MovieChat Forums > Classic Film > Your two favorite screen couples?

Your two favorite screen couples?


I'd nominate Charles Boyer and Irene Dunne for one. To watch Love Affair (1939) is to see two people who seem at a very deep level of outlook and attitudes, warmth, intelligence, irony and sentiment - so suited that it's impossible to imagine them NOT together.

And I'd nominate Veronica Lake and Alan Ladd. Watching Blue Dahlia - is again to see two people born to be with each other - they look at each other - and each looks ready to leap. My God, they sizzle! Voice, hair, size, incredible magnetism each for the other - these two people seem to want each other - more than either could ever want another. They are ideal - magnificent together.

There are many other couples who seem to amuse each other - all those Loy-Powell movies - or are in sync in humor and obviously enjoy each other's company (Grant and Dunne or Grant and Hepburn) or find the other greatly attractive (Bogart and Bacall)

But i don't think these pairs match the first two pairings. They seem born for each other.

Your picks?

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William Powell and Myrna Loy as NICK AND NORA CHARLES

Spencer Tracy and Katharine Hepburn as "The Bonners", in ADAM'S RIB

Gregory Peck and Mary Badham, as ATTICUS FINCH AND SCOUT FINCH in TO KILL A MOCKINGBIRD.

Errol Flynn AND Olivia De Havilland in ADVENTURES OF ROBIN HOOD.










I do hope he won't upset Henry...

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Even before they know it ... Hepburn* and Bogart ... actually both Kate* and Audrey** with Bogey now that I come to think on it.


Ut oh ... couple more couples

Audrey with Gregory*** and with Cary****.


Footnotes:
*African Queen
**Sabrina
***Roman Holiday
****Charade

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Gregory Peck and Ava Gardner in THE SNOWS OF KILIMANJARO

and at the opposite end of the spectrum

Tony LoBianco and Shirley Stoler in THE HONEYMOON KILLERS


Honorable mentions to

Dana Andrews & Gene Tierney esp in LAURA
Bogart & Bacall
Bogart & Gloria Grahame
Grahame and Sterling Hayden in NAKED ALIBI
Powell & Loy
Charlton Heston & Carroll Baker in THE BIG COUNTRY
Tommy Rall & Ann Miller in KISS ME KATE
Ralph Fiennes & Kristin Scott Thomas in THE ENGLISH PATIENT
Mastroianni and Anouk Aimee in LA DOLCE VITA
Jennifer Tilly & Gina Gershon in BOUND
Lancaster & Kerr FROM HERE TO ETERNITY
Clift and Taylor A PLACE IN THE SUN
Woody Allen & Diane Keaton
Alan Bates & Julie Christie



Tell mama, Tell mama all....

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No Liz and Monty ?

or Seberg and Sean Garrison ?

or Linda Darnall and that gas-station casanova Rick Jason ?

Right now, I'll plumb for:

Delon & Marie Laforet in PLEIN SOLEIL
Delon & Cardinale in THE LEOPARD
Delon & Vitti in L'ECLISSE
Delon & Romy in CHRISTINE
Anouk & Trintignant in UN HOMME ET UNE FEMME
Monty & Lee Remick in WILD RIVER
Lemmon & Lee in DAYS OF WINE AND ROSES
Audrey & Cat in BREAKFAST AT TIFFANYS
Sophia & Peck in ARABESQUE
Jean Simmons & Peck in THE BIG COUNTRY
Sophia & Marcello
Garbo & Novarro in MATA HARI
Errol & Olivia in CAPTAIN BLOOD
Crawford & McCambridge in JOHNNY GUITAR, + Joan & Sterling of course.
Judy & Mason in A STAR IS BORN
Fred & Cyd in THE BANDWAGON & SILK STOCKINGS
Audrey & Finney in TWO FOR THE ROAD
Audrey & O'Toole in HOW TO STEAL A MILLION
Jean Sorel & Robert Hossein in CHAIR DE POULE
Sorel & Cardinale in SANDRA
Kay Kendall & Robert Taylor in QUENTIN DURWARD
Kay & Rex in THE RELUCTANT DEBUTANTE
Ingrid & Cary in NOTORIOUS / INDISCREET
Ingrid & Cooper in SARATOGA TRUNK
Kerr & Mitchum in HEAVEN KNOWS MR ALLISON / THE SUNDOWNERS / THE GRASS IS GREENER.

They're on to you - I'm in your room.

http://www.osullivan60.blogspot.com/

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Hi Timshell, but with Heston-Baker - it's one-sided! Heston sure wants her - and is protective of her - but she really wants nothing to do with him. I think that Peck and Simmons have it all over Heston-Baker as a couple in that movie.

I like The Big Country very much (but not for its over the top ending). I like its great sympathy for Chuck Connors (otherwise the villain of the film). Wyler has an appreciation for his character's masculine vigorous spirits, his exuberance. There's a joy the movie takes in that early scene when Connors and his brothers are showing off on their horses - and a sympathy for Connors in his dealings with Burl Ives. Connors gives one of the better portrayals of an ignorant, conceited virile male I've ever seen.

And the film's portrayal of Charlton Heston's character - is GREAT! Again, Wyler shows the character great sympathy - we understand him completely - and feel deeply when after having squelched the disturbed feelings of his ranch hands over his boss's tactics - Heston finds it harder and harder to defend and follow his leader - the man he's always thought of as his father. It's like what I imagine Heston would have looked like, spoken, felt like - if he'd been a U.S. Senator (as so often he was urged to run for office to become) reluctantly grudgingly evolving to vote for conviction of President Nixon on the impeachment charges.

Of course it's Burl Ives who almost steals the movie! Great story, wonderful music, great narrative to the plot, wonderful acting - I love it.

Many have said it was an allegory of the Cold War - but I don't think so. There was no real "Big Muddy" in Europe - neither the USSR nor America was yearning to get Finland or Austria (the only real equivalents of The Big Muddy) on their side. Otherwise, the two sides were simply lined up and opposing each other.

But I think the movie is a metaphor - for the very area where Wyler grew up - as a German speaker in largely German speaking Alsace - part of Germany when Wyler was growing up - but of course as every Alsatian knew, it was coveted by France - in fact Frenchmen burned for its return - until it was recovered in 1919 - and lost again to Germany for several years in 1940. I can easily imagine the story appealing to Wyler - with France as the civilized family and the Germans seen as the uncivilized family.

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Yes "There may be better westerns... but few more enjoyable" said one critic  interesting thoughts re Alsace allegory  and yes Connors is remarkably sympathetic - indeed the movie does evoke some for all the principals - even those with opposing views - not an easy task.

I have to disagree re Baker & Heston though - it is initially one sided - but all the more compulsively sexy when the cattle baron's haughty daughter finally realises that the right man for her is the hired help* - not the pacifist sea captain she's betrothed to who isn't as trigger happy as he should be Here's the evidence - Hubba Hubba! https://www.youtube.com/watch?v=2KfWymDaTmA

So much to enjoy in this one - Moss' timeless score, and that amazing fight between Heston and Peck, and even at some 2 and a half hours long - never dull (Many of today's film makers could learn from that)


* and the way he looked in 1958 and acted - such a take charge guy - one can't blame her.

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I reckon Patricia was attracted to Steve Leech from the start but she was such an A-grade snob that she couldn't lower herself to admitting she was hot for a mere employee.
BTW, my favourite Heston performance.


"He was a poet, a scholar and a mighty warrior."

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Oh sure - I gather that as Baker was pregnant during the shoot she was let go early by Wyler, which is why we don't get to see her & Heston a happy couple at the end, the way we do with Peck/Simmons.

It may well be my favourite Heston - although TOUCH OF EVIL, THE NAKED JUNGLE and RUBY GENTRY are in the running - I'm a big fan of his 50s work but I think he got a shade dull after BEN-HUR and the Oscar.


Tell mama, Tell mama all....

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