Beethoven's sonatas are fathomless, enough so that no one player can hope to encompass every possible mood and nuance. Gilels is certainly one of my "essentials." I don't think anyone could play them with the same power, drama, and pristine musicality. He's certainly one of the virtuosos that had a real command over the technical challenges. On the other hand, Arrau's Beethoven is very special to me, as I think he brings out the depth and profundity of Beethoven, especially late Beethoven, better than anyone. Gilels and Arrau are, in a way, mirrored approaches; both entirely valid, but with completely different virtues (Gilels more analytically musical, Arraru more emotionally philosophical). Richter was a chameleon who could adapt his approach to each piece and bring out whatever aspects he thought were relevant. Like Gilels he had unlimited technique, but he used it towards very different approaches. Kempff, on the other hand, had an unmatched lyricism, and I think he brings out the beauty in a way few pianists can.
I can't imagine living with only ONE set of these sonatas, but Gilels would certainly be on my short-list for the best. Shame he didn't record them all, and not having a recording of #32 is a great shame.
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