Peter Oluwakayode Adegbie - The Prophet, The Pirate And The Witch
Peter Oluwakayode Adegbie - The Prophet, The Pirate And The Witch
Prologue
To The Bones That Weep
I will sing to Olodumare, who made all things,
the tale aflame in the crucible of my heart.
I will pestle consonants and vowels in a rhythm
till idioms stir and begin to live. I will leap
as one intoxicated with the treasured wine
of the oracles. I will roar like Sango
the G-d of thunder, whose axe sculptures
mountains in the sun. I will sing
of ancestral wells, I will sing of Yemonja's
breasts. I will sing of the ways
of merindinlogun, I will sing of the sacred
secrets of Ifa. I will sing of the wells
of knowledge now forgotten like roots
in Sahara sands. I will sing an elegy
of coastlands where bones weep. I will sing
of lands mined and shelled in oil, wasted,
so 'sweet and light crude' can flow, where
life bleeds and souls decay like seeds
planted in fetid soil. How long till I'm weary
of songs? How many more messiahs?
xxx
Who should bear the blame of ruined lives?
This pawn-play of masters who insatiably
contend on the oil-soaked chessboard of the dead
and dying, those without reprieve? Our
sacrifices are warm on clay altars, the blood
we shed thicker than oil in our mayhem
of lust for power and struggle for wealth, yet
the G-ds have not smiled. How long
will the land languish as souls sigh and youths
are spirited away to an eternity of agony
to lament their unfulfilled dreams. I will sing
for the living who envy the dead in five-
hundred-billion-dollar bottomless black-hole
greed, where youths wait in vain to live.
Olodumare, how long? We cover dead skin
with fine robes as marrow wastes in toxic
fumes that serpentine heavenward as bones crackle
in the heat, flesh sizzles and our tears fry;
how long shall we sing, bruised, crushed, throttled?
We grasp at pipes, till rivers of blood flow
with the devils' excrement--the oil that they seek.
I will cry like Job in Satan's smouldering furnace,
I will cry against the ravaging AIDS, the damaging
poverty, against the odious arrest of my song
in flaring gas, I will cry till aghast with deep rage,
till my tears irrigate this forlorn earth; perhaps,
ample tears will salve addiction to this opium of oil;
let me cry freedom, freedom for Niger Delta
--that cesspool where oil addicts shit and vomit,
yet insist on more. Let me mourn the graduates
and undergraduates out of the colleges, destitute,
jobless, destined to a bleak future; let me
voice the anxieties of civil servants pushing
the system, hobnobbing with conmen
hunting for scams; let me speak for desperate traders
on the fringes, tending their cancerous anger.
Shall we continue this song in the sun,
with muddied lingerie worse than
menstrual rags? Shall we dance with shamed
and tattered robes that tear in acid rains
that burn in Angola, Equatorial Guinea, Congo,
Gabon and, above all, Mother Nigeria?
Part One
1. Lagos 1993
Eko Akete Ilu Ogbon, to ba duro ko sora
Eko o gba gbere, Eko o gba gbere rara o [1]
In slowly softening lilac mist, light rays
rip clouds like fingers cotton wool,
Lagos, the ancient city of our fathers waits;
she waits for sunrise, for the horizon
to lift its mask, for the day to break out,
for dust and rust to drift in the air,
for birds to twitter and soar, for the rush
and crush to begin; she waits till
'bus boys' begin to yell their destinations:
Ojuelegba, Yaba, CMS, Oshodi;
And bodies will cram into tin boxes --'Danfo'
will pack in sixteen with bus boys
dangling by the tail for tickets; 'Molue'
will load up ninety-nine for its space
of forty nine; in the roasting heat and sweat,
chaos will crawl in the sun; in crowded
streets, urchins will hustle, dart, skip
and hop over potholes, daring traffic
and death, peddling pirated books, newspapers,
CDs, DVDs, cassettes, cell phones, fake drugs.
Fraudsters with sugar-coated tongues will sell
cure-all potions, African Viagra and charms.
Drivers honk and honk; tyres squeal, rubber burns
in the smog of running engines, as eyes smart,
and nostrils drip; men, women and children
will flood the streets like termites in holes,
with deft hands and swift feet. Evangelists, too,
will jump from bus to bus brandishing Bibles,
spitting hell and fire: 'Lagos is a talking drum
without a drumming stick; its rhythms
have faded; Lagos is a book of clichés and platitudes
that no-one wants to read; can you not see
how Lagos serenades the rich and ignores
the poor; have you not heard of sheep
without a shepherd, waiting for a messiah?
That is Lagos, a ship at full sail, heading