Gardiner all the way, though Parrott's with the Tavener Consort is great too. It depends if you want a more modern performance via authentic instruments - ie one with a lighter feel & bouncier tempos - or the heavyweight interpretations of yore. I do have Richter's as well the two I mentioned, & whilst never my desert island recording, it's very enjoyable. I haven't heard all of those you list - maybe Herreweghe's would be worth sampling.
I have Gardiner for all the major Bach choral works; it's just a fabulous sound-world to be in, & it's virtually impossible not to respond to Gardiner's visions. There are few things more beautiful or enchanting on disc imo than the Laudamus Te of that recording. If being critical I'd say that it would have been better still if the violin solo line had been a touch more prominent, but it's still pure high-echelon magic.
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