No there's dialogue in the 2012 film. It's not what I would call dialogue driven but it is there.
There's no music. The soundtrack is the sounds of nature: rustling leaves, animal noises, blowing wind, rain etc. I think that's to drive home that Heathcliff and Cathy are, at their core, part of the natural world: driven by impulse and instinct. It's only after Cathy's exposed to society and "civilized" that things really begin to go wrong. When we see nature at and around Wuthering Heights it's nature at its most brutal. Because when you think about it, nature is merciless. There's predator and prey. And the love between Cathy and Heathcliff is similar. It's harsh and unforgiving. Of course the natural scenes of Wuthering Heights are contrasted with Thrushcross Grange where nature is tamed into manicured gardens.
The film is not definitive for me, only because it doesn't present the whole story. It ends after Catherine's death when Heathcliff takes ownership of Wuthering Heights and begins his revenge. I understand why directors are reluctant to include the second half. It is less dramatic than first. But I maintain it's necessary to the story because it brings everything full circle and provides a sense of balance.
However, like you I've found previous versions to be too sanitized. I think Natalie Portman and Michael Fassbender in a mainstream film would've been sanitized as well. Not that they aren't talented actors. But Natalie has an elegance and a grace that's at odds with a wild character like Catherine. Michael, I think would've played Heathcliff as a romantic hero. A dark one perhaps but similar to his Mr. Rochester. The problem is that Heathcliff isn't like that at all. He is, as Cathy says "a wolfish, raving, man". I think we saw more of that in this version than we would have in something mainstream. It is a pretty well known novel and it's been adapted for the screen many times. If people want a mainstream, pretty, romantic version, they're out there. I'd rather have something out there that's faithful to the novel in tone if not in content.
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