animal House, The Blues Brothers -- and the Twilight Zone deaths.
In 1987, Tom Hanks took second billing(for the last time) opposite Aykroyd in Dragnet. It was ironic -- Aykroyd WAS funny as deadpan robotic motormouth Joe Friday(in the Jack Webb tradition) and it WAS a perfect way to use his fast-talking robot style from SNL but...Tom Hanks was clearly the rising star and sexy/funny. Hanks was one year away from Big -- which would start his period of "being taken seriously for Oscar" and lead to even bigger things.
In 1989, at the end of the decade, two final bits of luck for Aykroyd: Ghostbusters II in the summer(not as good as the original, but big bucks for everyone) and a small part in Driving Miss Daisy that ended up putting Akyroyd in a Best Picture winner, with a Best Supporting Actor nom and...plenty of millions from a percentage in the high-grossing movie.
And that was the 80's for Aykroyd: luck, millions, gorgeous wife.
But there were flaws even in that decade: Aykroyd was awful( and unfunny) in the awful( and unfunny) Caddyshack II, with Bill Murray nowhere in sight and Chevy Chase just cameoing.
The Couch Trip was another one where Akroyd couldn't carry the picture -- and the once-great Walter Matthau looked out of it and over(sad.) Matthau would survive with Grumpy Old Men, but...a bad movie.
Aykroyd worked in anything and everything for years, but mainly in bad, forgettable movies -- even as he stoked up his "House of Blues" vodka salesman business side. He also gained substantial weight, rather disappearing his younger, thinner version he played against Belushi and joining the small group of overweight male stars(Brando, Nicholson, Travolta.)
The ONLY time Aykroyd found some of that ole SNL spark was in his surprisingly funny turn as a motor-mouth, over-articulate psycho hit man in John Cusack's cult favorite Grosse Pointe Blank(1997.) It was stunning how Aykroyd "found his old self" in that movie and got BIG laughs just with his line delivery and "crazy eyes."
No matter. He's rich, he's famous, he sells vodka, he still has a gorgeous wife(I hope) and...
...he ruled the 80's. By sheer luck of co-stars in the main.