What classics did you watch this week? (9/12-9/18)
Please tell us what classics you saw last week. Modern films are welcome, as well.
You know who else was just following orders? HITLER!
Please tell us what classics you saw last week. Modern films are welcome, as well.
You know who else was just following orders? HITLER!
Outlaw Gangster VIP (Toshio Masuda, 1968) - A yakuza movie series recently released on video by Arrow (God bless 'em), five movies starring Tokyo Drifter's Tetsuya Watari. Other famiiiar Nikkatsu faces appear, too, including Watari's love interest from Tokyo Drifter, Chieko Matsubara (she of the perpetually sad face). The story here begins more or less like many other yakuza pictures, with Watari being released from prison. He finds his former gang has languished without him and the rival gang, whom he went to prison fighting, has grown more powerful. Immediately, he gets himself into big trouble when he defends Matsubara, a virginal youth new to Tokyo, from a gaggle of handsy yakuza. As the film moves on, it distinguishes itself with several fantatic set pieces, including some really violent yakuza brawls, and one of the best murder sequences I've ever seen, with one of Watari's best friends being clandestinely dispatched while waiting for the train. The film kind of ends in the middle of the story, but the studio knew it was going to make a series of these films immediately - this was one of five films, and the first of four of them that was released in 1968 alone! Definitely worth checking out. 7/10. yes.
Outlaw Gangster VIP 2 (Keiichi Ozawa, 1968) - While many of the plot points of this first sequel to Outlaw Gangster VIP are almost exactly the same as the original, this one is a much stronger film. That may sound a bit odd, but I think the direction and script are stronger, and maybe just because I felt I knew the protagonist I was more involved in his story at this point. Whatever the reason, I'd rank this one high amongst the many yakuza movies I've seen. The film picks up a few months after the first, with Tetsuya Watari, having healed his wounds, traveling north to find Chieko Matsubara and Yumeko, the wife of his gangster friend. In pretty much the same way (defending a defenseless woman), he gets drawn back into the yakuza world. This one features very strong performances throughout, and recognizable actors include Hideaki Nitani (whom you'll recognize from several Arrow titles), Kunie Tanaka and Meiko Kaji (who performs a flamenco dance number!). Izumi Ashikawa plays the woman Watari saves at the beginning of the film. He meets her again as a prostitute in Yokohama. She has a couple of really touching scenes opposite Tanaka, who plays the crippled brother of a gangster Watari killed in the first film. She's excellent. 9/10. YES.
Rhinoceros (Tom O'Horgan, 1974) - I read Eugene Ionesco's Rhinoceros as a freshman in college and I remember hating it. I read it in a class I hated with a professor I hated, and I think I pretty much ended up hating everything he introduced to me. Seeing the play on film some 19 years later, I'm still unsure if I like the play much. It's pretty silly and I'm not quite sure what Ionesco was going for (ditto some of the contemporary Nixon references added to the film, though I do get that the mailbox is Haldeman). However, a game cast made this version well worth watching. Gene Wilder plays Stanley, the protagonist who is particularly disturbed that the people around him are turning into rhinoceroses. Zero Mostel has the second most important role as Wilder's best friend and neighbor, who has a hilarious, protracted scene where he himself becomes a rhinoceros. Karen Black also co-stars (and wears a very silly, very cleavage-protruding green dress) as Wilder's crush. All three are very good. Wilder gets to play more quiet than he often does, though he does become bigger as the situation grows more crazy. He was such a great reactor, though. Mostel gets the more scenery-chewing role, but is tons of fun. Joe Silver also co-stars. Quite fun. 7/10. yes.
Re-watches
Female Prisoner #701: Scorpion (Shunya Ito, 1972) (third viewing) - One of the great exploitation movies. No one gets revenge like Meiko Kaji. 10/10. YES.
You know who else was just following orders? HITLER!
Pony Express (1953) 5/10
The Deadly Companions (1961) 1st view 3/10 not helped by very poor quality DVD.
Ride the High Country (1962) 9/10
River of No Return (1954) 7/10
Vera Cruz (1954) 8/10
Straight Outta Compton (2015) 1st view Are American police really so violent, aggresive and racist? 6/10
The Graduate (1967) 8/10
The Secret Life of Walter Mitty (2013) 1st view 6/10
The 'Burbs (1989) 1st view 6/10
The Exorcist (1973) 7/10
Carol (2015) 1st view 7/10
Scary Movie (2000) 1st view 4/10
Scary Movie 2 (2001) 1st view 2/10
Scary Movie 3 (2003) 1st view 4/10
A Nightmare on Elm Street 2: Freddy's Revenge (1985) 1st view 1/10
"He was a poet, a scholar and a mighty warrior."
Are American police really so violent, aggressive and racist?Well, not all of them of course. There are some good and noble policemen out there. But alas, it seems the bad apples go unchecked with this blue brotherhood conspiracy of silence! They cover each other's asses when they should be booted off the force! My experience with cops has been limited but I've found most (not all) of them to be arrogant bullies.The Deadly Companions (1961) 1st view 3/10 not helped by very poor quality DVDThere's a gorgeous pristine anamorphic print available from Germany.
In ancient Egypt, cats were worshipped as gods. They have never forgotten this
The Deadly Companions DVD was 4:3, badly faded and the night scenes were virtually black screen. I can only assume Maureen O'Hara shot the Apache?
I happened to catch the end of Fruitvale Station the other night so coupled with some of Staight Outta Compton and the numerous shootings reported on the news I really worry about a country where the police seem out of control.
Is it the police culture or the gun culture generally, which would make me nervous and suspicious if I was a cop?
"He was a poet, a scholar and a mighty warrior."
Is it the police culture or the gun culture generally, which would make me nervous and suspicious if I was a cop?Probably a bit of both. The problem is that there is no standard test for qualifying to be a policeman. It varies from state to state and even county and city. Some police forces have very tough and stringent rules to qualify and that's how it should be. Others are much more lax which makes it easy for psychologically unqualified candidates to become cops.
In ancient Egypt, cats were worshipped as gods. They have never forgotten this
My experience with cops has been limited but I've found most (not all) of them to be arrogant bullies.
Care to share some of your experiences?
Care to share some of your experiences?Not really but I have been in the backseat of a police car. I lived in San Francisco and attended SF State University in the late 60s/early 70s at the height of Haight Ashbury/black panther/war protest era. Cops patrolled the campus on horseback and weren't averse to clobbering a student if his ass wasn't kissed. But even beyond that, just an everyday occurrence like asking, "Excuse me officer but where is ....?" got you an arrogant attitude. I was the victim of a crime once and was treated like I was the criminal, not the victim. I won't even go into the many times I was just an observer to what police were doing.
In ancient Egypt, cats were worshipped as gods. They have never forgotten this
But even beyond that, just an everyday occurrence like asking, "Excuse me officer but where is ....?" got you an arrogant attitude.
Thanks for the response. Supposedly, the standard NYC police response to your question used to be "Go buy a map"
Of course, in this age Iphones, IPADs and google maps, everyone knows where they are within an inch and where they need to go.