Michael Nyman's latest tantrum
Those of you with long memories may recall Nyman scotching his chances for an Oscar for The Piano when he devoted his interview tour to dismissing every other composer working in movies (you know, the people who vote in the nominations ballot for that category) as talentless morons who didn't have an ounce of his intellect or instincts. Well, he's back at his prissy best this month:
http://www.telegraph.co.uk/culture/music/opera/9253374/Composer-threat ens-to-withdraw-tax-after-latest-opera-rejected.html
Composer threatens to withdraw tax after latest opera rejected
A composer who wrote the award-winning score from the Piano has threatened to withdraw his tax from supporting British public institutions after the Royal Opera House refused to commission his latest work.
Michael Nyman, who has worked as a film composer for 30 years, complained he had proposed to stage a work in Covent Garden but had been rejected.
So, he mused: Maybe I should withdraw my tax from supporting such public institutions in 'my' country!
Nyman, who is widely known for his opera The Man Who Mistook His Wife for a Hat, told fans about the dispute on his public Facebook page.
In the third-person style customary on the social networking site, he wrote: Michael Nyman has just been informed that the Royal Opera, Covent Garden, will never commission an opera and will therefore spend whatever remains of his creative life without a single note of any of his operas, written or unwritten, represented on the stage of ANY opera house in the UK, EVER.
The irate artist later clarified: They ARE continuing to pay for new work, but not MY work.
Nyman, who now lives in Mexico City, has been supported by some of his 860 Facebook subscribers, who have rushed to condemn the decision.
The Royal Opera House have confirmed the work will not go ahead and said they take the commissioning of new works very seriously.
Kasper Holten, Director of Opera, Royal Opera House: In the end, you have to disappoint more people than you can offer commissions.
Having met with Michael Nyman, given serious thought to his suggestion, and having listened again to his operatic music in depth, we have decided that for us his musical language is not what we want to pursue in our next commissions.
This is of course not a dismissal of Michael Nyman as a composer in general, nor is it in itself a statement about the quality of his music, as such things can of course not be discussed objectively. In the end it is a question of taste, as with all artistic choices.
He went on to speculate that the perceived snub may have been the result of his appearance in the audience of Rigoletto in 1971, when he and a companion laughed throughout and added: Enough to kill a career as a composer I guess.
Still, maybe he'll have better luck if he ever turns one of his early works, the British soft porn flick Keep It Up Downstairs, into an opera.
"Security - release the badgers."