Liked Silvestri ever since I heard his sizzling synth and percussion-driven work on the Colombia-located, Robert Zemeckis-directed romantic adventure, Romancing the Stone, starring Michael Douglas and Kathleen Turner.
Then, after that next "little" Robert Zemeckis-directed, Dolorean-driven time-travel vehicle, Back to the Future, he went down the inevitable action road, with Predator, The Abyss and a whole bunch of others, where his music, like James Horner's, all kinda, sorta began to sound the same, before he rebounded and composed the gorgeous, rich "Americana" score to Zemeckis' Forrest Gump, and I lost track of him ever since.
It'd be interesting to hear some new, fresh and innovative work come out of this man! He's certainly talented!
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