MovieChat Forums > Dan Aykroyd Discussion > Dan Aykroyd's Lucky 1980s --- And Comfor...

Dan Aykroyd's Lucky 1980s --- And Comfortable Decline Thereafter


I recall how, at the end of the 80s, the two movie stars with the largest total grosses for the decade were:

Harrison Ford
Dan Aykroyd

Ford's win made sense: two Star Wars films and three Indy Jones in that decade did it, plus Blade Runner and Witness (anything else? Didn't NEED anything else.)

But Dan Aykroyd's run seemed to be a matter of sheer, crazy luck.

He did The Blues Brothers with Belushi in 1980, at the "brief peak" of Belushi's stardom.

Belushi was dead by 1982, but in 1983, Aykroyd hooked up with a NEW SNL star -- Eddie Murphy, in Trading Places.

Came 1984, Aykroyd ended up co-starring with yet ANOTHER "top" -- and peaking -- SNL star, Bill Murray, in Ghostbusters. Aykroyd had co-written the script and it was meant for Belushi but -- Murray in the lead supercharged the movie with Murray's trademark, loveable improv smarminess. Plus kid-friendly ghosts and effects. BIG hit.

Aykroyd had been very funny on SNL -- with his over-technical, over-articulate, high-speed talking comedy mechanism -- but he couldn't really transfer that funniness to movies. Belushi, Murphy and especially Murray were "naturals" -- funny guys you enjoyed hanging with. Akroyd, not so much.

And yet his luck continued.

Aykroyd could NOT carry the terrible "Doctor Detroit" of 1983 on his own (he was terrible) But he ended up meeting -- and marrying -- his va-va-voom wife, Donna Dixon, on that movie, so even it was a winner for him. (And they remain married today, long after his stardom faded; she must love the guy. Of course, she got old...but she's still va-va-voom.)

The Belushi-Murphy-Murray-Dixon run of the first half of the 80's was where Ayrkoyd shone, but the second half had its lucky breaks, too:

A 1985 Hope-Crosby like pariing with Chevy Chase(Spies Like Us) was a small hit, and helped both guys "get their funny back" -- while slightly rehabilitating director John Landis, he of Animal House, The Blues Brothers -- and the Twilight Zone deaths.

In 1987, Tom Hanks took second billing(for the last time) opposite Aykroyd in Dragnet. It was ironic -- Aykroyd WAS funny as deadpan robotic motormouth Joe Friday(in the Jack Webb tradition) and it WAS a perfect way to use his fast-talking robot style from SNL but...Tom Hanks was clearly the rising star and sexy/funny. Hanks was one year away from Big -- which would start his period of "being taken seriously for Oscar" and lead to even bigger things.

In 1989, at the end of the decade, two final bits of luck for Aykroyd: Ghostbusters II in the summer(not as good as the original, but big bucks for everyone) and a small part in Driving Miss Daisy that ended up putting Akyroyd in a Best Picture winner, with a Best Supporting Actor nom and...plenty of millions from a percentage in the high-grossing movie.

And that was the 80's for Aykroyd: luck, millions, gorgeous wife.

But there were flaws even in that decade: Aykroyd was awful( and unfunny) in the awful( and unfunny) Caddyshack II, with Bill Murray nowhere in sight and Chevy Chase just cameoing.

The Couch Trip was another one where Akroyd couldn't carry the picture -- and the once-great Walter Matthau looked out of it and over(sad.) Matthau would survive with Grumpy Old Men, but...a bad movie.

Aykroyd worked in anything and everything for years, but mainly in bad, forgettable movies -- even as he stoked up his "House of Blues" vodka salesman business side. He also gained substantial weight, rather disappearing his younger, thinner version he played against Belushi and joining the small group of overweight male stars(Brando, Nicholson, Travolta.)

The ONLY time Aykroyd found some of that ole SNL spark was in his surprisingly funny turn as a motor-mouth, over-articulate psycho hit man in John Cusack's cult favorite Grosse Pointe Blank(1997.) It was stunning how Aykroyd "found his old self" in that movie and got BIG laughs just with his line delivery and "crazy eyes."

No matter. He's rich, he's famous, he sells vodka, he still has a gorgeous wife(I hope) and...

...he ruled the 80's. By sheer luck of co-stars in the main.

reply

It's too bad the Coneheads movie didn't come a bit sooner. It wasn't released until 1993... a good decade or so past it's "sell by" date. In 1983, Lorraine Newman would still be young enough looking to pass as their daughter Connie Conehead. She didn't play that character in the movie, sadly. I think it would have been more successful if it had been released in the summer of 83 or 84.

Oh, I should also add that Dan Aykroyd was in Indiana Jones and the Temple of Doom, albeit for less than one minute. So that's another hit movie of the 80s he was in.

reply

Ackroyd did have the John Landis connection for many of those 80's movies, although Into the Night was a complete bomb. He definitely was not fit to be a leading man but awesome as a character actor, cameos, voice work.

reply

It's too bad the Coneheads movie didn't come a bit sooner. It wasn't released until 1993... a good decade or so past it's "sell by" date.

---

Yes, I recall thinking: "This is a little late, isn't it?" SNL producer Lorne Michaels had a Paramount contract to make movies out of certain SNL sketches. Waynes World was a blockbuster. The others were not -- and were mainly of 90s sketches(the guys in the bar snapping their necks; "The Ladies Man"; the Catholic girl). But I guess he felt that Coneheads was worth a try.

I can't say I much enjoyed the Coneheads sketches. Not my kind of comedy. There's a funny scene in the otherwise serious "Miracle" a period piece about the 1980 Olympic ice hockey team) where super-serious hockey coach Kurt Russell is told of the Coneheads by his assistant coach and can't even picture the concept.

Consider also, by the 90's, Belushi was long dead, Chase was a fading, tempermental star(he had star power in 1992 as "The Invisble Man," but not much longer)...but Akryoyd was available and not hard to work with at all. So Lorne might go for a Coneheads revival.

--

CONT

reply

Oh, I should also add that Dan Aykroyd was in Indiana Jones and the Temple of Doom, albeit for less than one minute. So that's another hit movie of the 80s he was in.

--

I forgot that! Man...the luck that guy had. That puts him in a movie with the OTHER top 80's grosser(Harrison Ford) and I suppose added to Dan's grosses if one "plays technical." It was also a funny jolt to see Akroyd pop up where he did -- it was like seeing an old friend(which is how stars function in cameos.)

Note in passing: I really don't like a lot of Temple of Doom. Spielberg himself said that he made the third one (Last Crusade) "to apologize for Temple of Doom." EXCEPT: I LOVE the first 20 minutes of Temple of Doom. How it doesn't even feel like an Indiana Jones movie in the first moments -- Kate Capshaw singing "Anything Goes" in Mandarin Chinese at a swanky nightclub. The ensuing entrance of Indy in dinner jacket. The back and forth with the poison. The big fight, the big chase, the big airplane flight, the big "float" of a raft from a plane down a snowy mountain.

And then the REAL movie begins and...what a silly, grossout downer.

But there's Dan Aykroyd in the "good part"(the first 20 minutes.)

CONT

reply

Ackroyd did have the John Landis connection for many of those 80's movies,

---

I forgot how many of Ackroyd's 80 movies were Landis films: The Blues Brothers, Trading Places in leading roles -- an opening cameo in The Twilight Zone and a short part in Into the Night.

The Twilight Zone famously connected director Landis to the deaths of one adult and two children on set...but Akroyd came through for Landis, calling the tragedy "simply an industrial accident." I suppose Akroyd did his small Into the Night part in support of Landis -- all those movie directors did . You've got Amy Heckerling as a diner waitress, Lawrence Kasdan as a cop and Roger Vadim as a crime boss and -- in my favorite bit -- Don "Dirty Harry" Siegel emerging from a men's room stall with a gorgeous woman, having just...you know...

---

although Into the Night was a complete bomb.

--

Yes. But I personally like it and it taught me to separate "the man from the movie." What's itneresting is that even in the wake of the Twilight Zone deaths(horrible ones, including a decapitation), Landis here made a super-violent thriller -- and played an Iranian hit man(one of a gang of four) who gets bloodily killed himself. The movie feels at once rebellious and self-loathing. Those four hit men are created to be "Animal House" funny -- The Four Stooges of incompetence -- except they kill a number of victims with merciless efficiency (including an actress played by Kathryn Harrold in a one-piece swimsuit for much of the film. Never hotter.)

CONT



reply

I like the "dusk til dawn" structure of Into the Night. I like the "Hitchcock angle" -- Jeff Goldblum(deadpan, handsome) is a "regular guy" who stumbles into the murderous plot and a "damsel in distress"(Michelle Pffeifer, vulnerable, gorgeous) and ends up as a small scale Cary Grant. I love professional killer David Bowie sidling up to Goldblum on a deserted Beverly Hills street near Rodeo Drive and praising him for his professionalism as an amateur: "Very impressive. REALLY good." Bowie then puts a gun in Goldblum's mouth but the police accidentally arrive. Bowie removes the gun and again praises Goldblum: "Again. VERY impressive. So good." Ha.

I like the knife fight to the death with "Abbott and Costello Meet Frankenstein" on TV in the background. (David Bowie versus Carl Perkins.)

I like how Carl Perkins is in it. I like how Vera Miles is in it. I like how Irene Papas is in it.

And I like the BB King songs at beginning and end. And the trademark "cast roll" Landis credits.

And Dan Aykroyd is just right for his small part up front as the dull friend who car pools with Goldblum to their dull jobs in LA aerospace...

CONT

reply

Temple of Doom is a masterpiece compared to Last Crapade

reply

Temple of Doom is a masterpiece compared to Last Crapade

--

To each their own. I've found that I survive if I say I like a film.
But if I say don't like a film -- the argument begins.

There was this pair of screenwriters, husband and wife named Willard Hyuck and Gloria Katz. They co-wrote American Graffiti, a fine film that put them on the map.

But then, their names ended up on some pretty bad scripts for some pretty big people:

Best Defense(a bad Eddie Murphy movie)
Howard the Duck(a bad George Lucas movie.)
Temple of Doom(a big hit, loved by some, but clearly "gore for kids" -- and Spielberg didn't REALLY like the script.)

Soon, they were over.

There's a scene where Indy is duking it out with a big adult man and Short Round the kid is duking it out with a "good kid in an evil trance" and I just watched it thinking: the hell is this?

And the heart being pulled out of the living human...and the monkey brain dinner.

Spielberg said that as a kid with his friends, they would "vomit vegetable soup" down from their movie theater balcony to gross out the patrons below. "Temple of Doom" felt like a movie made by that kid.

==

After the Thuggee villains of Temple of Doom(who drew some racism complaints), Spielberg went back to the tried and true -- Nazis -- with Last Crusade and made James Bond(Connery) Indy's father. It was good, but clearly a "re-tread" and a lesson: usually the first movie is the only really good one.


reply

My Girl was good

reply

My Girl was good

Yes, it was. 1991 -- out of the 80s . A dad role. A widower role. A romantic role(opposite Jamie Lee Curtis.)

Looking over Aykroyd's long list of acting credits, it just seems that he worked a lot in "meh" movies after his 80's heyday. As with most movie stars who aren't "tippy top" (your Nicholsons, DeNiros and Pacinos)...Akroyd sort of took work to take work. Sometimes good, but more often, not.

And I think the bizarre "Nothing But Trouble" was his baby entirely -- writing, directing, and taking Chevy Chase, John Candy and Demi Moore down with him (the kind of movie that rather kills a career, actually.)

I still think he's great as a psycho hit man trying to organize a "hit man's union" in Grosse Point Blank:



reply

Aykroyd has really never been funny. The people around him are funny.

Chevy Chase is similar.

I really can’t say how much of their material they wrote so I suppose they could be good writers.

reply

He definitely was not fit to be a leading man but awesome as a character actor, cameos, voice work.

--

Yes...certainly has kept him rich, and kept him his gorgeous wife (an accomplishment, so many of those Hollywood marriages break up.)

Indeed, the gorgeous wife (Donna Dixon) put Ayrkoyd in an interesting "humane real life role" in the 90s.

The famous but fading actor Anthony Perkins (Psycho, of course) directed Dixon in a movie called "Lucky Stiff," about a cannibal family who use their gorgeous member(Dixon) to lure obese men home "for dinner." Not an A movie, but Perkins and Aykroyd became pals, and when Perkins was bedridden and dying at home in 1992, Aykroyd for some days came to the house and "managed" all the guests and Perkins care. To the end.

And this: Donna Dixon is one of the two hotties who become the girlfriends of Aykroyd and Chevy Chase in Spies Like Us, but Dixon is CHASE's love interest. They gave a different hottie to Ackroyd. Maybe his choice.

But this: Ms. Dixon DOES make a cameo -- as a floating ghost "servicing" Aykroyd in bed -- in Ghostbusters. Not quite a kid's movie.

reply

Aykroyd has really never been funny. The people around him are funny.

--

This became apparent in Ghostbusters. So funny on SNL, he simply became an exposition-spouting straight man to Bill Murray in that one. Harold Ramis and Ernie Hudson even had more comic zing.

--

Chevy Chase is similar.

--

Somewhat. Early on , he had a great mix of good looks and a weird, distracted manner, like "he wasn't all there.". But he wasn't the funniest guy in Caddyshack. Still, he delivered pretty well in Fletch and the Vacation movies , one of which -- Christmas Vacation, wasn't much when it came out but is now likely Chase's most famous and successful film.

Chase's tempermental, rather psycho reputation off screen rather killed his career. And then his looks went.


--
I really can’t say how much of their material they wrote so I suppose they could be good writers.

--

I'm not sure myself. Chase wrote some of the SNL sketches, maybe the funny ones. I don't know if Chase wrote ANY of his movies. Aykroyd's scripts for The Blues Brothers and Ghostbusters had to be "punched up" for more laughs.

reply

I forgot Aykroyd was in Ghostbusters. I mean let’s be honest. Bill Murray steels the show. He’s one of the funniest people of all time. He carries Stripes. Is hilarious in Caddyshack. And so on. He’s a lot like John Belushi. Although Belushi’s movie career was cut short.

I love Blues Brothers but really anyone could’ve played Aykroyds character.

reply

vanessa angel is his love interest in spies like us.

reply

vanessa angel is his love interest in spies like us.

--

Ah, yes! Thanks for the reminder. He gave his wife to Chevy and ended up with another hottie for himself.

Devlishly good casting! Gorgeous women help make a movie more entertaining.

reply

Ackroyd invested well enough that he doesn't need to work as an actor, lucky him! If he doesn't, I assume it's his choice and not Hollywood's.

He can do what he likes, but if he hadn't struck it rich, the odds are that he'd have a decent and unremarkable career as a character actor, playing dads and bosses and high school principals. He'd be well-liked and earn a good living, maybe get a good role in a few TV shows, but he'd still be writing and hoping the magic will happen again.

reply

Ackroyd invested well enough that he doesn't need to work as an actor, lucky him!

---

A lot of "golden era" movie stars -- big ones -- didn't get paid all THAT much(for rich people) and if they didn't properly invest it, found themselves doing TV series and bad movies to survive.

The modern folks make more money and usually can't help but invest it well.

Ayrkroyd is always pushing his "House of Blues" chain(is it still active, or did it go the way of Planet Hollywood) and his vodka. (George Cloony supposedly made 300 million off his tequila -- is this a THING?)

--

If he doesn't, I assume it's his choice and not Hollywood's.

---

Probably. After his run of early 80s hits, Bill Murray took four years off and evidently loved the break. Al Pacino did the same thing between Revolution and Sea of Love. Its a nice fantasy -- make some millions and retire early.

Bill Murray now has a late in life career as a "very respected legend." He can be a little bit funny, but he reins it in now and sometimes doesn't even take leads.

Dan Aykroyd maybe kind of, sort of, could try for that "Bill Murray elder statesman" role, but he just doesn't seem to want to.

--
He can do what he likes, but if he hadn't struck it rich, the odds are that he'd have a decent and unremarkable career as a character actor, playing dads and bosses and high school principals. He'd be well-liked and earn a good living, maybe get a good role in a few TV shows, but he'd still be writing and hoping the magic will happen again

---

All true. In the final analysis, Ackroyd was part of a very unique , and now classic group of people: The "original cast of SNL." The current show has scores of players, none of whom have star level movie careers(not even Kate McKinnon). But Chase, Belushi, Ackroyd, Murray and Radner were IMMEDIATELY launched as movie stars in an era when new ones were needed.) And SNL did it for them. And that keeps Ackroyd classic.

reply

Ackroyd doesn't have enough stature to claim the sort of "Elder Statesman" gravitas that Bill Murray has now. I mean the two of them started out in the same time and place, but Murray took his craft seriously and grew tremendously as an actor, he's grown and improved over the years, and by the 2000s he was giving some very sensitive and interesting performances, as well as funny ones.

I just don't think that Ackroyd was ever that serious about acting, where Murray dug down and developed his craft, Ackroyd did other things with his life, and both made a success of what they did. I suspect that Ackroyd always thought of himself as a writer first and an actor second, and if he's nursing a secret heartbreak, it's that he never became a top screenwriter.

reply

[deleted]

As if Dan stopped being appealing to his fans and people like me just because he gained weight, so what...lots of us gain weight as we get older, it's normal. This is why i'm glad IMDB got rid of the forum because it comes across as toxic behavior to berate someone for merely aging. And hey, in this house we stan Couch Trip, Coneheads and Nothing But Trouble.

reply