CONTAINS SPOILERS
THE PROUD ONES – 1956
A much better than I was expecting western from the middle of the heyday of the genre.
Robert Ryan is a lawman in a railhead town at the end of the cattle trail. He tries to play fair with everyone, and tells the just arrived cowhands etc to behave themselves. It they cause no trouble, they will not get any from Ryan and his deputies, Walter Brennan and Arthur O'Connell.
Ryan is keeping company with Virginia Mayo, who runs a boarding house in town. He is finally going to pop the question and ask for her hand in marriage. This happy turn of events is soon interrupted by the return of several past problems.
First is the son, Jeffery Hunter, of a gunslinger Ryan had killed some years before. The son is looking for maybe a little payback. He has heard that Ryan had gunned his father when the man was unarmed. Hunter wants to decide if Ryan is indeed a back shooter. The second, and bigger problem, is the new saloon and gambling hall owner, Robert Middleton. Middleton, who goes by the unlikely name of "Honest John Barrett" runs anything but a honest set-up.
It does not take long before Ryan catches a card sharp in Middleton's saloon, doing a bit of underhand card playing. Ryan runs the card sharp out of the place. One of Middleton's guns goes for Ryan from behind. Hunter, who is having a beer, shouts out a warning to Ryan. The gun hand puts one in Hunter's leg and grazes Ryan in the head before Ryan drops the four flusher.
Ryan has Hunter put up at Miss Mayo's place to heal up. Ryan intends to ride close watch on Middleton's action. The deal with the two is that there is bad blood between them. The two had squared off in a different cow town before. Ryan had left that burg because his girl, Mayo had asked. Middleton had mistakenly taken this as cowardice on Ryan's part. Another twist is that Hunter's father was in Middleton's employ when he bought it.
Hunter recovers and is given a job as a jailer by Ryan. Ryan sits the kid down and tells him that his dad was a low-life gunman. Hunter does not like hearing this but can see that Ryan seems to have the respect of the town.
The one deputy, Arthur O'Connell, quits in order to be with his with child, wife. Hunter is offered the job, which he takes. Ryan is slowly filling up the jail with Middleton's crew as they get caught rolling winners at the table etc. The pit boss at Middleton's saloon, George Mathews kills a man for calling him a cheat. Ryan adds him to the jail house residents. Middleton has had enough of Ryan and sends for his two best guns, Ken Clark and Rodolfo Acosta.
Adding to Ryan's problems is that the head wound he got earlier is causing bouts of 2 or 3 minutes of blurred vision. This of course he keeps to himself. Clark and Acosta make a late night play at bushwhacking Ryan on his rounds. Ryan has to run for it as a bout of blurred vision hits.
The next night he takes Hunter along on his rounds. Acosta makes another play at Ryan. This however ends with Acosta getting some unneeded changes to his breathing process. Acosta's partner, Clark, does not like this and grabs a few of Middleton's men for a raid on the jail house. They free Mathews etc and kill guard Brennan.
Ryan hears the shooting and comes a running. He finds Hunter exchanging shots with Clark, Mathews and bunch. Ryan and Hunter chase the villains into a large barn on the edge of town. There is a long gun battle during which Ryan has another bout of blindness. He also catches a round in his gun arm. Hunter though is up to the task and the gunmen are soon ready for Boot Hill.
All that remains is to put the pinch on ringleader Middleton. Middleton is not inclined to go peacefully and goes for a hidden gun. Hunter is not fooled by the move and puts Middleton down for the count. Ryan and Mayo ride off to start a new life and Hunter is the new town lawman.
Also in the cast are Edward Platt, Fay Roope, Richard Deacon and Whit Bissell.
The director was Robert D. Webb. Webb was a long time second unit man whose films after making the move to main chair, include, THE GLORY BRIGADE, THE SPIDER, WHITE FEATHER, BENEATH THE 12 REEF, GUNS OF THE TIMBERLAND and Elvis's first film, LOVE ME TENDER.
The look of the film is just what one would expect from top notch cinematographer, Lucien Ballard. Ballard lensed, HOUSE ON TELEGRAPH HILL, FIXED BAYONETS, BERLIN EXPRESS, DON'T BOTHER TO KNOCK, THE GLORY BRIGADE, INFERNO, THE KILLER IS LOOSE, BUCHANAN RIDES ALONE, CITY OF FEAR, NEVADA SMITH, WILL PENNY, HOUR OF THE GUN, TRUE GRIT, THE WILD BUNCH and THE GETAWAY.
The film features a rather subdued and haunting theme from Lionel Newman.
Ryan is Ryan. Did he ever turn in anything but a great performance? Hunter is good while a mustache wearing Brennan is at his scene stealing best in his limited screen time.
Unlike most westerns, this one is not set out in the big spaces. It instead makes great use of the town as the backdrop for all the gun-play and double dealing. Most of the action takes place at night which works quite well.
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